U2

U2 are an Irish rock band from Dublin. Formed in 1976, the group consists of Bono (vocals and guitar), The Edge (guitar, keyboards, and vocals),Adam Clayton (bass guitar), and [http://en.wikipedia.org/wiki/Larry_Mullen,_Jr. Larry Mullen, Jr.] (drums and percussion). U2's early sound was rooted in post-punk but eventually grew to incorporate influences from many genres of popular music. Throughout the group's musical pursuits, they have maintained a sound built on melodic instrumentals, highlighted by The Edge's timbrally varied guitar sounds and Bono's expressive vocals. Their lyrics, often embellished with spiritual imagery, focus on personal themes and sociopolitical concerns.

U2 formed at Mount Temple Comprehensive School in 1976 when the members were teenagers with limited musical proficiency. Within four years, they signed with Island Records and released their debut album Boy. By the mid-1980s, U2 became a top international act. They were more successful as a touring act than they were at selling records until their 1987 album The Joshua Tree which, according to Rolling Stone, elevated the band's stature "from heroes to superstars".[1]  Reacting to musical stagnation and criticism of their earnest image and musical direction in the late-1980s, U2 reinvented themselves with their 1991 album, Achtung Baby, and the accompanying Zoo TV Tour; they integrated dance, industrial, andalternative rock influences into their sound, and embraced a more ironic and self-deprecating image. Similar experimentation continued for the remainder of the 1990s with varying levels of success. U2 regained critical and commercial favour in the 2000s with the records All That You Can't Leave Behind (2000) and How to Dismantle an Atomic Bomb (2004), which established a more conventional, mainstream sound for the group. TheirU2 360° Tour from 2009–2011 was the highest-attended and highest-grossing concert tour in history.

U2 have released 12 studio albums and are among the all-time best-selling music artists, having sold more than 150 million records worldwide. They have won 22 Grammy Awards, more than any other band, and in 2005, they were inducted into the Rock and Roll Hall of Fame in their first year of eligibility. Rolling Stone ranked U2 at number 22 in its list of the "100 Greatest Artists of All Time" and has labelled them the "Biggest Band in the World".[2]  Throughout their career, as a band and as individuals, they have campaigned for human rights and philanthropic causes, including Amnesty International, the ONE/DATA campaigns, Product Red, and The Edge's Music Rising.

Contents
[hide]  *1 History ==History[ edit] == See also: Timeline of U2===Formation and early years (1976–79)[ edit] ===
 * 1.1 Formation and early years (1976–79)
 * 1.2 Boy, October, and War (1980–84)
 * 1.3 The Unforgettable Fire and Live Aid (1984–85)
 * 1.4 The Joshua Tree and Rattle and Hum (1986–89)
 * 1.5 Achtung Baby, Zoo TV, and Zooropa (1990–93)
 * 1.6 Passengers, Pop, and PopMart (1994–99)
 * 1.7 "Reapplying for the job of the best band in the world" (2000–06)
 * 1.8 No Line on the Horizon and U2 360° Tour (2006–2011)
 * 1.9 13th studio album and recent activity (2012–present)
 * 2 Musical style
 * 2.1 Instrumentation
 * 2.2 Lyrics and themes
 * 2.3 Influences
 * 3 Campaigning and activism
 * 4 Other projects
 * 5 Legacy
 * 6 Concert tours
 * 7 Band members
 * 8 Discography
 * 9 References
 * 10 External links

U2 in 1980. Shown from left to right: Clayton, Mullen, Bono, The Edge.The band formed in Dublin on 25 September 1976.[3]  [http://en.wikipedia.org/wiki/Larry_Mullen,_Jr. Larry Mullen, Jr.], then a 14-year-old student at Mount Temple Comprehensive School, posted a note on the school's notice board in search of musicians for a new band—six people responded. Setting up in his kitchen, Mullen was on drums, with Paul Hewson (Bono) on lead vocals; David Evans (The Edge) and his older brother Dik Evans[4]  on guitar; Adam Clayton, a friend of the Evans brothers on bass guitar; and initially Ivan McCormick and Peter Martin, two other friends of Mullen.[5]  Mullen later described it as "'The Larry Mullen Band' for about ten minutes, then Bono walked in and blew any chance I had of being in charge." Soon after, the group settled on the name "Feedback" because it was one of the few technical terms they knew.[6]  Martin did not return after the first practice, and McCormick left the group within a few weeks. Most of the group's initial material consisted of cover songs, which the band admitted was not their forté.<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[7]  Some of the earliest influences on the band were emerging punk rockacts, such as The Jam, The Clash, Buzzcocks, Sex Pistols and Joy Division. The popularity of punk rock convinced the group that musical proficiency was not a prerequisite to being successful.<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[8] <p style="margin-top:0.5em;line-height:inherit;">"We couldn't believe it. I was completely shocked. We weren't of an age to go out partying as such but I don't think anyone slept that night.... Really, it was just a great affirmation to win that competition, even though I've no idea how good we were or what the competition was really like. But to win at that point was incredibly important for morale and everyone's belief in the whole project."

—The Edge, on winning the CBS competition<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10px;">[9] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In March 1977, the band changed their name to The Hype.<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[10]  Dik Evans, who was older and by this time at college, was becoming the odd man out. The rest of the band was leaning towards the idea of a four-piece ensemble and he was "phased out" in March 1978. During a farewell concert in the Presbyterian Church Hall in Howth, which featured The Hype playing covers, Dik ceremonially walked offstage. The remaining four band members completed the concert playing original material as "U2".<sup class="reference" id="cite_ref-U2_by_U2_46-48_11-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[11]  Steve Averill, a punk rock musician (with The Radiators) and family friend of Clayton's, had suggested six potential names from which the band chose "U2" for its ambiguity and open-ended interpretations, and because it was the name that they disliked the least.<sup class="reference" id="cite_ref-12" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[12]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">On Saint Patrick's Day in 1978, U2 won a talent show in Limerick. The prize consisted of £500 and studio time to record a demo which would be heard by CBS Ireland, a record label. This win was an important milestone and affirmation for the fledgling band.<sup class="reference" id="cite_ref-U2_by_U2_46-48_11-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[11]  U2 recorded their first demo tape at Keystone Studios in Dublin in May 1978.<sup class="reference" id="cite_ref-Bono_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[13]  Hot Press magazine was influential in shaping the band's future; in May, Paul McGuinness, who had earlier been introduced to the band by the publication's journalist Bill Graham, agreed to be U2's manager.<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[14]  The group's first release, an Ireland-only EP entitled Three, was released in September 1979 and was their first Irish chart success.<sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[15]  In December 1979, U2 performed in London for their first shows outside Ireland, although they were unable to gain much attention from audiences or critics.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[16]  In February 1980, their second single "Another Day" was released on the CBS label, but again only for the Irish market.<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[17] ===Boy, October, and War (1980–84)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Island Records signed U2 in March 1980, and in May the band released "11 O'Clock Tick Tock" as their first international single.<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[18]  The band's debut album, Boy, followed in October. Produced bySteve Lillywhite, it received generally positive reviews.<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[19]  Although Bono's unfocused lyrics seemed improvised, they expressed a common theme: the dreams and frustrations of adolescence.<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[20] The album included the band's first United States hit single, "I Will Follow". Boy's release was followed by the Boy Tour, U2's first tour of continental Europe and the United States.<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[21]  Despite being unpolished, these early live performances demonstrated U2's potential, as critics noted that Bono was a "charismatic" and "passionate" showman.<sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[22]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The band's second album, October, was released in 1981 and contained overtly spiritual themes. During the album's recording sessions, Bono and The Edge considered quitting the band due to perceived spiritual conflicts.<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[23]  Bono, The Edge, and Mullen had joined a Christian group in Dublin called the "Shalom Fellowship", which led them to question the relationship between the Christian faith and the rock and roll lifestyle.<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[24]  Bono and The Edge took time off between tours and decided to leave Shalom in favour of continuing with the band. Recording was further complicated with the theft of a briefcase containing lyrics for several working songs from backstage during the band's performance at a nightclub in Portland, Oregon.<sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[25]  The album received mixed reviews and limited radio play. Low sales outside the UK put pressure on their contract with Island and focused the band on improvement.<sup class="reference" id="cite_ref-26" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[26] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Resolving their doubts of the October period, U2 released War in February 1983.<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[27]  A record where the band "turned pacifism itself into a crusade",<sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[28]  War ' s sincerity and "rugged" guitar was intentionally at odds with the trendier synthpop of the time.<sup class="reference" id="cite_ref-29" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[29]  The album included the politically charged "Sunday Bloody Sunday", in which Bono lyrically tried to contrast the events of Bloody Sunday with Easter Sunday.<sup class="reference" id="cite_ref-30" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[30]  Rolling Stone magazine wrote that the song showed the band was capable of deep and meaningful songwriting. War was U2's first album to feature the photography of Anton Corbijn, who remains U2's principal photographer and has had a major influence on their vision and public image.<sup class="reference" id="cite_ref-31" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[31]  U2's first commercial success, War debuted at number one in the UK, and its first single, "New Year's Day", was the band's first hit outside Ireland or the UK.<sup class="reference" id="cite_ref-32" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[32]

Bono performs in Norway during theWar Tour in 1983.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">On the subsequent War Tour, the band performed sold-out concerts in mainland Europe and the US. The sight of Bono waving a white flag during performances of "Sunday Bloody Sunday" became the tour's iconic image.<sup class="reference" id="cite_ref-33" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[33]  U2 recorded the Under a Blood Red Sky live album and the Live at Red Rocks concert film on tour, both of which received extensive play on the radio and MTV, expanding the band's audience and showcasing their prowess as a live act.<sup class="reference" id="cite_ref-34" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[34]  With their record deal with Island Records coming to an end, the band signed a more lucrative extension in 1984. They negotiated the return of their copyrights (so that they owned the rights to their own songs), an increase in their royalty rate, and a general improvement in terms, at the expense of a larger initial payment.<sup class="reference" id="cite_ref-band80s_35-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[35] ===The Unforgettable Fire and Live Aid (1984–85)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:inherit;">"We knew the world was ready to receive the heirs to The Who. All we had to do was to keep doing what we were doing and we would become the biggest band since Led Zeppelin, without a doubt. But something just didn't feel right. We felt we had more dimension than just the next big anything, we had something unique to offer."

—Bono, on The Unforgettable Fire ' s new direction.<sup class="reference" id="cite_ref-U2byU2_147_36-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10px;">[36] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The band feared that following the overt rock of the War album and tour, they were in danger of becoming another "shrill", "sloganeering arena-rock band".<sup class="reference" id="cite_ref-RS_JT_37-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[37]  Thus, they sought experimentation for their fourth studio album, The Unforgettable Fire;<sup class="reference" id="cite_ref-COMPLETE_21_38-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[38]  as Adam Clayton recalls, "We were looking for something that was a bit more serious, more arty."<sup class="reference" id="cite_ref-U2byU2_147_36-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[36]  The Edge admired the ambient and "weird works" of Brian Eno, who, along with his engineer Daniel Lanois, eventually agreed to produce the record.<sup class="reference" id="cite_ref-39" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[39]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Partly recorded in Slane Castle, The Unforgettable Fire was released in 1984 and was at the time the band's most marked change in direction.<sup class="reference" id="cite_ref-PARRA_52-56_40-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[40]  It was ambient and abstract, and featured a rich, orchestrated sound. Under Lanois' direction, Mullen's drumming became looser, funkier, and more subtle and Clayton's bass became more subliminal; the rhythm section no longer intruded, but flowed in support of the songs.<sup class="reference" id="cite_ref-STOKES_50-51_41-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[41]  Complementing the album's atmospheric sound, the lyrics are open to interpretation, providing what the band called a "very visual feel".<sup class="reference" id="cite_ref-PARRA_52-56_40-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[40]  Due to a tight recording schedule, however, Bono felt songs like "Bad" and "Pride (In the Name of Love)" were incomplete "sketches".<sup class="reference" id="cite_ref-U2byU2_151_42-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[42]  The album's lead single "Pride (In the Name of Love)", written about [http://en.wikipedia.org/wiki/Martin_Luther_King,_Jr. Martin Luther King, Jr.], was the band's biggest hit to that point and was their first song to chart in the US top 40.<sup class="reference" id="cite_ref-43" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[43] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Much of The Unforgettable Fire Tour moved into indoor arenas as U2 began to win their long battle to build their audience.<sup class="reference" id="cite_ref-45" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[45]  The complex textures of the new studio-recorded tracks, such as "The Unforgettable Fire" and "Bad", were problematic to translate to live performances.<sup class="reference" id="cite_ref-PARRA_52-56_40-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[40] One solution was programmed sequencers, which the band had previously been reluctant to use, but are now used in the majority of the band's performances.<sup class="reference" id="cite_ref-PARRA_52-56_40-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[40]  Songs on the album had been criticised as being "unfinished", "fuzzy", and "unfocused", but were better received by critics when played on stage.<sup class="reference" id="cite_ref-46" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[46]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">U2 participated in the Live Aid concert for Ethiopian famine relief at Wembley Stadium in July 1985.<sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[47]  U2's performance in front of 72,000 fans in the stadium in an event that had a worldwide television audience of two billion people was a pivotal point in the band's career.<sup class="reference" id="cite_ref-48" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[48]  During a 14-minute performance of the song "Bad", Bono leapt down off the stage to embrace and dance with a fan, showing a television audience the personal connection that Bono could make with audiences.<sup class="reference" id="cite_ref-49" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[49]  In 1985, Rolling Stone magazine called U2 the "Band of the '80s", saying that "for a growing number of rock-and-roll fans, U2 have become the band that matters most, maybe even the only band that matters".<sup class="reference" id="cite_ref-band80s_35-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[35] ===The Joshua Tree and Rattle and Hum (1986–89)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:inherit;">"The wild beauty, cultural richness, spiritual vacancy and ferocious violence of America are explored to compelling effect in virtually every aspect of The Joshua Tree—in the title and the cover art, the blues and country borrowings evident in the music ... Indeed, Bono says that 'dismantling the mythology of America' is an important part of The Joshua Tree ' s artistic objective."

—Anthony DeCurtis<sup class="reference" id="cite_ref-50" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10px;">[50] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">For their fifth album, The Joshua Tree,<sup class="reference" id="cite_ref-51" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[51]  the band wanted to build on The Unforgettable Fire ' s textures, but instead of out-of-focus experimentation, they sought a harder-hitting sound within the limitation of conventional song structures.<sup class="reference" id="cite_ref-52" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[52]  Realising that "U2 had no tradition" and that their knowledge of music from before their childhood was limited, the group delved into American and Irish roots music.<sup class="reference" id="cite_ref-53" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[53] Friendships with Bob Dylan, Van Morrison, and Keith Richards motivated the band to explore blues, folk, and gospel music and focused Bono on his skills as a songwriter and lyricist.<sup class="reference" id="cite_ref-54" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[54]  U2 interrupted the album sessions in mid-1986 to serve as a headline act on Amnesty International's A Conspiracy of Hope tour. Rather than being a distraction, the tour added extra intensity and focus to their new material.<sup class="reference" id="cite_ref-McCormick_2006.2C_p._174_55-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[55] Later that year, Bono travelled to San Salvador and Nicaragua and saw first-hand the distress of peasants bullied in internal conflicts that were subject to US political intervention. The experience became a central influence on the new music.<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[56]

The tree pictured on The Joshua Tree album sleeve.Adam Clayton said, "The desert was immensely inspirational to us as a mental image for this record."<sup class="reference" id="cite_ref-57" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10px;">[57] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The Joshua Tree was released in March 1987. The album juxtaposes antipathy towards US foreign policy against the group's deep fascination with the country, its open spaces, freedom, and ideals.<sup class="reference" id="cite_ref-58" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[58]  The band wanted music with a sense of location and a "cinematic" quality, and the record's music and lyrics draw on imagery created by American writers whose works the band had been reading.<sup class="reference" id="cite_ref-59" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[59]  The Joshua Tree became the fastest-selling album in British chart history, and topped the Billboard 200 in the United States for nine consecutive weeks.<sup class="reference" id="cite_ref-60" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[60]  The first two singles, "With or Without You"<sup class="reference" id="cite_ref-RS_JT_37-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[37]  and "I Still Haven't Found What I'm Looking For", quickly became the group's first number-one hits in the US. They became the fourth rock band to be featured on the cover of Time magazine,<sup class="reference" id="cite_ref-61" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[61]  which declared that U2 was "Rock's Hottest Ticket".<sup class="reference" id="cite_ref-62" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[62]  The album won U2 their first two Grammy Awards,<sup class="reference" id="cite_ref-grammyawards_63-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[63]  and it brought the band a new level of success. Many publications, including Rolling Stone, have cited it as one of rock's greatest.<sup class="reference" id="cite_ref-500Greatest_64-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[64]  The Joshua Tree Tour was the first tour on which the band played shows in stadiums, alongside smaller arena shows.<sup class="reference" id="cite_ref-65" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[65]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The documentary Rattle and Hum featured footage recorded from The Joshua Tree Tour, and the accompanying double album of the same name included nine studio tracks and six live U2 performances. Released in October 1988, the album and film were intended as a tribute to American music;<sup class="reference" id="cite_ref-66" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[66]  they included recordings at Sun Studios in Memphis and performances with Bob Dylan and B. B. King. Rattle and Hum performed modestly at the box office and received mixed reviews from both film and music critics;<sup class="reference" id="cite_ref-67" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[67]  one Rolling Stone editor spoke of the album's "excitement", another described it as "bombastic and misguided".<sup class="reference" id="cite_ref-RS_xxiii_68-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[68]  The film's director, Phil Joanou, described it as "an overly pretentious look at U2".<sup class="reference" id="cite_ref-RS_xxiv_69-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[69]  Most of the album's new material was played on 1989's Lovetown Tour, which only visited Australasia, Japan and Europe, so as to avoid the critical backlash the group faced in the US. In addition, they had grown dissatisfied with their live performances; Mullen recalled that "We were the biggest, but we weren't the best".<sup class="reference" id="cite_ref-fricke_70-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[70]  With a sense of musical stagnation, Bono said to fans on one of the last dates of the tour that it was "the end of something for U2" and that they had to "go away and... just dream it all up again".<sup class="reference" id="cite_ref-71" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[71] ===Achtung Baby, Zoo TV, and Zooropa (1990–93)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:inherit;">"Buzzwords on this record were trashy, throwaway, dark, sexy, and industrial (all good) and earnest, polite, sweet, righteous, rockist and linear (all bad). It was good if a song took you on a journey or made you think your hifi was broken, bad if it reminded you of recording studios or U2..."

—Brian Eno, on the recording of Achtung Baby<sup class="reference" id="cite_ref-72" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10px;">[72] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Stung by the criticism of Rattle and Hum, the band sought to transform themselves musically.<sup class="reference" id="cite_ref-73" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[73]  Seeking inspiration on the eve ofGerman reunification, they began work on their seventh studio album, Achtung Baby, at Hansa Studios in Berlin in October 1990 with producers Daniel Lanois and Brian Eno.<sup class="reference" id="cite_ref-74" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[74]  The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. While Clayton and Mullen preferred a sound similar to U2's previous work, Bono and The Edge were inspired by European industrial music and electronic dance music and advocated a change. Weeks of tension and slow progress nearly prompted the group to break up until they made a breakthrough with the improvised writing of the song "One".<sup class="reference" id="cite_ref-75" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[75]  They returned to Dublin in 1991, where morale improved and the majority of the album was completed. <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Achtung Baby was released in November 1991. The album represented a calculated change in musical and thematic direction for the group; the shift was one of their most dramatic since The Unforgettable Fire.<sup class="reference" id="cite_ref-77" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[77]  Sonically, the record incorporated influences from alternative rock, dance, and industrial music of the time, and the band referred to its musical departure as "four men chopping down the Joshua Tree".<sup class="reference" id="cite_ref-ach-stations_78-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[78]  Thematically, it was a more introspective and personal record; it was darker, yet at times more flippant than the band's previous work. Commercially and critically, it has been one of the band's most successful albums. It produced five hit singles, including "The Fly", "Mysterious Ways", and "One", and it was a crucial part of the band's early 1990s reinvention.<sup class="reference" id="cite_ref-79" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[79]  Like The Joshua Tree, many publications have cited the record as one of rock's greatest.<sup class="reference" id="cite_ref-500Greatest_64-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[64]

The Zoo TV Tour was a multimedia-intensive event, featuring a stage that used dozens of video screens.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Like Achtung Baby, the 1992–1993 Zoo TV Tour was an unequivocal break with the band's past. In contrast to the austere stage setups of previous U2 tours, Zoo TV was an elaborate multimedia event. It satirised the pervasive nature of television and its blurring of news, entertainment, and home shopping by attempting to instill "sensory overload" in its audience.<sup class="reference" id="cite_ref-ach-stations_78-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[78] <sup class="reference" id="cite_ref-closer-to-edge_80-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[80] <sup class="reference" id="cite_ref-81" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[81]  The stage featured large video screens that showed visual effects, random video clips from pop culture, and flashing text phrases.<sup class="reference" id="cite_ref-82" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[82]  Whereas U2 were known for their earnest performances in the 1980s, the group's Zoo TV performances were intentionally ironic and self-deprecating;<sup class="reference" id="cite_ref-ach-stations_78-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[78]  on stage, Bono performed as several over-the-top characters, including "The Fly",<sup class="reference" id="cite_ref-83" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[83]  "Mirror Ball Man", and "MacPhisto".<sup class="reference" id="cite_ref-84" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[84]  Prank phone calls were made to President Bush, the United Nations, and others. Live satellite link-ups to war-torn Sarajevo caused controversy.<sup class="reference" id="cite_ref-85" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[85]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Quickly recorded during a break in the Zoo TV Tour in mid-1993, the Zooropa album expanded on many of the themes from Achtung Baby and the Zoo TV Tour. Initially intended as an EP, Zooropa ultimately evolved into full-length LP album. It was an even greater departure from the style of their earlier recordings, incorporating further dance influences and other electronic effects.<sup class="reference" id="cite_ref-86" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[86]  Johnny Cash sang the lead vocals on "The Wanderer". Most of the songs were played at least once during the 1993 legs of the tour, which visited Europe, Australia, New Zealand and Japan; half the album's tracks became permanent fixtures in the setlist.<sup class="reference" id="cite_ref-87" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[87]  Although the commercially successful "Zooropa" won the Grammy Award for Best Alternative Music Album in 1994, the band regard it with mixed feelings, as they felt it was more of "an interlude". ===Passengers, Pop, and PopMart (1994–99)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In 1995, U2 released an experimental album called Original Soundtracks 1. Brian Eno, producer of four previous U2 albums, contributed as a full partner, including writing and performing. For this reason and due to the record's highly experimental nature, the band chose to release it under the moniker "Passengers" to distinguish it from U2's conventional albums. Mullen said of the album, "There's a thin line between interesting music and self-indulgence. We crossed it on the Passengers record."<sup class="reference" id="cite_ref-88" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[88]  It was commercially unnoticed by U2 standards and it received generally poor reviews. However, the single "Miss Sarajevo" featuring Luciano Pavarotti, which Bono cites as one of his favourite U2 songs,<sup class="reference" id="cite_ref-89" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[89]  was successful. <p style="margin-top:0.5em;line-height:inherit;">"It's not enough to write a great lyric; it's not enough to have a good idea or a great hook, lots of things have to come together and then you have to have the ability to discipline and screen. We should give this album to a re-mixer, go back to what was originally intended..."

—Bono, on Pop<sup class="reference" id="cite_ref-90" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10px;">[90] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">On 1997's Pop, U2 continued experimenting; tape loops, programming, rhythm sequencing, and sampling provided much of the album with heavy, funky dance rhythms.<sup class="reference" id="cite_ref-91" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[91]  Released in March, the album debuted at number one in 35 countries and drew mainly positive reviews.<sup class="reference" id="cite_ref-92" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[92] Rolling Stone, for example, stated that U2 had "defied the odds and made some of the greatest music of their lives".<sup class="reference" id="cite_ref-93" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[93]  Others felt that the album was a major disappointment and sales were poor compared to previous U2 releases.<sup class="reference" id="cite_ref-94" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[94]  The band was hurried into completing the album in time for the impending pre-booked tour, and Bono admitted that the album "didn't communicate the way it was intended to".<sup class="reference" id="cite_ref-95" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[95]

The PopMart Tour stage featured a golden arch, mirrorball lemon, and, at the time, the largest LED screen in the world.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The subsequent tour, PopMart, commenced in April 1997. Like Zoo TV, it poked fun at pop culture and was intended to send a sarcastic message to those accusing U2 of commercialism. The stage included a 100-foot (30 m) tall golden yellow arch (reminiscent of the McDonald's logo), a 150-foot (46 m) long video screen, and a 40-foot (12 m) tall mirrorball lemon. U2's "big shtick" failed, however, to satisfy many who were seemingly confused by the band's new kitsch image and elaborate sets.<sup class="reference" id="cite_ref-96" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[96]  The postponement of Pop ' s release date in order to complete the album meant rehearsal time for the tour was severely reduced, and performances in early shows suffered.<sup class="reference" id="cite_ref-97" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[97]  A highlight of the tour was the concert in Sarajevo where U2 were the first major group to perform there following the Bosnian War.<sup class="reference" id="cite_ref-98" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[98]  Mullen described the concert as "an experience I will never forget for the rest of my life, and if I had to spend 20 years in the band just to play that show, and have done that, I think it would have been worthwhile."<sup class="reference" id="cite_ref-99" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[99]  Bono called the show "one of the toughest and one of the sweetest nights of my life".<sup class="reference" id="cite_ref-Mueller2_100-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[100]  One month after the conclusion of the PopMart Tour, U2 appeared on the 200th episode of the animated sitcomThe Simpsons, "Trash of the Titans", in which Homer Simpson disrupted the band on stage during a PopMart concert.<sup class="reference" id="cite_ref-101" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[101] ==="Reapplying for the job of the best band in the world" (2000–06)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ===

U2 perform during the Elevation Tour in Kansas City, 2001.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Following the relatively disappointing reception of Pop, U2 declared they were "reapplying for the job ... [of] the best band in the world",<sup class="reference" id="cite_ref-102" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[102]  and they have since pursued a more conventional rock sound mixed with the influences of their 1990s musical explorations.<sup class="reference" id="cite_ref-103" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[103]  All That You Can't Leave Behind was released in October 2000 and was produced by Brian Eno and Daniel Lanois. For many of those not won over by the band's 1990s music, it was considered a return to grace;<sup class="reference" id="cite_ref-104" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[104]  Rolling Stone called it U2's "third masterpiece" alongside The Joshua Tree and Achtung Baby.<sup class="reference" id="cite_ref-105" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[105]  The album debuted at number one in 22 countries<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  and its worldwide hit single, "Beautiful Day" earned three Grammy Awards. The album's other three singles also won Grammy Awards.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">For the Elevation Tour, U2 performed in a scaled-down setting, returning to arenas after nearly a decade of stadium productions. A heart-shaped stage and ramp permitted greater proximity to the audience. Following the September 11 attacks, the new album gained added resonance,<sup class="reference" id="cite_ref-500Greatest_64-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[64] <sup class="reference" id="cite_ref-106" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[106]  and in October, U2 performed at Madison Square Garden in New York City. Bono and The Edge later said these New York City shows were among their most memorable and emotional performances.<sup class="reference" id="cite_ref-107" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[107]  In early 2002, U2 performed during halftime of Super Bowl XXXVI,<sup class="reference" id="cite_ref-108" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[108]  which SI.com ranked as the best halftime show in Super Bowl history.<sup class="reference" id="cite_ref-109" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[109]  Billboard ranked their performance as the second-best halftime performance, after Prince.<sup class="reference" id="cite_ref-110" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[110] <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The band's next studio album, How to Dismantle an Atomic Bomb, was released in November 2004. The band were looking for a harder-hitting rock sound than All That You Can't Leave Behind. Thematically, Bono stated that "a lot of the songs are paeans to naiveté, a rejection of knowingness."<sup class="reference" id="cite_ref-Wenner7475_111-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[111]  The first single, "Vertigo", was featured on an internationally aired television commercial for the [http://en.wikipedia.org/wiki/Apple_Inc. Apple] iPod, and a U2 iPod and an iTunes U2 box set were released as part of a promotion with Apple. The album debuted at number one in the US, where the first week's sales doubled that of All That You Can't Leave Behind and set a record for the band.<sup class="reference" id="cite_ref-112" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[112]  Claiming it as a contender as one of U2's three best albums, Bono said, "There are no weak songs. But as an album, the whole isn't greater than the sum of its parts, and it fucking annoys me."<sup class="reference" id="cite_ref-Wenner7475_111-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[111]  The Vertigo Tour featured a setlist that varied more across dates than any U2 tour since the Lovetown Tour, and it included songs not played since the early 1980s. Like the Elevation Tour, the Vertigo Tour was a commercial success.<sup class="reference" id="cite_ref-113" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[113]  The album and its singles won Grammy Awards in all eight categories in which U2 were nominated. In 2005, Bruce Springsteen inducted U2 into the Rock and Roll Hall of Fame.<sup class="reference" id="cite_ref-RRHOF_114-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[114]  A 3-D concert film,U2 3D, filmed at nine concerts during the Latin American and Australian legs of the Vertigo Tour was released on 23 January 2008.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In August 2006, the band incorporated its publishing business in The Netherlands following the capping of Irish artists' tax exemption at €250,000.<sup class="reference" id="cite_ref-115" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[115]  The Edge stated that businesses often seek to minimise their tax burdens.<sup class="reference" id="cite_ref-bloomberg_116-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[116]  The move was criticised in the Irish parliament.<sup class="reference" id="cite_ref-bloomberg_116-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[116] <sup class="reference" id="cite_ref-117" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[117]  The band said the criticism was unfair, stating that approximately 95% of their business took place outside of Ireland, that they were taxed globally because of this, and that they were all "personal investors and employers in the country".<sup class="reference" id="cite_ref-118" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[118]  Bono would later say, "I think U2's tax business is our own business and I think it is not just to the letter of the law but to the spirit of the law."<sup class="reference" id="cite_ref-119" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[119] ===No Line on the Horizon and U2 360° Tour (2006–2011)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === The stage structure from the U2 360° Tour, the largest ever constructed, allowed for a 360-degree seating configuration.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Recording for U2's twelfth album, No Line on the Horizon, began with producer Rick Rubin in 2006, but the sessions were short-lived and the material was shelved. In June 2007, the band began new sessions with Brian Eno and Daniel Lanois, who contributed not only as producers, but for the first time with U2, as songwriters as well.<sup class="reference" id="cite_ref-120" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[120]  In March 2008, the band signed a 12-year deal with Live Nation worth an estimated $100 million (£50 million),<sup class="reference" id="cite_ref-121" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[121]  which includes Live Nation controlling the band's merchandise, sponsoring, and their official website.<sup class="reference" id="cite_ref-122" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[122]  Recording on the album continued through December 2008 in the US, the UK, Ireland, and Fez, Morocco, where the band explored North African music. Intended as a more experimental work than their previous two albums,<sup class="reference" id="cite_ref-rsbiz_123-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[123]  No Line on the Horizon was released in February 2009 and received generally positive reviews, including their first five-starRolling Stone review. Critics, however, noted it was not as experimental as expected. The album debuted at number one in over 30 countries,<sup class="reference" id="cite_ref-Reuters_124-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[124]  but its sales have been comparatively low by U2 standards and it did not contain a hit single.<sup class="reference" id="cite_ref-guard-sales_125-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[125]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The group embarked on the U2 360° Tour in 2009. The shows featured the largest concert stage structure ever, nicknamed "the Claw", and a 360-degree staging/audience configuration that allowed fans to surround the stage from all sides.<sup class="reference" id="cite_ref-hotpress_126-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[126]  The tour visited European and North American stadiums in 2009. At year's end, Rolling Stone named U2 one of eight "Artists of the Decade".<sup class="reference" id="cite_ref-127" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[127]  The group's tours ranked them second in total concert grosses for the decade behind only the Rolling Stones, although U2 had a significantly higher attendance figure. They were the only band in the top 25 touring acts of the 2000s to sell out every show they played.<sup class="reference" id="cite_ref-128" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[128]  U2 resumed the 360° Tour in 2010 with legs in Europe, Australia, and New Zealand. However, their scheduled headline appearance at the Glastonbury Festival 2010 and their North American leg that year were postponed following a serious injury to Bono's back.<sup class="reference" id="cite_ref-129" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[129] <sup class="reference" id="cite_ref-130" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[130] <sup class="reference" id="cite_ref-Glasto2011_131-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[131]  These appearances were rescheduled for 2011 after the South African and South American legs of the tour.<sup class="reference" id="cite_ref-billboard_132-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[132]  By its conclusion in July 2011, U2 360° had set records for the highest-grossing concert tour with $736 million in ticket sales, and for the highest-attended tour with over 7.2 million tickets sold.<sup class="reference" id="cite_ref-wrap_133-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[133] ===13th studio album and recent activity (2012–present)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In November 2013, U2's long-time manager Paul McGuinness stepped down from his post as part of a deal with Live Nation to acquire his management firm, Principle Management. McGuinness, who had managed U2 for over 30 years, was succeeded by Guy Oseary.<sup class="reference" id="cite_ref-134" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[134]  In late 2013, the band suspended work on a pending studio album to contribute a new song to the film Mandela: Long Walk to Freedom.<sup class="reference" id="cite_ref-thr-ol_135-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[135] <sup class="reference" id="cite_ref-136" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[136]  The track, entitled "Ordinary Love", was written in honor of Nelson Mandela and won the 2014 Golden Globe Award for Best Original Song.<sup class="reference" id="cite_ref-thr-ol_135-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[135] <sup class="reference" id="cite_ref-137" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[137]  From 2–3 February 2014, a new single, "Invisible", was made available for free in the iTunes Store, launching a partnership with Product Red and Bank of America to fight AIDS.<sup class="reference" id="cite_ref-138" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[138] <sup class="reference" id="cite_ref-139" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[139]  The songs are expected to be released on an upcoming album produced by Danger Mouse.<sup class="reference" id="cite_ref-140" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[140] <sup class="reference" id="cite_ref-141" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[141] ==Musical style<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Instrumentation<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === U2 performing in 2009. The Edge has described U2 as a fundamentally live band.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Since their inception, U2 have developed and maintained a distinctly recognisable sound, with emphasis on melodic instrumentals and expressive, larger-than-life vocals.<sup class="reference" id="cite_ref-ABOUT_TOP10_142-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[142]  This approach is rooted partly in the early influence of record producer Steve Lillywhite at a time when the band was not known for musical proficiency.<sup class="reference" id="cite_ref-143" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[143]  The Edge has consistently used a rhythmic echo and a signature delay<sup class="reference" id="cite_ref-144" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[144]  to craft his distinctive guitar work, coupled with an Irish-influenced drone played against his syncopated melodies<sup class="reference" id="cite_ref-MU_MAG_145-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[145]  that ultimately yields a well-defined ambient, chiming sound. Bono has nurtured his falsetto operatic voice<sup class="reference" id="cite_ref-146" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[146]  and has exhibited a notable lyrical bent towards social, political, and personal subject matter while maintaining a grandiose scale in his songwriting. In addition, The Edge has described U2 as a fundamentally live band.<sup class="reference" id="cite_ref-MU_MAG_145-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[145]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Despite these broad consistencies, U2 have introduced brand new elements into their musical repertoire with each new album. U2's early sound was influenced by bands such as Television and Joy Division, and has been described as containing a "sense of exhilaration" that resulted from The Edge's "radiant chords" and Bono's "ardent vocals".<sup class="reference" id="cite_ref-147" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[147]  U2's sound began with post-punk roots and minimalistic and uncomplicated instrumentals heard onBoy and October, but evolved through War to include aspects of rock anthem, funk, and dance rhythms to become more versatile and aggressive.<sup class="reference" id="cite_ref-148" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[148]  Boy and War were labelled "muscular and assertive" by Rolling Stone,<sup class="reference" id="cite_ref-RS_JT_37-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[37]  influenced in large part by Lillywhite's producing. The Unforgettable Fire, which began with The Edge playing more keyboards than guitars, as well as follow-up The Joshua Tree, had Brian Eno and Daniel Lanois at the production helm. With their influence, both albums achieved a "diverse texture".<sup class="reference" id="cite_ref-RS_JT_37-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[37]  The songs from The Joshua Tree and Rattle and Humplaced more emphasis on Lanois-inspired rhythm as they mixed distinct and varied styles of gospel and blues music, which stemmed from the band's burgeoning fascination with America's culture, people and places. In the 1990s, U2 reinvented themselves as they began using synthesisers, distortion, and electronic beats derived from alternative rock, industrial music, dance, and hip-hop onAchtung Baby,<sup class="reference" id="cite_ref-rs_149-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[149]  Zooropa, and Pop.<sup class="reference" id="cite_ref-NYT_POP_150-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[150]  In the 2000s, U2 returned to a more stripped-down sound, with more conventional rhythms and reduced usage of synthesisers and effects.<sup class="reference" id="cite_ref-151" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[151] ===Lyrics and themes<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Social and political commentary, often embellished with Christian and spiritual imagery,<sup class="reference" id="cite_ref-lyrics_152-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[152]  are a major aspect of U2's lyrical content. Songs such as "Sunday Bloody Sunday", "Silver and Gold", and "Mothers of the Disappeared" were motivated by current events of the time. The former was written about the troubles in Northern Ireland,<sup class="reference" id="cite_ref-153" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[153]  while the latter concerns the struggle of a group of women whose children were killed or "disappeared" by the government during the Salvadoran Civil War.<sup class="reference" id="cite_ref-154" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[154]  The song "Running to Stand Still" from The Joshua Tree was inspired by the heroin addiction that was sweeping through Dublin—the lyric "I see seven towers, but I only see one way out" references the Ballymun Towers of Northern Dublin and the imagery throughout the song personifies the struggles of addiction.<sup class="reference" id="cite_ref-155" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[155]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Bono's personal conflicts and turmoil inspired songs like "Mofo", "Tomorrow" and "Kite". An emotional yearning or pleading frequently appears as a lyrical theme,<sup class="reference" id="cite_ref-ABOUT_TOP10_142-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[142]  in tracks such as "Yahweh",<sup class="reference" id="cite_ref-156" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[156]  "Peace on Earth", and "Please". Much of U2's songwriting and music is also motivated by contemplations of loss and anguish, coupled with hopefulness and resiliency, themes that are central to The Joshua Tree.<sup class="reference" id="cite_ref-RS_JT_37-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[37]  Some of these lyrical ideas have been amplified by Bono and the band's personal experiences during their youth in Ireland, as well as Bono's campaigning and activism later in his life. U2 have used tours such as Zoo TV and PopMart to caricature social trends, such as media overload and consumerism, respectively.<sup class="reference" id="cite_ref-NYT_POP_150-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[150]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">While the band and its fans often affirm the political nature of their music, U2's lyrics and music have been criticised as apolitical because of their vagueness and "fuzzy imagery", and a lack of any specific references to actual people or characters.<sup class="reference" id="cite_ref-157" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[157] ===Influences<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The band cites The Who,<sup class="reference" id="cite_ref-158" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[158]  The Clash,<sup class="reference" id="cite_ref-159" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[159]  Television, Ramones,<sup class="reference" id="cite_ref-Walker_160-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[160]  The Beatles,<sup class="reference" id="cite_ref-161" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[161]  Joy Division,<sup class="reference" id="cite_ref-162" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[162]  Siouxsie and the Banshees,<sup class="reference" id="cite_ref-163" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[163]  Elvis Presley,<sup class="reference" id="cite_ref-164" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[164]  and Patti Smith<sup class="reference" id="cite_ref-165" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[165]  as influences. Van Morrison has been cited by Bono as an influence<sup class="reference" id="cite_ref-166" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[166]  and the Rock and Roll Hall of Fame points out his influence on U2.<sup class="reference" id="cite_ref-167" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[167]  U2 have also worked with and/or had influential relationships with artists including Johnny Cash, Green Day, Leonard Cohen, Bruce Springsteen, B.B. King, Lou Reed and Luciano Pavarotti.<sup class="reference" id="cite_ref-168" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[168] ==Campaigning and activism<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Bono with then-US PresidentGeorge W. Bush in 2006<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Since the early 1980s, the members of U2—as a band and individually—have collaborated with other musicians, artists, celebrities, and politicians to address issues concerning poverty, disease, and social injustice.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In 1984, Bono and Adam Clayton participated in Band Aid to raise money for the 1983–1985 famine in Ethiopia. This initiative produced the hit charity single "Do They Know It's Christmas?", which would be the first among several collaborations between U2 and Bob Geldof. In July 1985, U2 played Live Aid, a follow-up to Band Aid's efforts. Bono and his wife Ali, invited by World Vision, later visited Ethiopia where they witnessed the famine first hand. Bono would later say this laid the groundwork for his Africa campaigning and some of his songwriting.<sup class="reference" id="cite_ref-169" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[169]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In 1986, U2 participated in the A Conspiracy of Hope tour in support of Amnesty International and in Self Aid for unemployment in Ireland. The same year, Bono and Ali Hewson also visited Nicaragua and El Salvador at the invitation of the Sanctuary movement, and saw the effects of the El Salvador Civil War. These 1986 events greatly influenced The Joshua Tree album, which was being recorded at the time.<sup class="reference" id="cite_ref-McCormick_2006.2C_p._174_55-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[55] <sup class="reference" id="cite_ref-170" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[170]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In 1992, the band participated in the "Stop Sellafield" concert with Greenpeace during their Zoo TV tour.<sup class="reference" id="cite_ref-171" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[171]  Events in Sarajevo during the Bosnian Warinspired the song "Miss Sarajevo", which premiered at a September 1995 Pavarotti and Friends show, and which Bono and the Edge performed at War Child.<sup class="reference" id="cite_ref-172" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[172]  A promise made in 1993 was kept when the band played in Sarajevo as part of 1997's PopMart Tour.<sup class="reference" id="cite_ref-173" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[173]  In 1998, they performed in Belfast days prior to the vote on the Good Friday Agreement, bringing Northern Irish political leaders David Trimble and John Hume on stage to promote the agreement.<sup class="reference" id="cite_ref-174" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[174]  Later that year, all proceeds from the release of the "Sweetest Thing" single went towards supporting the Chernobyl Children's Project.

U2 with Brazilian president Dilma Rousseff in 2011 (from left to right): Mullen, Bono, Rousseff, Clayton, and The Edge<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In 2001, the band dedicated "Walk On" to Burma's pro-democracy leader Aung San Suu Kyi.<sup class="reference" id="cite_ref-175" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[175]  In late 2003, Bono and the Edge participated in the South Africa HIV/AIDS awareness 46664 series of concerts hosted by Nelson Mandela.<sup class="reference" id="cite_ref-176" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[176]  The band played 2005's Live 8 concert in London. The band and manager Paul McGuinness were awarded Amnesty International's Ambassador of Conscience Award for their work in promoting human rights.<sup class="reference" id="cite_ref-177" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[177]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Since 2000, Bono's campaigning has included Jubilee 2000 with Bob Geldof, Muhammad Ali, and others to promote the cancellation of third-world debtduring the Great Jubilee. In January 2002, Bono co-founded the multinational NGO, DATA, with the aim of improving the social, political, and financial state of Africa. He continued his campaigns for debt and HIV/AIDS relief into June 2002 by making high-profile visits to Africa.<sup class="reference" id="cite_ref-178" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[178]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Product Red, a 2006 for-profit brand seeking to raise money for the Global Fund, was founded, in part, by Bono. The ONE Campaign, originally the US counterpart of Make Poverty History, was shaped by his efforts and vision.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In late 2005, following Hurricane Katrina and Hurricane Rita, The Edge helped introduce Music Rising, an initiative to raise funds for musicians who lost their instruments in the storm-ravaged Gulf Coast.<sup class="reference" id="cite_ref-179" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[179]  In 2006, U2 collaborated with pop punk band Green Day to record a remake of the song "The Saints Are Coming" by The Skids to benefit Music Rising.<sup class="reference" id="cite_ref-180" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[180]  A live version of the song recorded at the Louisiana Superdome was released on the single.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">U2 and Bono's social activism have not been without its critics, however. Several authors and activists who publish in politically left journals such as CounterPunch have decried Bono for allowing his celebrity to be coopted by an association with political figures such as Paul Wolfowitz,<sup class="reference" id="cite_ref-181" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[181]  as well as his "essential paternalism".<sup class="reference" id="cite_ref-182" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[182]  Other news sources have more generally questioned the efficacy of Bono's campaign to relieve debt and provide assistance to Africa.<sup class="reference" id="cite_ref-183" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[183]  Tax and development campaigners have also criticised the band's move from Ireland to the Netherlands to reduce its tax bill.<sup class="reference" id="cite_ref-184" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[184] ==Other projects<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The members of U2 have undertaken a number of side projects, sometimes in collaboration with some of their bandmates. In 1985, Bono recorded the song "In a Lifetime" with the Irish bandClannad. The Edge recorded a solo soundtrack album for the film Captive in 1986,<sup class="reference" id="cite_ref-185" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[185]  which included a vocal performance by Sinéad O'Connor that predates her own debut album by a year. Bono and The Edge wrote the song "She's a Mystery to Me" for Roy Orbison, which was featured on his 1989 album Mystery Girl.<sup class="reference" id="cite_ref-186" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[186]  In 1990, Bono and The Edge provided the soundtrack to Royal Shakespeare Company London stage version of A Clockwork Orange (only one track, "Alex Descends into Hell for a Bottle of Milk/Korova 1",<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  on the b-side to "The Fly" single, was ever released). That same year, Mullen co-wrote and produced a song for the Irish International soccer team in time for the 1990 FIFA World Cup, called "Put 'Em Under Pressure", which topped the Irish charts.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Together with The Edge, Bono wrote the song "GoldenEye" for the 1995 James Bond film GoldenEye, which was performed by Tina Turner.<sup class="reference" id="cite_ref-187" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[187]  Clayton and Mullen reworked the "Theme fromMission: Impossible" for the franchise's 1996 film.<sup class="reference" id="cite_ref-188" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[188]  Bono loaned his voice to "Joy" on Mick Jagger's 2001 album Goddess in the Doorway.<sup class="reference" id="cite_ref-189" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[189]  Bono also recorded a spare, nearly spoken-word version of Leonard Cohen's "Hallelujah" for the Tower of Song compilation in 1995. Additionally, in 1998, Bono collaborated with Kirk Franklin and Crystal Lewis (along with controversial mainstream artists R. Kelly and Mary J. Blige) for a successful gospel song called "Lean on Me".

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Aside from musical collaborations, U2 have worked with several authors. American author William S. Burroughs had a guest appearance in U2's video for "Last Night on Earth" shortly before he died.<sup class="reference" id="cite_ref-190" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[190]  His poem "A Thanksgiving Prayer" was used as video footage during the band's Zoo TV Tour. Other collaborators include William Gibson and Allen Ginsberg.<sup class="reference" id="cite_ref-191" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[191]  In early 2000, the band recorded three songs for The Million Dollar Hotel movie soundtrack, including "The Ground Beneath Her Feet", which was co-written by Salman Rushdie and motivated by his book of the same name.<sup class="reference" id="cite_ref-192" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[192]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In 2007, Bono appeared in the movie Across the Universe and performed The Beatles songs. Bono and The Edge also wrote the music and lyrics for the Broadway musical Spider-Man: Turn Off the Dark. Additionally, The Edge created the theme song for Season 1 and 2 of the animated television series The Batman.<sup class="reference" id="cite_ref-193" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[193] ==Legacy<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Main article: List of awards received by U2Rolling Stone ranked The Edge and Bono among the greatest guitarists and singers, respectively.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">U2 have sold more than 150 million records, placing them among the best-selling music artists in history.<sup class="reference" id="cite_ref-194" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[194]  With 51.5 million certified units by the RIAA, U2 rank as the 21st-highest-selling music artist in the US.<sup class="reference" id="cite_ref-195" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[195]  The group's fifth studio album The Joshua Tree is one of the best-selling albums in the US(10 million copies shipped) and worldwide (25 million copies sold).<sup class="reference" id="cite_ref-196" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[196] <sup class="reference" id="cite_ref-197" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[197]  Forbes estimates that U2 earned US$78 million between May 2011 and May 2012, making them the fourth-highest-paid musical artist.<sup class="reference" id="cite_ref-198" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[198]  The Sunday Times Rich List 2013 estimated the group's collective wealth at €632,535,925.<sup class="reference" id="cite_ref-199" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[199]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Rolling Stone placed U2 at number 22 on its list of the "100 Greatest Artists of All Time",<sup class="reference" id="cite_ref-200" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[200]  while ranking Bono the 32nd-greatest singer<sup class="reference" id="cite_ref-201" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[201]  and The Edge the 38th-greatest guitarist.<sup class="reference" id="cite_ref-202" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[202]  In 2004, Q ranked U2 as the fourth-biggest band in a list compiled based on album sales, time spent on the UK charts, and largest audience for a headlining show.<sup class="reference" id="cite_ref-203" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[203]  A 2011 readers' poll in Q named U2 the Greatest Act of the Last 25 Years.<sup class="reference" id="cite_ref-204" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[204]  VH1 placed U2 at number 19 on its 2010 list of "The 100 Greatest Artists of All Time".<sup class="reference" id="cite_ref-205" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[205]  In 2010, eight of U2's songs appeared on Rolling Stone ' s updated list of "The 500 Greatest Songs of All Time", with "One" ranking the highest at number 36.<sup class="reference" id="cite_ref-rs500_206-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[206]  Five of the group's twelve studio albums were ranked on the magazine's 2012 list of "The 500 Greatest Albums of All Time"—The Joshua Tree placed the highest at number 26.<sup class="reference" id="cite_ref-500Greatest_64-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[64]  Reflecting on the band's popularity and worldwide impact, Jeff Pollackfor The Huffington Post said, "like The Who before them, U2 wrote songs about things that were important and resonated with their audience".<sup class="reference" id="cite_ref-207" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[207]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">U2 received their first Grammy Award in 1988 for The Joshua Tree, and they have won 22 in total out of 34 nominations, more than any other group.<sup class="reference" id="cite_ref-grammyawards_63-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[63] <sup class="reference" id="cite_ref-livedaily_208-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[208]  These include Best Rock Duo or Group,Album of the Year, Record of the Year, Song of the Year and Best Rock Album. The British Phonographic Industry has awarded U2 seven BRIT Awards, five of these being for Best International Group. In Ireland, U2 have won 14 Meteor Awards since the awards began in 2001. Other awards include one AMA, four VMAs, eleven Q Awards, two Juno Awards, three NME Awards, and aGolden Globe Award. The band were inducted into the Rock and Roll Hall of Fame in early 2005.<sup class="reference" id="cite_ref-RRHOF_114-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[114]  In 2006, all four members of the band received ASCAP awards for writing the songs, "I Still Haven't Found What I'm Looking For", and "Vertigo".<sup class="reference" id="cite_ref-ASCAP1_209-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[209] ==Concert tours<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Main article: List of U2 concert tours==Band members<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Main articles: U2 discography and List of songs recorded by U2;Studio albums
 * Bono – vocals, guitar, harmonica
 * The Edge – guitar, keyboards, vocals
 * Adam Clayton – bass guitar
 * Larry Mullen, Jr. – drums, percussion, vocals
 * Boy (1980)
 * October (1981)
 * War (1983)
 * The Unforgettable Fire (1984)
 * The Joshua Tree (1987)
 * Rattle and Hum (1988)
 * Achtung Baby (1991)
 * Zooropa (1993)
 * Pop (1997)
 * All That You Can't Leave Behind (2000)
 * How to Dismantle an Atomic Bomb (2004)
 * No Line on the Horizon (2009)