Neo-Romantism

Is a synonym of neo-Romantism post romanticism or late romanticism. It is a long-term move that begins at the end of the nineteenth century and it is a revival ofromanticism in art and literature.

It is considered naturalism. The naturalist in art is based on external observation, the neo-romantic adds feeling and internal observation. These artists draw their inspiration from works of artists from the time of the romance. Just like in the romance wells they draw inspiration from the place where they are located in historic wide landscapes. With expressing this feeling they react in General on the ' ugly ' modern world of machines, new cities and prosperity. Characteristic themes are a leaning towards the perfect love, utopian landscapes, romantic ruins, death caused by nature.

Neo-romantism had to be something that beyond the romantic idea of ' the hero ' and romantic nationalism went. This was particularly true after the world wars.



Content
[hide] *1 neo-Romantism in the music  ==Neo-romantism in the music[ Edit] == ===Music (1850-1950)[ Edit] === Neo-Romantism in the music was a trend in the European music that started in the second half of the 19th-century Germany. It is sometimes also called post called romance. The composers of the period underlined the strong links between music and literature. The best known composers of the neo-romantism are Franz Liszt, Richard Wagner, Anton Bruckner, Gustav Mahler , Richard Straussand Hugo Wolf.
 * 1.1 music (1850-1950)
 * 1.2 music (1970-1980)
 * 2 revivals
 * United Kingdom 3
 * 3.1 1880-1910
 * 4 Europe
 * Poland 5
 * Russia 6
 * United States 7
 * 8 neo-Romantism ca. 1975-1985
 * 9 Bibliography

At the beginning of the 20th century changed the neoromanticisme slowly in Expressionism. The ideas were still used by later composers including Virgil Thomson, who writes: "Neo-Romanticism involves rounded melodic material (the neo-Classicists affected angular themes) and the frank expression of personal sentiments. The neo-romantics position is an esthetic one purely, because technically we are eclectic. Our contribution to contemporary esthetics has been to pose the problems of sincerity in a new way. We are not out to impress, and we dislike inflated emotions. The feelings we really have are the only ones we think worthy of expression....Sentiment is our subject and sometimes landscape, but preferably a landscape with figures. " (Hoover and Cage, 1959) ===Music (1970-1980)[ Edit] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">In pop music is actually neo-romantism, new romanticism, also a youth culture at the end of the 70er, 80er years start. The movement arose as a cultural offshoot of the English New Wave. When no suitable name for this style was made (was first spoken of "The Cult With No Name"), gave a article in the music press about the second single of the group Duran Duran "This Is Planet Earth": "Some New Romantic Looking For The TV Sound", in 1981 the flow a name.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The followers of this movement, which New romantics or Blitz Kids are called, are named after the legendary night club "The Blitz" in London. These visitors also heard Gary Numan, which fell on by their exotic clothing, consisting of classic uniforms, hats, Harlequin costumes and Indian clothing. The makeup was also extreme, and the bizarre hair styles fell on.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The music of this movement moved between New Wave, Funk and Glam Rock; bands that music of this movement were made known Visage, The Human League, Spandau Ballet; It was the inspiration for the laterSynth-pop.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The extent to which the affected the gothic movement, neo-romantism is uncertain. The conclusion is still, that various clothing and hair styles of the later, German Gothic-and Wave-motion retrieved became as blouses and evening wear. ==Revivals<span class="mw-editsection" len="348" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The neo-romantic literature is characterized primarily by strong escapism, or tend to flee from everyday reality, which is especially reflected in the description of the supernatural and mysterious and exotic regions, for example. Hence, the gothic novels of Robert Louis Stevenson and Bram Stoker during the fin de siècle as much success. Other themes that are central are stray lust, it themselves against the society, having unfulfilled desires and travel to the past (see also historical novel). Important differences between the historical novels of the romantic period and those from the neo-romantism are that: 1) this last group time and place are often less sharply delineated 2) not so much the historical evocative set-up, the exhibition (in the form of very detailed descriptions), but more the historical atmosphere as such.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Especially in the United Kingdom the neo-romantism played a very important role in the literature. Genres such as the horror novel (gothic novel), the fairy tale, the detective novel and the science fiction novel flourished under the influence of the neo-romantic flow in abundance. ==United Kingdom<span class="mw-editsection" len="338" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ====1880-1910<span class="mw-editsection" len="330" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] ==== ==Europe<span class="mw-editsection" len="325" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ==Poland<span class="mw-editsection" len="324" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ==Russia<span class="mw-editsection" len="326" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ==United States<span class="mw-editsection" len="336" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ==Neo-romantism ca. 1975-1985<span class="mw-editsection" len="348" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ==Bibliography<span class="mw-editsection" len="332" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] ==
 * Robert Louis Stevenson
 * Arthur Conan Doyle
 * Rudyard Kipling
 * Herbert George Wells
 * Bram Stoker
 * Gerard Manley Hopkins
 * Lewis Carroll
 * John Ruskin
 * Edward Elgar
 * Vaughan Williams
 * Aesthetic movement
 * Arts & Crafts movement
 * William Morris News from Nowhere
 * Symbolism
 * W.B. Yeats
 * Rudyard Kipling Puck of Pook's HillRewards and Fairies
 * A.E. Housman A Shropshire Lad
 * Neo-Gothic
 * Pictorialisme
 * Symbolism (pan-European)
 * Odysseus Elytis (Greece)
 * Bernard Faucon (France)
 * Balthus (France/Switzerland)
 * Sigurdur Nordal (Iceland)
 * Vicente Aleixandre (Spain)
 * Anton Bruckner (Austria)
 * Iris van Dongen (Netherlands)
 * Wandervogel (Germany)
 * Arthur Schopenhauer
 * Hermann Hesse
 * Young Poland
 * Stanislaw Przybyszewski
 * Eugene Berman
 * Pavel Tchelitchew
 * Walt Whitman
 * Imagists
 * Maxfield Parrish
 * Allen Ginsberg
 * The beat poets
 * Minor White
 * Joseph Cornell
 * John Crowley
 * Guy Davenport
 * Justine Kurland
 * Jeffrey Blondes
 * Hakim Bey Temporary Autonomous Zone, Summerland
 * A Flock Of Seagulls
 * ABC
 * Adam & the Ants
 * The Associates
 * Blancmange
 * China Crisis
 * Classix Nouveaux
 * Culture Club
 * Duran Duran
 * Eurythmics
 * Heaven 17
 * Human League
 * Gary Numan
 * Japan
 * Kajagoogoo
 * Modern English
 * Naked Eyes
 * Orchestral Manoeuvres in the Dark
 * Payola $
 * Simple Minds
 * Soft Cell
 * Spandau Ballet
 * Spoons
 * Strange Advance
 * Talk Talk
 * Tears For Fears
 * Ultravox
 * Visage
 * David Mellor. Paradise Lost: the neo-Romantic imagination in Britain, 1935-1955. (1987).
 * Peter Woodcock. This Enchanted Isle-The Neo-Romantic Vision from William Blake to the New Visionaries (2000).
 * Malcolm Yorke. The Spirit of Place-Nine Neo-Romantic Artists and Their Times (1989).
 * Michael Bracewell. England Is Mine (1997).
 * Peter Ackroyd. The Origins of the English Imagination (2002).
 * P. Cannon-Brookes. The British Neo-Romantics (1983).
 * Corbett, Holt and Russell (ED 's.) The Geographies of Englishness: landscape and the National Past, 1880-1940 (2002).
 * Graham Arnold. The Ruralists-A Celebration (2003).
 * Christopher Martin. The Ruralists (An Art & Design Profile, no. 23) (1992).
 * S. Sillars. British Romantic Art and The Second World War (1991).
 * Trentmann f. Civilisation and its Discontents: English Neo-Romanticism and the Transformation of Anti-Modernism in Twentieth-Century Western Culture (1994, Birkbeck College).
 * Edward Picot. Outcasts from Eden -ideas of landscape in British poetry since 1945 (1997).
 * Hoover, Kathleen and Cage, John. Virgil Thompson: His Life and Music (1959).
 * Albright, Daniel. Modernism and Music: An Anthology of Sources (2004).
 * Dautzenberg, J.A. Dutch literature, history, anthology and theory to 1916
 * Lang, H.J.M.F. literary art. Den Bosch, Malmberg (1955)