Janis Ian

Janis Ian (born Janis Eddy Fink, April 7, 1951) is an American songwriter, singer, musician, columnist and science fiction author.[1]  Ian first entered the folk music scene while still a teenager in the mid-1960s. Most active musically in that decade and the 1970s, she has continued recording into the 21st century. She has won two Grammy Awards, the first in 1975 for her song "At Seventeen", and the second in 2013 for Best Spoken Word Album, for her autobiography, Society's Child (nearly 40 years later). Not to be confused with the character Janis Ian from the movie Mean Girls.



Contents
[hide]  *1 Biography  ==Biography[ edit] == ===Childhood[ edit] === Born to a Jewish family in New York City,[2]  she was primarily raised in New Jersey, initially on a farm, and attended East Orange High School in East Orange, New Jersey[3]  and the New York City High School of Music & Art. Her parents, Victor (a music teacher) and Pearl, ran a summer camp in upstate New York. In that Cold War era they were frequently under government surveillance because of their left-wing politics. Ian would allude to these years later in her song God and the FBI.
 * 1.1 Childhood
 * 1.2 Music career
 * 1.3 Criticism of the RIAA
 * 1.4 Writing and editing
 * 1.5 Personal life
 * 2 Discography
 * 2.1 Albums
 * 2.2 Compilation albums
 * 2.3 Various artists
 * 2.4 Singles
 * 2.5 DVDs
 * 3 Bibliography
 * 4 References
 * 5 External links

As a child she admired the work of folk pioneers such as Joan Baez and Odetta. Starting with piano lessons at the age of six or seven, Ian, by the time she entered her teens, had learned the organ, harpsichord, French horn, flute and guitar.[4]  At the age of 12, she wrote her first song, "Hair of Spun Gold," which was subsequently published in the folk publication Broadside and was later recorded for her debut album. In 1964, she legally changed her name to Janis Ian (her new last name being her brother Eric's middle name).[2] ===Music career<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">At the age of 13, Ian wrote and sang her first hit single, "Society's Child (Baby I've Been Thinking)", about an interracial romance forbidden by a girl's mother and frowned upon by her peers and teachers. Produced by George "Shadow" Morton and released three times from 1965 to 1967, "Society's Child" finally became a national hit upon its third release after Leonard Bernstein featured it in a CBS TV special titled Inside Pop: The Rock Revolution.<sup class="reference" id="cite_ref-musicguide_2-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2]  The song's lyrical content was taboo for some radio stations, and they withdrew or banned it from their playlists accordingly; in her 2008 autobiography Society's Child, Ian recalls receiving hate mail and death threats as a response to the song, and mentions that a radio station in Atlanta that played it was burned down. In the summer of 1967, "Society's Child" reached #14 on the Billboard Hot 100, the single having sold 600,000 copies, and the album 350,000.<sup class="reference" id="cite_ref-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ian relates on her website that, although the song was originally intended for Atlantic Records and the label paid for her recording session, the label subsequently returned the master to her and quietly refused to release it.<sup class="reference" id="cite_ref-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  Years later, Ian says, Atlantic's president at the time, Jerry Wexler, publicly apologized to her for this. The single and Ian's 1967 eponymous debut album were finally released on Verve Forecast; her album was also a hit, reaching #29. In 2001, "Society's Child" was inducted into the Grammy Hall of Fame, which honors recordings considered timeless and important to music history. Her early music was compiled on a double CD entitled Society's Child: The Verve Recordings in 1995.

Ian performing at the National StadiumDublin, Ireland 14 May 1981<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">"Society's Child" stigmatized Ian as a one-hit wonder until her most successful single in the United States, "At Seventeen", a bittersweet commentary on adolescent cruelty, the illusion of popularity, and teenage angst, as reflected upon from the perspective of a 24-year-old, was released in 1975. "At Seventeen" was a major hit, receiving tremendous acclaim from critics and record buyers alike—it charted at #3 on the Billboard Hot 100 and hit #1 on the Adult Contemporary chart. It won the 1975 Grammy Award for Best Pop Vocal Performance - Female beating out Linda Ronstadt, who was nominated for her Heart Like a Wheel album; Olivia Newton-John; and Helen Reddy. Ian performed "At Seventeen" as a musical guest on the debut ofSaturday Night Live on October 11, 1975. The song's album, Between the Lines, was also a smash and hit #1 on Billboard's Album chart. It was quickly certified Gold and later earned a 'Platinum' certification for sales of over one million copies sold in the US. Another measure of her success is anecdotal: on Valentine's Day 1977, Ian received 461 Valentine cards, having indicated in the lyrics to "At Seventeen" that she never received any as a teenager.<sup class="reference" id="cite_ref-dafydd_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[7]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">"Fly Too High" (1979), produced by disco producer Giorgio Moroder, was her contribution to the soundtrack of the Jodie Foster film Foxes, also featured on Ian's 1979 album Night Rains. It earned her a Grammy nomination and became a hit single in many countries, including South Africa, Belgium.Australia, Israel, and the Netherlands.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Another country where Ian has achieved a high level of popularity is Japan. She had two top 10 singles on the Japanese Oricon charts, "Love Is Blind" in 1976, and "You Are Love" in 1980; and her album Aftertones topped Oricon's album chart in October 1976.<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[8]  "You Are Love (Toujours Gai Mon Cher)" is the theme song of Kinji Fukasaku's 1980 movie Virus.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  Ian has cut several other singles specifically for the Japanese market, including 1998's "The Last Great Place".<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ian reached the pop charts only once more after "At Seventeen" ("Under the Covers", #71 in 1981), though she had several more songs reach the Adult Contemporary singles chart through 1980 (all failing to make the Top 20, however).<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  She walked away from her CBS contract in 1982 while it still had three albums to go. Ian deliberately spent much of the 1980s and early 1990s without a record deal.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  During the 1982–1992 period she continued to write songs, often in collaboration with songwriting partner Kye Fleming, which were covered by the likes of Amy Grant, Bette Midler and Marti Jones. She also studied under acting coach Stella Adler and struck up a close friendship with her, which continued until the latter's death in 1992.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ian finally became one of the first "indie artists," resurfacing in 1993, with the release of Breaking Silence and its title song about incest. She also came out as a lesbian at the time of the release of that album.<sup class="reference" id="cite_ref-keehnen_9-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[9]  On June 25, 1993, Ian appeared on The Howard Stern Show, where she performed a "new" version of "At Seventeen" about Jerry Seinfeld.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ian's album, Folk Is The New Black, was released jointly by the Rude Girl and Cooking Vinyl labels in 2006. It is the first in over 20 years for which she did all the songwriting herself.<sup class="reference" id="cite_ref-dbw_10-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[10]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Other artists have recorded Ian's compositions, most notably Roberta Flack, who had a hit in 1973 with Ian's song "Jesse",<sup class="reference" id="cite_ref-keehnen_9-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[9]  also recorded by Joan Baez and Dottie West;<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  Ian's own version is featured on her 1974 album Stars (the title song of which has also been oft-covered, including versions by Cher, Nina Simone and Barbara Cook).<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  Other artists who have recorded or performed songs written or co-written by Janis Ian include : Tony Orlando and Dawn, ("When The Party's Over" being the last track, on their final album), Amy Grant, Jeanette Dimech,Sheena Easton, Michele Pillar, Mel Torme, Michelle Wright, Bette Midler ("Some People's Lives," a song written by Ian and her then-partner Kye Fleming, became the title song of her 1990 album),Jann Arden, and Japanese singer Shiina Ringo (covered Ian's breakthrough Japanese hit, "Love Is Blind").<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ian continues to tour, with a round of concerts scheduled for the United Kingdom in the Spring of 2014, and a series of appearances in the US after that.<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[11] ===Criticism of the RIAA<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">She is an outspoken critic of the Recording Industry Association of America (RIAA),<sup class="reference" id="cite_ref-debacle_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[12]  a record industry organization which she sees as acting against the interests of musicians and consumers. As such, she has willingly released several of her songs for free download from her website.<sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[13]  Along with science fiction authors Eric Flint and Cory Doctorow, she has argued that their experience provides conclusive evidence that free downloads dramatically increased hard-copy sales, contrary to the claims of RIAA and NARAS.<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[14]  Ian's signature tune "At Seventeen" sold over two million singles in the United States alone yet was never certified.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">"I've been surprised at how few people are willing to get annoyed with me over it," she laughs. "There was a little backlash here and there. I was scheduled to appear on a panel somewhere and somebody from a record company said if I was there they would boycott it. But that's been pretty much it. In general the entire reaction has been favorable. I hear from a lot of people in my industry who don't want to be quoted, but say 'yeah, we're aware of this and we'd like to see a change too.'"<sup class="reference" id="cite_ref-towerofbabel_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[15] ===Writing and editing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Ian at a Borders book signing in 2005<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In addition to being an award-winning singer-songwriter, Ian writes science fiction. A long-time reader of the genre, she got into science fiction fandom in 2001, attending the Millennium Philcon.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[16]  Her short stories have been published in anthologies, and she co-edited, with Mike Resnick, the anthology Stars: Original Stories Based on the Songs of Janis Ian, published in 2003 (ISBN 978-0-7564-0177-1). She also occasionally attends science fiction conventions.<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[17]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ian has been a regular columnist for, and still contributes to the LGBT news magazine, The Advocate.<sup class="reference" id="cite_ref-oasis_18-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[18]  She has a selection of her columns available on her website.<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[19]  She also contributed a column to Performing Songwriter magazine from 1995 through 2003.<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[20]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">On July 24, 2008, Janis Ian released her autobiography Society's Child (published by Penguin Tarcher) to much critical acclaim. An accompanying double CD, The Autobiography Collection, has also been released with many of Ian's best loved songs. ===Personal life<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Janis married Portuguese filmmaker Tino Sargo in 1978; they divorced in 1983. Details of Sargo's physical and emotional abuse were discussed in Ian's autobiography, Society's Child.<sup class="reference" id="cite_ref-Ian_2008_21-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[21]  Janis Ian came out as a lesbian in 1993 with the worldwide release of her album Breaking Silence.<sup class="reference" id="cite_ref-keehnen_9-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[9]  Patricia Snyder and Janis Ian were married in Toronto on August 27, 2003.<sup class="reference" id="cite_ref-glbtq_22-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[22]  Ian has a stepdaughter by Snyder, and two grandchildren.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ian's mother, Pearl, was diagnosed with multiple sclerosis in 1975. To deal with her disease, Ian and her brother convinced Pearl to pursue her lifelong dream of going to college. Pearl eventually enrolled in Goddard College's adult education program, ultimately graduating with a Master's degree. After Pearl's death, Ian decided to auction off merchandise and raise money to endow a scholarship at Goddard specifically for older continuing education students. This began what became the Pearl Foundation. To date, it has contributed over $700,000 in scholarship funds to various educational institutions, including Warren Wilson College.<sup class="reference" id="cite_ref-Ian_2008_21-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[21] ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Albums<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Compilation albums<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Various artists<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===DVDs<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Bibliography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * Janis Ian (1967) #29 US (Verve)
 * For All the Seasons of Your Mind (1967) #179 US (Verve)
 * The Secret Life of J. Eddy Fink (1968) (Verve)
 * Who Really Cares (1969) (Verve)
 * Present Company (1971) #223 US (Capitol)
 * Stars (1974) #83 US, #63 (Columbia)
 * Between the Lines (1975) #1 US, #22 Japan (Columbia, Festival)
 * Aftertones (1976) #12 US, #1 Japan (Columbia)
 * Miracle Row (1977) #45 US, #26 Japan (Columbia)
 * Janis Ian (1978) (Columbia)
 * Night Rains (1979) (Columbia)
 * Restless Eyes (1981) #156 US (Columbia)
 * Uncle Wonderful (1983) (Festival) (Australia only)
 * Breaking Silence (1993) (Morgan Creek)
 * Simon Renshaw Presents: Janis Ian Shares Your Pain (1995) (not released until 12.09)
 * Revenge (1995) (Beacon)
 * Hunger (1997) (Windham Hill)
 * God & the FBI (2000) (Windham Hill)
 * Lost Cuts 1 (2001) (Rude Girl)
 * Billie's Bones (2004) (Oh Boy, Rude Girl Cooking Vinyl US)
 * Folk Is the New Black (2006) (Rude Girl)
 * Remember (1978) (JVC Japan)
 * The Best of Janis Ian (1980) (CBS)
 * My Favourites (1980) (CBS)
 * Stars/Night Rains (Double Album) (1987) (CBS)
 * At Seventeen (1990) (CBS)
 * Up 'Til Now (1992) (Sony)
 * Society's Child: The Verve Recordings (1995) (Polydor)
 * Live on the Test 1976 (1995) (BBC World Wide)
 * Unreleased 1: Mary's Eyes (1998) (Rude Girl)
 * The Bottom Line Encore Collection (1999) (Velvet)
 * The Best of Janis Ian (2002) (Festival)
 * Live: Working Without a Net (2003) (Rude Girl)
 * Souvenirs: Best of 1972-1981 (2004) (Rude Girl)
 * Unreleased 2: Take No Prisoners (2006) (Rude Girl)
 * Unreleased 3: Society's Child (2006) (Rude Girl)
 * Ultimate Best (2007) (JVC Victory)
 * Best of Janis Ian: Autobiography Collection (2008) (Rude Girl)
 * Live at Club Cafe (2005) (Rude Girl)
 * Janismania (2005) (Rude Girl)
 * Through the Years: A Retrospective (2007) (Rude Girl)
 * Janis Ian '79: Live in Japan & Australia (2008) (Rude Girl)
 * Who Really Cares: Poems From Childhood and Early Youth 1969 (2002 re-release) ISBN 978-1-930709-37-9
 * Songbook 1999 ISBN 978-0-7692-0148-1
 * Stars: Original Stories Based on the Songs of Janis Ian 2003 ISBN 978-0-7564-0177-1 (ed., with Mike Resnick)
 * "Prayerville" 2003 (in Women Writing Science Fiction As Men, ed. Mike Resnick and Martin H. Greenberg ISBN 978-0-7564-0148-1)
 * Society's Child: My Autobiography, 2008, Tarcher/Penguin; ISBN 1-58542-675-X; ISBN 978-1-58542-675-1