Only Lovers Left Alive

Only Lovers Left Alive is a 2013 British-German vampire film written and directed by Jim Jarmusch, and starring Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt, and Jeffrey Wright. The film was nominated for the Palme d'Or at the 2013 Cannes Film Festival.



Contents
[hide]  *1 Plot  ==Plot[ edit] == Married for centuries and now living half a world apart, two vampires wake as the sun goes down. Adam sits holding a lute, in his cluttered Detroit Victorian, as Eve wakes up in her bedroom in Tangier, surrounded by books. Rather than feeding on humans, like addicts, they are dependent on local suppliers of the "good stuff", fearing contamination from blood poisoned by the degradation of the environment. Adam visits a local blood bank in the dead of night, masquerading as "Dr. Faust", paying "Dr. Watson" for his coveted O negative, while Eve relies on their old friend Christopher Marlowe, who faked his death in 1593 and lives under the protection of a local man.
 * 2 Cast
 * 3 Production
 * 4 Soundtrack
 * 5 Release
 * 6 Reception
 * 6.1 Critical response
 * 6.2 Accolades
 * 7 See also
 * 8 References
 * 9 External links

After influencing the careers of countless famous musicians and scientists, Adam has become withdrawn and suicidal. His desire to connect through his music is at odds with the danger of recognition as well as his contempt for the corrupt and foolish humans he refers to as "zombies". He spends his days recording his compositions on outdated studio equipment and lamenting the state of the modern world whilst collecting vintage instruments. He pays Ian, a naive human "rock and roll kid", to procure vintage guitars and other assorted curiosities, including a custom-made bullet with a brass casing and a wooden tip. Having acquired substantial scientific knowledge over the years, the vampire has managed to build contraptions to power both his home and vintage sports car with technology originally pioneered by Nikola Tesla. Despite his reclusive nature he is immensely wealthy and remains a popular musician. He is horrified, however, when some intrepid fans turn up on his doorstep one night, and Ian promises to discreetly spread rumors about Adam living elsewhere to draw them away.

When Eve calls, she recognizes that he is despondent and decides to come to Detroit. Soon after she arrives, Adam goes out for more blood and she discovers a small revolver under the bed, finds the wooden bullet and senses that it is newly made. She confronts him when he returns, chiding him for wasting the time and opportunities he has to enjoy the world as well as their relationship. They spend their nights cruising the empty streets of Detroit, listening to music and playing chess. But their idyllic seclusion is shattered by the arrival of Eve's younger sister, Ava, from Los Angeles. Ava gorges herself on their stash of the "good stuff", and hungry for excitement, persuades them to go out to a local club with Ian, where they hear Adam's music when the band finishes their set. Ava offers Ian a hit off the flask she secretly filled with blood and brought to the club, and Adam snatches it from her hand with supernatural speed, then insists that they all depart. Before dawn, Ava kills Ian by drinking too much of his blood, and Adam kicks her out of the house.

Adam and Eve dispose of Ian's corpse in an acid pool in an abandoned factory. Ian's murder, and the appearance of another bunch of Adam's fans at the house, compel the couple to hastily return to Tangier with only what they can carry onto the plane. Desperately hungry for blood, they visit Marlowe, and learn that their long-time friend and mentor has been poisoned by a batch of contaminated blood. After admitting that he secretly penned most of Shakespeare's plays, he dies. Eve takes all of Adam's ready cash and leaves him with the promise of a gift. He is captivated by the music from a nearby club, where a Lebanese singer is finishing a haunting song. Eve reappears with a beautiful lute, and as they sit together outdoors and contemplate their likely demise, they spot a pair of young lovers kissing. "What choice do we have?" Adam remarks before the two of them approach the couple with their fangs out. ==Cast[ edit] == ==Production[ edit] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In August 2010, Jarmusch said that Swinton, Michael Fassbender, Mia Wasikowska, and John Hurt had agreed to join the film, described by Jarmusch in May 2011 as a "crypto-vampire love story,"<sup class="reference" id="cite_ref-screendaily_6-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[6]  but he did not have financing yet.<sup class="reference" id="cite_ref-villagevoice_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]  Financing the film was a difficult process for the director, and he explained at the film's world premiere at the Cannes International Film Festival in May 2013 that, "it's getting more and more difficult for films that are a little unusual, or not predictable, or don't satisfy people's expectations of something."<sup class="reference" id="cite_ref-Trek_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]
 * Tom Hiddleston as Adam<sup class="reference" id="cite_ref-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]
 * Tilda Swinton as Eve
 * Mia Wasikowska as Ava
 * John Hurt as Marlowe
 * Jeffrey Wright as Dr. Watson
 * Anton Yelchin as Ian
 * Slimane Dazi as Bilal
 * Yasmine Hamdan as Yasmine
 * White Hills as themselves

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Jarmusch revealed in 2014 that, after seven years of frustration, Swinton said to him: "That's good news, it means that now is not the time. It will happen when it needs to happen."<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9]  Jarmusch eventually received a US$7 million budget from the German "NRW Filmstiftung".<sup class="reference" id="cite_ref-Trek_8-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8] <sup class="reference" id="cite_ref-mfo120716_10-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[10]  Producer Jeremy Thomas later said that Jarmusch is "one of the great American independent film-makers – he's the last of the line. People are not coming through like that any more".<sup class="reference" id="cite_ref-Jon_11-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In January 2012, Tom Hiddleston replaced Fassbender prior to the beginning of filming.<sup class="reference" id="cite_ref-thr120130_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  The film began shooting in June 2012 in numerous locations: in the Brush Park district of Detroit, Michigan, U.S.;<sup class="reference" id="cite_ref-olv120715_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[13]  Tangier, Morocco;<sup class="reference" id="cite_ref-Tangiers_14-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  and Hamburg<sup class="reference" id="cite_ref-ha120718_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  and Cologne, Germany.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[16]  The total duration of filming was seven weeks.<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The film is one of several Jarmusch productions, alongside films such as Night on Earth, in which the action mainly occurs at night-time. Swinton stated after the film's release: "Jim is pretty much nocturnal, so the nightscape is pretty much his palette. There's something about things glowing in the darkness that feels to me really Jim Jarmusch. He's a rock star."<sup class="reference" id="cite_ref-Jon_11-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11] ==Soundtrack<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Jarmusch's band SQÜRL, primarily responsible for the film's score, opens the film with a version of Wanda Jackson’s 1961 song “Funnel of Love.” Other contributors to the soundtrack are Zola Jesus (a.k.a. Nika Roza Danilova) and Lebanese vocalist Yasmine Hamdan, while Dutch lute player Jozef van Wissem's compositions formed a core element of the film's overall aural aesthetic.<sup class="reference" id="cite_ref-Steve_18-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[18]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">During the week of the soundtrack album's release, in April 2014, Van Wissem explained: <p style="margin-top:0.5em;line-height:inherit;">I know the way [Jarmusch] makes his films is kind of like a musician. He has music in his head when he’s writing a script so it’s more informed by a tonal thing than it is by anything else ... I feel that I’m sort of political. Jim’s film is anti-contemporary-society. And the lute goes against all technology and against all computers and against all the shit you don’t need.<sup class="reference" id="cite_ref-Steve_18-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[18] <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Van Wissem also described the film as "a very personal film, maybe even autobiographical," further explaining that "Jim is a cultural sponge, he absorbs everything."<sup class="reference" id="cite_ref-Jon_11-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">A concert was held at the Santos Party House venue in New York City, U.S. in April 2014 to celebrate the release of Jarmusch's eleventh feature film. During the Santos event, Jesus performed with van Wissem on both a “pseudo-Gregorian” piece from the film's soundtrack and an unrecorded collaboration.<sup class="reference" id="cite_ref-Steve_18-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[18] ==Release<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Cast and director at the 2013 Cannes Film Festival.<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In April 2013, the film was added to the 2013 Cannes Film Festival in the competition section.<sup class="reference" id="cite_ref-DL130426_19-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[19]  It was shown at several film festivals, such as the September 2013 Toronto International Film Festival,<sup class="reference" id="cite_ref-TIFF2013_20-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[20]  four screenings at the September/October 2013Reykjavík International Film Festival,<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[21]  and as an opening film for the 4th American Film Festival held in Wrocław, Poland.<sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[22]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The film was officially released in the United Kingdom on February 21, 2014,<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23]  and opened in the United States on April 11, 2014.<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[24] ==Reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Critical response<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Only Lovers Left Alive received positive reviews from critics. Rotten Tomatoes gives the film a score of 85% based on 152 reviews. The critical consensus states that "Worth watching for Tom Hiddleston and Tilda Swinton's performances alone, Only Lovers Left Alive finds writer-director Jim Jarmusch adding a typically offbeat entry to the vampire genre." <sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[25]  Metacritic gave the film a rating of 77/100, based on 40 reviews.<sup class="reference" id="cite_ref-26" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[26]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Scott A. Gray of ''[http://en.wikipedia.org/wiki/Exclaim! Exclaim!] gave the film 8 out of 10, calling it "a visually poetic love story with a wry, jaded sense of humour about finding reasons to wake up every night."<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[27]  Calum Marsh of Slant Magazine gave it 3 out of 4 stars.<sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[28]  Jonathan Romney of Screen International commented that it is Jarmusch's most poetic film sinceDead Man''.<sup class="reference" id="cite_ref-29" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[29]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Todd McCarthy of The Hollywood Reporter described the film as "the perennial downtown filmmaker's best work in many years, probably since 1995's Dead Man, with which it shares a sense of quiet, heady, perilous passage."<sup class="reference" id="cite_ref-30" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30]  Jonathan Hatfull of SciFiNow wrote that it is Jarmusch's best film since Ghost Dog.<sup class="reference" id="cite_ref-31" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[31]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Robbie Collin from The Daily Telegraph awarded the film 4 out of 5 stars and praised the performances of Swinton and Hiddleston: "In the time-honoured Jarmuschian fashion, the few things that happen in Only Lovers Left Alive happen very slowly, but the dialogue is always gloomily amusing, and Swinton and Hiddleston's delivery of the gags is as cold and crisp as footsteps in fresh snow."<sup class="reference" id="cite_ref-DTL_32-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[32]  Jessica Kiang of IndieWire gave the film a B+ grade, saying, "the real pleasure of the film is in its languid droll cool and its romantic portrayal of the central couple, who are now our number one role models in the inevitable event of us turning vampiric."<sup class="reference" id="cite_ref-33" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[33]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Tim Grierson of Paste noted that "Hiddleston and Swinton play their characters not as blasé hipsters but, rather, deeply reflective, almost regretful old souls who seem to have decided that love is about the only thing you can count on."<sup class="reference" id="cite_ref-34" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[34]  Peter Bradshaw of The Guardian gave the film 3 out of 5 stars, pointing that Adam and Eve look more like "well-born incestuous siblings" in spite of being lovers,<sup class="reference" id="cite_ref-35" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[35]  while the Observer's Jonathan Romney concluded that the film is "a droll, classy piece of cinematic dandyism that makes the Twilight cycle redundant in one exquisitely languid stroke."<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[36]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Kurt Halfyard of Twitch Film commented: "Retro recording equipment hasn't looked this claustrophobically sexy since Berberian Sound Studio."<sup class="reference" id="cite_ref-37" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[37]  Alfred Joyner ofInternational Business Times felt that "the melancholy that permeates Motown in the film could be seen as Jarmusch's take on the loss of America's greatness in the 21st century."<sup class="reference" id="cite_ref-38" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[38] ===Accolades<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">