Casablanca (film)

Casablanca is a 1942American romantic drama film, directed by Michael Curtiz and with Humphrey Bogart and Ingrid Bergman in the lead roles. The film is based on theplay Everybody Comes to Rick's, whose Warner Brothers bought the rights.

Although it was an A-film with known actors in the leading roles, no one had expected the movie would be a great success. The production and edition of it were too rushed to take advantage of the publicity around Operation Torch. Casablanca, however, was a great success.



Content
[hide] *1 Synopsis  ==Synopsis[ Edit] == Read warning: text below contains details about the content and/or the end of the story.The film is set during the Second World War in the by the Vichy Government of France controlled Moroccan city Casablanca. Rick Blaine, a man with a shadowy past, here has a Games Hall. One day he comes a certain Ugarte in the café of Rick with travel documents with which the carrier freely by nazi Germany or abroad can travel.He gives the paper in custody to Rick, is then picked up by police commander and Louis Renault dies in the cell. No one knows now that Rick on the valuable documents.
 * 2 Cast
 * Scenario 3
 * 3.1 Everybody comes to Rick's
 * 3.2 The screenwriters
 * 3.3 Censorship and interference
 * 3.4 the completed scenario
 * 3.5 Quotes
 * 4 Production
 * 4.1 Actors
 * 4.2 direction and cinematography
 * 4.3 Recordings
 * 4.4 Music
 * 5 Receipt
 * 6 awards and nominations
 * 7 Trivia
 * 8 external link

Ilsa Lund and her husband appear Victor Laszlo in the café. Ilsa is a former lover of Rick and Victor is a resistance leader who is on the run. They have such paper desperately need to to the neutral Portugal and then to the United States to flee. The German major Heinrich Strasser knows of the plan and coming to the café to transfer to occur.

Rick now comes in conflict with himself, he can give the Victor and Ilsa paper so that they can flee, he can seduce and persuade Ilsa to join him to America to leave, or he can sell the paper for a lot of money. He must, as in the movie said, choosing between love and duty. When the café is empty, Ilsa demands the papers on under threat of a gun. Rick and Ilsa has denies that he dares not to shoot this. After this confession they on that she is still in love with him.

Victor is then picked up by police commander Renault. However, Rick knows to get Louis Victor to release him now than later picking up because of the possession of the travel documents. At the time that Victor Louis wants to arrest him again and the paper has, know to avoid this by Rick with a weapon to threaten him. Four drive them to the airport. When major general Heinrich then appears at the airport, it is by Rick shot.

If the plane of Ilsa and Victor Louis departs, let see a different side of himself. He suggests Rick to leave together to Brazzaville in order to join the French resistance. ==Division Of Roles[ Edit] == Actors from Casablanca, from left to right: Paul Henreid, Ingrid Bergman, Claude Rains and Humphrey Bogart*Humphrey Bogart: Rick Blaine ==Scenario<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ===Everybody comes to Rick's<span class="mw-editsection" len="349" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The source text for the screenplay of Casablanca was Everybody Comes to Rick's, written by Murray Burnett and Joan Alison. Burnett, an American Jew, inherited a substantial sum of money from an uncle in 1938 and decided to use that together with his wife to visit her family in Europe. In the summer of that year the couple traveled to Antwerp. Once there, the young American was asked to go to Vienna to help family to go there. After the Anschluss was the Viennese Jews that is forbidden to, if they want to leave the country, prized possessions to take with it. On the American Consulate was this strongly discouraged him (since he was Jewish): one gave him a PIN with the Stars and Stripes and exhorted him in Austria did not set foot on the streets without that symbol to wear visible. In Vienna he saw to his dismay how the Nazis were engaged in the discrimination and humiliation of Jews. The couple Burnett did manage a large amount of valuables to smuggle out of the country by putting them on their body (Frances, Murray's wife was wearing a fur coat in the middle of summer and Murray wore expensive rings on each finger).<sup class="reference" id="cite_ref-1" len="169" style="line-height:1;unicode-bidi:-webkit-isolate;"> [1]  Later he visited a nightclub in the South of France, where he not only found an African American pianist, but also visitors of different nationalities. He incorporated his experiences in the piece. The character Ilsa would then Lois Meredith. Lois meets Lazlo after her affair with Rick in Paris. This last is no nightclub owner but a lawyer. The scenario was different at different studios and was widely circulated about the quality expected. Film analyst Stephen Karnot by [http://www.microsofttranslator.com/bv.aspx?from=nl&to=en&a=http%3A%2F%2Fnl.wikipedia.org%2Fwiki%2FWarner_Bros. Warner Bros.] called it "intellectual flattery". Samuel Marx of MGM offered the writers $ 5000, but was rebuffed by his boss Louis b. Mayer. Despite the negative opinion of the Karnot bought Warner Bros. rights. Jack Warner was by Irene Lee of the scenario Department persuaded to buy the rights for $ 20 000 in January 1942. That was until then the highest amount paid for the rights of a not yet into production play. ===The screenwriters<span class="mw-editsection" len="338" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The working title of the scenario was Everybody is coming to Rick's but was soon converted into Casablanca, probably in imitation of the 1938 hit film Algiers . Æneas MacKenzie and Wally Kline wrote the first version of the screenplay. After six weeks they disappeared and Julius and Philip Epstein came onto the shoulders. They were responsible for the character of Renault and the background of Rick. In order to make it plausible that Rick has withdrawn in Casablanca and hasn't for the u.s. Army, this new scenario writers were the events before the attack on Pearl Harbor on 7 december 1941. In addition, they changed the background of Rick. He was no longer a lawyer, but a nightclub owner with a vague past. The reason why Rick no longer can back to the USA is not clear in the film. The Epsteins admitted that they could come up with any reason, eventually they held the reason intentionally vague. The brothers were also responsible for adding more comedic elements. After a while if extra text writer Howard Koch was attracted. He also wrote the screenplay, but apart of the Epsteins. He added more political and melodramatic elements. Casey Robinson and Lenore j. Coffee for several weeks were hired to rewrite the different versions. Robinson also assisted in writing a number of scenes between Ilsa and Rick in the night club. Robinson and Coffee are missing the end credits. One of the things that the screenwriters indiscriminately from the play took over, the Vichy France 's transit papers that play such an important role. In reality this paper existed at all. A wanted resistance fighter as Lazlo would no more have been arrested, even though he had a thousand transit papers. ===Censorship and interference<span class="mw-editsection" len="345" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Director Michael Curtiz also repeatedly tried to interfere with the scenario. He wanted more romantic scenes and insisted that the scenes in Paris remained in the film. Also there was external interference. So wanted Warner Bros. to distribute the movie in as many countries as possible and for that reason all the villains from the movie come from Italy, Germany and the countries with which the US was at war. The censorship also spoke a few words with it. Joseph Breen of the Production Code Administration (the film industry in Hollywood self-imposed censorship) had a number of objections. So if Captain Renault no sexual favors extorting his victims and was not allowed that Ilsa and Rick had slept with each other as unmarried in Paris. Further the pronunciation of Renault, "you enjoy war. I enjoy women "be changed to" you like war. I like women ", to prevent the mores would be hurt. Another text where Breen objected to made was the pronunciation of Ilsa, "Victor Laszlo is my husband, and was, even when I knew you in Paris". The scenario was changed and Ilsa says in the film that she thought Lazlo was dead when she was with Rick in Paris. This was sufficient for the censorship to withdraw their objection. One of the reasons that the play only served as a basic story was in particular the character of Ilsa or Lois as they initially was called. The Ilsa from the play sleeping with both Rick as Lazlo and is with neither married. She was already married to an American businessman and one of the reasons that they by Rick is rejected is her wedding. All of these ' spicy ' developments could, however, for the film censorship unacceptable. ===The completed scenario<span class="mw-editsection" len="346" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Three days before filming began, gave their contribution to the scenario in the Epsteins. Their colleague Howard Koch did take longer. When the recordings were working for two weeks, he came up with his version of the scenario. It's a myth that the film was shot in chronological order because the scenario only turn on half the schedule was ready. More changes were included and had to trot out the Koch and Epstein once again rewriting constantly come up if there were needed. It is also a myth that Ingrid Bergman to the at the end of the film would be ignorant about the character with whom they would flee from Casablanca, Rick or Lazlo. The censorship would never have allowed that with Lazlo married Ilsa take with Rick. The end of the film is entirely in line with the end of the play. Rick sends his beloved Ilsa also there with Lazlo to the plane.While writing the screenplay was being considered to Lazlo to die so that Rick could flee with Ilsa, but this was soon given up. Just the idea of the love triangle in which Rick sacrifices itself makes the movie to what he is. The only plausible had to be made why Ilsa Rick specify for Lazlo. For that reason, the end repeatedly rewritten. This made actress Ingrid Bergman so insecure that she later stated that she no longer knew whether they had to be in love on Lazlo or Rick. Equally there was still talk of a different ending to the film. Rick, Renault and a detachment of Free French forces soldiers would be filmed on board a ship that is involved in the invasion of North Africa. Claude Rains, however, was no longer available and actually found anyone to change the original sin to the end. So the idea was quickly abandoned. ===Quotes<span class="mw-editsection" len="331" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Six quotes from the film was added to the top 100 movie quotes from the American Film Institute. This is the highest number of quotes from one movie. The quotes are:
 * Ingrid Bergman: Ilsa Lund
 * Paul Henreid: Victor Laszlo
 * Claude Rains: Captain Louis Renault
 * Conrad Veidt: Major Heinrich Strasser
 * Sydney Greenstreet: Ferrari
 * Peter Lorre: Ugarte
 * Dooley Wilson: Sam

<p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The famous quote "Play it again, Sam" comes in the film not for. Ilsa says to the pianist: "Play it, Sam. Play ' As Time Goes By "" and later "Play it". Rick says later, "You played it for her, you can play it for me. Play it! ". But nowhere is said, "Play it again, Sam". Nevertheless, "Play it again, Sam" the most famous quote from the movie. Woody Allen later wrote a screenplay with a tribute to Casablanca under the title: Play it again, Sam.
 * "Here's looking at you, kid."
 * "Louis, I think this is the beginning of a beautiful friendship."
 * "I stick my neck out for nobody."
 * "Of all the gin joints in all the towns in all the world, she walks into mine."
 * "Round up the usual suspects.".
 * "We'll always have Paris."

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Another quote that is often quoted is wrong, "Louis, I think this is the beginning of a beautiful friendship". It is often quoted as "This could be the beginning of a beautiful friendship" or "I think this is the start of a beautiful friendship.". The text is created by producer Hal b. Wallis when the film was already off and was in post production by Bogart pronunciation. The quote "here's looking at you, kid" comes from Bogart itself.He used it before in movies. Rumor has it that he the meaning often against Ingrid Bergman said when he taught her how to play poker during the filming. ==Production<span class="mw-editsection" len="333" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ===Actors<span class="mw-editsection" len="332" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Humphrey Bogart was the logical choice of producer Hal b. Wallis for the role of Rick. Jack Warner had at an earlier stage the role offered to actor George Raft, but he had refused. When Wallis Bogart had chosen, began to get interest for the role anyway Raft and he tried to persuade Jack Warner to choose him anyway. Warner, however, remained behind his producer and the role went to Bogart. Other candidates were not there. Also Ronald Reagan was never a serious candidate. The rumors that he would play in the world Rick are believed to be aided by a press agent who wanted to keep the name of Reagan in the publicity. Joan Alison, one of the writers of Everybody comes to Rick 's, however, it was not even with the choice of Bogart, who they regarded as a drunkard. They would have preferred had Clark Gable .

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Also Ingrid Bergman was actually from the beginning the first choice for the role of Ilsa. She had other than Bogart called competition. Edwige Feuillèreactresses, Michèle Morgan and Tamara Toumanova informedwere also in the race for the role. Hedy Lamarr was also still an option but she was under contract to MGM and also did not contribute to a film whose screenplay was not finished yet. Ingrid Bergman was also under contract elsewhere, namely when producer David o. Selznick who was preparing her for the lead in For Whom the Bell Tolls which film would be released in 1943. Producer Hal b. Wallis sent the Epstein brothers to Selznick to persuade him to lend Bergman. Selznick agreed when he got an explanation of the scenario. The story goes that Selznick understood nothing of the story and that Jules Epstein desperately cried out, ' it's the same mess as Algiers'. What probably really helped was that Warner Bros. lent Olivia de Havilland to Selznick.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Wallis had trouble with the choice for the role of Victor Lazlo. There were no suitable foreign actors and he was considering choosing from Herbert Marshall, Dean Jagger and Joseph Cotten. Paul Henreid was finally willing to play Victor Lazlo. Henreid was initially lukewarm. He was under contract with Selznick and objected to its lending to Warner Bros. Henreid was afraid that his career as an actor in a minor role would undermine romantic leading roles. Many of the Extras and actors who fled a German play in the movie were German Jews or Germans who were against the regime of the Nazis. Conrad Veidt who also a major of the SS plays was anti-Nazi. He had to flee Germany in the 1930s because the SS wanted to kill him. For his role in the film he got $ 25,000 for a recording time of five weeks. He was the highest paid actor who starred in Casablanca. The role of pianist Sam was played by drummer Dooley Wilson. WIlson could not play the piano and therefore imitated the hand movements of pianist Elliot Carpenter. At the same time as the music was recorded with the captured videos sat Carpenter hidden behind a curtain, but so that Wilson could see him. Incidentally saved it but a hair or the role of Sam was played by a woman. Producer Wallis considered to Hazel Scott, Lena Horne, Ella Fitzgerald or to adopt. ===Directing and cinematography<span class="mw-editsection" len="348" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Producer Hal b. Wallis had first contact with Director William Wyler to the direction of Casablanca to do. But Wyler was not available. Wallis then decided to hire Michael Curtiz . Director Howard Hawks told later that he was first asked for the direction of Casablanca and Sergeant York that Curtiz would direct. Curtiz had according to Hawks little pull in his project, while he himself saw little in Casablanca. At a luncheon they would when of project have changed. Curtiz was of Hungarian origin and was active in the USA since the early 1920s. After all these years he still had a heavy Hong Creole accent what many has caused you any trouble in communication. During the recording of Casablanca early Curtiz to a ' poodle ' to the props Department. One of the staff was desperate for a dog, a poodle, while the recordings were laid silent. When the good guy finally had found a poodle and brought him to the set, burst out in anger, he meant a Curtiz ' puddle of water ' (a water or mud). Curtiz had little input in the scenario he has already tried to interfere. This created the idea that Casablanca was, but no real Curtizfilm more of a char in between. Later critics, such as Sidney Rosenzweig, see Casablanca yet as a typical Curtisfilm he waarinj his favorite theme, the confrontation of the characters with moral dilemmas, could show. There is also a second unit next to Curtis was active. This group was led by Don Siegel and was responsible for the opening scenes, with the Group of refugees and the scenes in which the Germans might go in France. The camera work of cinematographer Arthur Ederson came also the cinematography of The Maltese Falcon had done. He filmed in particular Ingrid Bergman of her favorite left and spent a great deal of attention to her face through the use of filters. ===Recordings<span class="mw-editsection" len="332" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The recordings were supposed to start on april 10, 1942, but by all sorts of delays was only started on 25 May. On 3 August, it was ready and were released on $ 1.039.000, the total cost-over budget, with a low of $ 75,000. The film was shot in chronological order, mainly because at the beginning of the recordings the scenario was not finished yet. Virtually all recordings were made in the studio. Rick's café was recreated there. It consisted of three unconnected parts, so that the layout was not determined. For the decor based the decor designers at the real Hotel El Minzah in Tanger. This was the only decor that was built especially for the movie. All other sets, such as the streets of Casablanca and Paris, were existing decors for the film The Desert Song which have been modified. For the train station in Paris was a set of the film Now, Voyager (1942). The reason for the re-use was a construction stop that the Government imposed in connection with the war. For the scenes that play in Paris was what stock footage used. The final scene of the movie where Rick, Ilsa and Lazlo on the plane turn, is famous for its fog, which gives the scene the right atmosphere. Missing, however, was a trick to hide the fact that the plane, a Lockheed Model 12 Electra Junior, actually a smaller copy was out of cardboard. There were Lilliputians used to give the illusion that the aircraft is larger than it actually was. The only scene that was recorded outside the studio was the arrival of Major Strasser at the airport. This was done on it when so-called Metropolitan Airport, now known as Van Nuys Airport, near Los Angeles. It was important that there was chemistry between the lead actors Bogart and Bergman. Ingrid Bergman was preparing for by The Maltese Falcon with Bogart in the lead role to see several times. A problem arose when it turned out that Bogart 5 inches smaller than Bergman. Director Michael Curtiz left his key player on boxes and sit on pillows during the shooting in order to create the illusion that Bogart was longer than co-star. Unfortunately got the continuity in the film disturbed and seems to be the length of Bogart and Bergman in the film Exchange. Bogart and Bergman were not so happy with the film. The then-wife Mayo Methot Bogart was terribly jealous of Bergman and constantly accused her husband of adultery. Bogart became so enraged that he regularly upset on the set appeared. There was no question of an affair between him and his co-star. Despite all the chemistry on screen was there between takes virtually no contact between Bogart and Bergman, they hardly spoke to each other. Actually wanted both actors are ready as soon as possible with the movie. They found the senario ridiculous, especially the dialogues, and they were worried that the film would damage their career. When the recordings were terminated and one was busy with the post-production, landed the u.s. troops in North Africa. Taken on 8 november 1942, Casablanca. The movie itself would be premiered in the spring of 1943. Just to mention the invasion was attempted in the film, but the studio bosses have to say this is not a good idea. A preview showed that the movie was so well put together that changes were unnecessary. Jack Warner moved forward and the premiere on november 26, 1942, the film premiered in New York. The official launch date was on 23 January 1943. ===Music<span class="mw-editsection" len="331" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">Music plays an important role in the film. The composer was Max Steiner, who is also the music had composed for Gone with the wind. Steiner used a number of compositions by other composers and also made use of earlier work by himself. This is how the music played at the beginning of the film for the movie The Lost Patrol (1934). Steiner applied the pace and changed the instrumentation. He also made use of songs of others. Can be heard, "It Had to Be You" (1924) by Isham Jones and Gus Kahn, "Shine" Cecil Mack, Ford Dabney (1910) and Lew Brown, "Avalon" (1920) by Al Jolson, Buddy DeSylva and Vincent Rose). The only original song was "Knock on Wood" by M.K. Jerome and Jack Scholl.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The main number of the film is, however, As Time Goes By. The number connects Ilsa and Rick and reminds them of the time in Paris. However, it was not written specifically for the film. To the great grief of Steiner, who saw the royalties go to miss. He suggested after the recording still to Hal b. Wallis for order to write another number and the scenes where As Time Goes By a role in plays about doing it. This was, however, impossible because Bergman now embarked on the recording of For Whom the Bells Toll. For this movie, she had cut her hair short. As Time Goes By was built in 1931 and was written by Herman Hupfeld for the 1931 Broadway show everybody's Welcome in which singer Frances Williams sings the song. As Time Goes By was the personal favorite of Murray Burnett, one of the two authors of Everbody comes to Rick 's. He incorporated the song in the play and for the film version was-to grief by Steiner-retrieved. After the movie was As Time Goes By 21 weeks in the charts. The number that came in the hit parade, however, was not the movie version but included in the reissue of the 1931 version of bandleader Rudy Vallée. As a result of a music ban proclaimed by the music unions halfway through the war could not be used the version from Casablanca.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">In the film is called a battle between the national anthems. Rick's Cafe sing the Germans That Wacht Am Rhein in. The Group of refugees put the counter attack by the Marseillaise in the national anthem of France put in it. Initially it was intended that the Germans would sing the Horst Wessel song, but there still copyright rested on. That Wacht Am Rhein descended from 1840 and sings the German steadfastness against the French who want to invade the Rheinland and could be used freely. ==Receipt<span class="mw-editsection" len="334" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The film was a success, and has since always remained popular. In the top 250 of the Internet Movie Database, the film high noted. Film Critics praise the charismatic acting of Bogart and Bergman, who extraordinarily deep character, the other drawing, the handsome Director, the spiritual text and the emotional impact of the work as a whole. ==Awards and nominations<span class="mw-editsection" len="346" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == <p lang="en" len="966" style="margin-top:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;">The film was nominated for eight Oscars 1943 these three of which won best film, for the, for the Best Director and for best screenplay based on a novel. ==Trivia<span class="mw-editsection" len="331" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] ==
 * About the raincoat who in the film is carried by Bogart, existed for some time discussion. According to the clothing brand Burberry was this specially produced for Bogart by them. Given this extra one has decided on the website of the British brand a photo from the movie on the history page of the company put. The son of Humphrey Bogart, however, took a lawyer: he found that Burberry this illegally violated the portrait rights of his father had. Not only from a commercial point of view, but also because according to Stephen Humphrey Bogart in the film private and also a son trench coat carried by the rival British brandAquascutum.<sup class="reference" id="cite_ref-2" len="169" style="line-height:1;unicode-bidi:-webkit-isolate;"> [2]