Aquarium (band)

Aquarium or Akvarium (Russian: Аква́риум) is a Russian rock group formed in Leningrad (now Saint Petersburg, Russia) in 1972. The band had many member changes over its 40-year history, and at the end the only remaining original member was lead singer and founder Boris Grebenshikov. Former band members have included Anatoly Gunitsky, Dyusha Romanov, Sergey Kuryokhin, and Vsevolod Gackel.

Contents 1 Formation, first lineup (1972–1991) 1.1 Early concerts 1.2 Home recording albums 1.3 Theatre and regular performances 1.4 Tbilisi Rock Festival 1.5 Mainstream success 2 Second lineup (1992- present) 3 Musical influences 4 Discography 4.1 Albums 5 Filmography 5.1 Documentary films about "Akvarium" and Grebenshchikov 5.2 Soundtracks by "Akvarium" 6 References 7 External links

Formation, first lineup (1972–1991)
Aquarium was formed in 1972 by two friends: Boris Grebenshikov, then a student of Applied Mathematics at Leningrad State University, and Anatoly (George) Gunitsky, a playwright and absurdist poet.[1] The founding members were Grebenshikov, George (drums), Tsatsanidi Alexander (bass), Alexander Vasilyev (keyboards), Valery warmed (sound).

The popular story behind the name "Aquarium" is that it was inspired by the Budapest street Leningrad pub "The Aquarium" and suggested by one of the band members. However, Grebenshikov has given differing stories in interviews, suggesting alternately that it came through band word association sessions or was inspired a glass aquarium-like building.

In late 1972, guitarist Edmund Shkliarsky (later the leader of "Picnic" band) was briefly a member of the band. Bass player Michael Feinstein-Vasiliev (Fan), the first professional musician in the "Aquarium", joined in January 1973. In the same year keyboardist Andrew "Dyusha" Romanov also joined the band, and, inspired by rock-flautists Richard Meier and Ian Anderson, retrained as a flautist.

Early concerts

Reports vary as to their first performance. Some sources suggest that it was in 1972 at a small country venue,[2] while others place it at the Leningrad restaurant "Hold" at Central Park of Culture and Recreation, for which they were paid 50 rubles in cash.[3]

In the 1970s and early 1980s, rock and roll was strictly regulated in the Soviet Union, and only a few artists managed to be approved and signed by the government record label Melodiya. Aquarium's usual concert venues were private apartments and they faced many years of fierce competition to land a spot on the label. These "apartment concerts" (квартирники) were a unique Soviet phenomenon created by underground musicians. They were usually acoustic, as noise could cause the neighbors to call the Militsiya, but the limited space fostered an atmosphere of intimacy between the group and its audience, who listened with bated breath, perhaps with someone recording the concert on a simple tape recorder. This was similar to the concept of the Russian bards.

In 1973, the "Aquarium" performed their first live concert, but did not follow this up with regular concerts.

Home recording albums

While on vacation in January – February 1973, Grebenshikov and George wrote material for their debut album "The Temptation of St. Aquarium"/Iskushenie Svyatogo Akvariuma (Russian: Искушение святого Аквариума). The band recorded the album with home recording equipment, with variable sound quality results. "The Temptation of St. Aquarium" was long thought lost, but in 1997 the record was found and released in 2001 on CD in the book "Prehistoric Aquarium". All masters of this record appear to have been lost. Their second album was called "Parables of Count Diffusor" and was written by Grebenshikov, George Fan and Dyusha Romanov, probably in the spring of 1974. They followed this up in 1976 with their third album, S Toy Storony Zerkalnogo Stekla, or From the Other Side of a Mirror Glass (Russian: С той стороны зеркального стекла), named using a line from an Arseny Tarkovsky poem.

Theatre and regular performances

In 1974 the group became heavily involved in amateur theatre, playing pieces of absurdity on the steps of the Engineers' Castle. However, when the theater was headed by professional director Eric Goroshevsky, Grebenshikov became disillusioned with the idea of a fusion of rock, poetry and theatre, and shifted Aquarium's focus to concentrate on musical activities (though they only made a complete break from the theatre group in 1977). George left the band, but kept in touch with its members. The following year, cellist Vsevolod (Seva) Gakkel joined the band.

Aquarium began to regularly perform live in 1976. Their first concert was on February 25, 1976 jointly with Grebenshikov, Gakkel and Dyusha Romanov. On March 10 Aquarium was a surprise guest at the Tallinn Festival of Popular Music, where they played a set of four acoustic songs and won the prize for the most interesting and varied program.

In 1977 Romanov and bassoon player Alexander "Fagot" Alexandrov ("fagot" ["фагот"] meaning bassoon in Russian) were drafted in the military for two years. With the loss of these members, Grebenshikov recorded a highly successful solo album All Brothers are Sisters (Vse brat'ya - sestry). Aquarium also became popular to the point that Grebenshikov was recognised in the street. In 1979 the band met with two important figures of Soviet rock, critic Artemy Troitsky and Andrey Tropillo in whose studio Aquarium recorded its first 'historic' albums. That same year, guitarist Alexander Lyapin started performing with the band, joining it permanently a year later, while Dyusha and Fagot returned from the army.

In autumn 1980 came the bootleg "Music of Public Toilets". There is also mention of the bootleg "Music For The Dead and the Living". In August 2002 studio "Triaryl" published this album, erroneously dating it 1974.

Tbilisi Rock Festival

Aquarium burst into the consciousness of the Soviet rock scene by competing at the 1980 Tbilisi Rock Festival. The band caused a scandal with their performance, which was considered bizarre and shocking. During the set, Grebenshikov lay down on the stage and made provocative movements while playing the guitar, causing all the jury members to demonstratively leave the hall. "Aquarium" was accused of promoting homosexuality (the guitar actions), incest (Grebenshikov changed words while singing the song "Marina", though this may have been through poor technique) and indecency, and banned from the festival. The incident became known in Leningrad, and as a result Grebenshikov lost his job and was expelled from the Komsomol (Young Communist's League, expected of working Russians). However, while they did not receive any prizes, the band's performance made them become a symbol of the Soviet alternative culture.

Until 1987, Aquarium recorded all of their albums in live concerts and in a self-assembled underground studio (several members had engineering education) disguised as a "Young Technicians Club". A notable exception was the album Radio Africa (1983), which was secretly recorded using a government-owned mobile studio, after bribing a technician.

Mainstream success

The advent of Glasnost in the second half of the 1980s brought many underground Russian rock musicians to public recognition and Aquarium became one of the most popular acts. They were allowed to play in large concert halls, appeared on state-owned television and recorded soundtracks for several films, most notably Assa.[4] In 1987 they recorded their first album for the state-owned Melodiya record label. With official backing and legalized distribution the album was a huge hit in the Soviet Union, selling well over a million copies within a few months. Grebenshikov subsequently recorded two albums in English and toured with several different backing bands. In 1992 after the break-up of the Soviet Union he released music under the name "the BG-Band", "The Russian Album", a collection of melancholic folk songs influenced by his travels all over Russia and demonstrating a return to his Russian roots.

Second lineup (1992- present)
Grebenschikov kept touring and shortly returned to calling his band "Aquarium", although the lineup bore little resemblance to the original band. The band continued to release more albums and tour extensively over the former Soviet Union, Eastern Europe, and places with Russian-speaking immigrant communities in Germany, Israel and the United States. In 2007, Aquarium performed for the first time at the Royal Albert Hall in London. In 2008 the "Aquarium International" project (with participation of over 20 musicians worldwide) was created.

Their 2008 album Loshad' Belaya (White Horse) was released in a similar fashion to Radiohead's 2007 In Rainbows: it was offered for free download in mp3 format with the downloader opting to pay the amount they saw fit.[5]

Although often criticized for departure from their original style and constant line-up changes, which made the later incarnations of Aquarium essentially a Grebenshikov solo project, the group still enjoyed considerable success in Russia with regular radio airplay of their old and new songs, popular albums, and frequent tours.

Aquarium's lineup in 2014 consisted of Boris Grebenshikov, Boris Rubekin (keyboards), Andrey Surotdinov (violin), Alexey Zubarev (guitars), Alexander Titov (bass), Liam Bradley (drums) and Brian Finnegan (flutes).

Musical influences
Aquarium were strongly influenced by Western rock music, particularly by The Beatles, Bob Dylan, David Bowie, T. Rex, and progressive rock acts like Jethro Tull, King Crimson and Roxy Music as well as by new wave and reggae artists. This was reflected in the band's often complex compositions and wide-ranging lyric themes, even including references to Celtic and Indian cultures.

Discography
Albums

Date

Title

Translation

Notes

Albums (archival) from the 1970s

1973 Iskushenie Svyatogo Akvariuma Temptation of St.Aquarium Menuet Zemledeltsu Farmer's Minuet 1974 Pritchi Grafa Diffuzora Parables of Count Diffusor 1976 S Toy Storony Zerkalnogo Stekla From The Other Side of Mirror Glass 1978 Vse Bratya - Syostry All Brothers are Sisters

Studio albums

1981 Sinii Albom The Blue Album Treugolnik Triangle Elektrichestvo Electricity: History of Aquarium, Vol. 2 1982 Akustika Acoustics: History of Aquarium, Vol. 1 Tabu Taboo 1983 Radio Africa 1984 Ikhtiologia Ichthyology Den’ Serebra The Day of Silver 1986 Deti Dekabrya December's Children 1986 Desyat’ Strel Ten Arrows 1987 Ravnodenstvie Equinox 1987 Feodalizm Feudalism 1992 Russkii Albom Russian Album Released as BG-Band 1993 Lyubimie Pesni Ramzesa IV Favorite Songs of Rameses the IV 1994 Kostroma Mon Amour Kostroma my Love Peski Peterburga Sands of Petersburg 1995 Navigator Navigator 1996 Snezhnii Lev Snow Lion 1997 Hyperborea Hyperborea Lilit Lilith (US: Black Moon ) Released as BG and The Band 1999 Psi 2002 Sestra Haos Sister Chaos 2003 Pesni Ribaka Fisherman's Songs 2005 Zoom Zoom Zoom 2006 Bespechny Russkiy Brodyaga Careless Russian Rover 2008 Loshad' Belaya White Horse 2009 Pushkinskaya 10 Poushkine Street, 10 2011 Arkhangelsk Archangelsk 2013 Aquarium Plus Aquarium Plus

Live Albums

1982 Arox & Shtyor Desyat Let Ten Years Electroshock Electric Shock 1993 Pis'ma Kapitana Voronina Letters of Captain Voronine Vizit v Moskvu Visit to Moscow 1994 Akvarium na Taganke Aquarium at Taganka 1995 Tsentr Tsiklona Center of the Cyclone 1996 Sezon dlya Zmey Snake Season Dvadtsat Let Spustya Twenty Years Later 1997 Akvarium-25, Istoriya Aquarium-25. The History 1998 Molitva i Post Prayer and Fasting 2008 The Royal Albert Hall

Songs performed by Aquarium Incognito

1994 Anna Karenina Quartet 1997 Russian-Abyssinian Orchestra “Bardo” 2000 Terrarium. "Pyatiugolnii Grekh" Terrarium. "Pentangular Sin"

Compilations

1986 Red Wave

Filmography
Documentary films about "Akvarium" and Grebenshchikov Rok (Rock, 1987), dir. Alexei Uchitel, Soviet Union The Long Way Home (1989), dir. Michael Apted, United States

Soundtracks by "Akvarium" Ivanov (1981), dir. A. Nekhoroshev, A. Ilkhovsky Assa (1987), dir. Sergei Solovyov Zolotoy Son (Golden Dream, 1989), dir. Sergey Debizhev Chernaya roza – emblema pechali, krasnaya roza – emblema lyubvi (The Black rose..., 1989), dir. Sergei Solovyov Dva kapitana 2 (Two captains II, 1992),[6] dir. S. Debizhev