Cool World

Cool World is a 1992 American live-action/animated fantasy film directed by Ralph Bakshi,[1]  and starring Kim Basinger,Gabriel Byrne and Brad Pitt. It tells the story of a cartoonist who finds himself in the animated world he thinks he created, and is seduced by one of the characters, a comic strip vamp who wants to be real. Cool World marked Bakshi's return to feature films after nine years. The film was originally pitched as an animated horror film about an underground cartoonistwho fathers an illegitimate half-human/half-cartoon daughter, who hates herself for what she is and tries to kill him.

During production, Bakshi's original screenplay was scrapped by producer [http://en.wikipedia.org/wiki/Frank_Mancuso,_Jr. Frank Mancuso, Jr.] and heavily rewritten byMichael Grais, Mark Victor and Larry Gross. Reviews praised the film's visuals, but criticized the story and characters, as well as the combination of live-action and animation, which some critics felt was unconvincing. However, the film was a minor commercial success.



Contents
[hide]  *1 Plot  ==Plot[ edit] == In 1945 Las Vegas, World War II veteran Frank Harris returns to his mother. Riding on a motorcycle that he won in Italyduring his service, Frank and his mother are struck by a drunk couple. Frank survives, but his mother dies. As an ambulance truck takes her away, Frank is transported to "Cool World", an animated city of surrealistic landscapes and random cartoon violence. He was inadvertently teleported by Dr. Vincent Whiskers, a doctor who created a "spike" that was supposed to take him to the real world, but brought Frank to Cool World instead. Whiskers finds Frank useful enough to run things in the Cool World while he is gone to the real world.
 * 2 Cast
 * 3 Production
 * 4 Release and reception
 * 4.1 Promotion and merchandising
 * 4.2 Reception
 * 5 References
 * 6 External links

Forty seven years later, Jack Deebs, a cartoonist, is detained after murdering a man he found in bed with his wife. He creates the highly acclaimed comic book series "Cool World", which features the femme fatale Holli Would. On the night before his release, Holli summons Jack into the Cool World, and he sees Holli dance in the local dance club. After he sees her dance, Jack is teleported back to the real world. It turns out that Holli wants to enter the real world, but is forbidden to do so by Frank, who is now a police officer in the Cool World.

After he is released, Jack is transported to the Cool World once again and meets Holli and her goons, who have been encouraging his misled beliefs that he himself created the Cool World. In reality, Holli has simply been bringing him there, and Jack created his comic book series on what he's seen there, which he initially believed were his own dreams. Meanwhile, Frank is about to go on a date with his longtime girlfriend Lonette, when his partner Nails, a spider, tells him about Jack's presence. Frank confronts Jack at the local Slash Club, confiscating his fountain pen, informing him that it's a dangerous weapon in the Cool World. Frank then tells Jack the truth: the Cool World has existed long before he created the comic series and forewarns him that "noids", humans from the real world, are not allowed to have sex with "doodles", the cartoon inhabitants of the Cool World. He further advises Jack not to get involved with Holli before Jack returns to the real world.

Holli brings Jack back into the Cool World, where he is taken to Holli's apartment. Holli and Jack have sex, transforming Holli into a human. While Frank attempts to mend his relationship with Lonette, he temporarily leaves detective duties to Nails. Nails receives a call from an informant named Sparks, who tells him that Jack and Holli have had sex and are leaving for the real world. Nails decides that he can do this on his own and goes off to stop Holli. Nails attempts to stop her from leaving the Cool World, but Holli uses Jack's fountain pen to suck Nails in. Jack and Holli return to the real world, where Holli sings "Let's Make Love" at a nightclub with [http://en.wikipedia.org/wiki/Frank_Sinatra,_Jr. Frank Sinatra, Jr.]. Frank discovers that Nails is gone and decides to venture into the real world to pursue Jack and Holli. Meanwhile, Jack and Holli have started to flicker between human and doodle states. While contemplating their situation, Holli tells Jack about the "Spike of Power", an artifact placed on the top of a Las Vegas casinoby a doodle who crossed into the real world. When Jack displays skepticism about Holli and the idea, Holli abandons him to search for the spike on her own.

Frank meets up with Jack later on, explaining that the flickering both Jack and Holli have been experiencing is the disappearance of both worlds. They decide to team up and stop Holli from removing the spike. They get Jennifer, the daughter of Jack's neighbor to drive them to the casino, and on the way, Frank explains that it was Doc Whiskers who crossed worlds and put the spike on the top of the hotel and if it were removed, it could potentially destroy both the real world and the Cool World.

Holli is escorted out of the casino for not spending any money, all the while asking about Vegas Vinnie, which is the alias of Doc Whiskers. When she spots the Doc, she tells him that she couldn't find him, but when she starts to flicker between human and doodle state again, she begins to become suspicious and starts to see through Doc's disguise and shakes him out of it, revealing his identity. Doc tries to convince Holli not to get the Spike of Power, but Holli becomes enraged and threatens Doc Whiskers with the fountain pen. When Frank, Jack, and Jennifer get to the destination, Frank pursues Holli on the casino, while Jack and Jennifer put Doc Whiskers back together after being popped by Holli's pen. Frank chases after Holli throughout the hotel, while she's still flickering from human to doodle state. While in doodle form, Holli pushes Frank off the building to his death. Holli finds and takes the Spike of Power, transforming her, Jack, and everyone in Vegas into doodles and opening a gateway between the two worlds, releasing numerous monstrous doodles. Transformed into a superhero doodle, Jack gets a hold of the spike. Holli tries to seduce it away from Jack, but instead he returns the Spike of Power to its place, trapping him, Holli and the rest of the doodles in Cool World.

Meanwhile, Nails escapes from Holli's pen and both he and Doc Whiskers return Frank's body to Cool World. Lonette discovers that Holli was a doodle when she killed Frank and explains when a noid is killed by a doodle, he is reborn in Cool World as a doodle. He is transformed into a doodle, allowing him to pursue his relationship with Lonette. Meanwhile, Jack and Holli are last seen together in the panels of a comic book. Jack (still a superhero doodle) is planning out how they will live, much to Holli's dismay. ==Cast<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Production<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Storyboard by Louise Zingarelli based on Bakshi's original screenplay.<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1990, Ralph Bakshi decided that it was time to make another animated film. According to Bakshi, "I made 1,500 bucks in 10 years of painting; I thought it would be nice to pick up a piece of change. So I called my lawyer, who was still speaking to me because no one ever leaves Hollywood, and asked him where I should go to sell a movie."<sup class="reference" id="cite_ref-NYT_2-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[2]  Bakshi pitched Cool World toParamount Pictures (where Bakshi had worked as the final head of the studio's animation division) as an animated horror film. The concept of the film involved a cartoon and human having sex and conceiving a hybrid child who visits the real world to murder the father who abandoned her.<sup class="reference" id="cite_ref-Gibson-McDonnell-219_3-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  Bakshi states that Paramount Pictures "bought the idea in ten seconds".<sup class="reference" id="cite_ref-IGN_4-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[4]
 * Live action actors
 * Kim Basinger as Holli Would, a femme fatale and who wishes to be real in the real world.
 * Gabriel Byrne as Jack Deebs, the cartoonist responsible for the creation of Cool World.
 * Brad Pitt as Detective Frank Harris, a Cool World police detective who is bent on catching Holli.
 * Deirdre O'Connell as Isabelle Malley
 * Frank Sinatra, Jr. as Himself
 * Michele Abrams as Jennifer Malley
 * Janni Brenn–Lowen as Agatha Rose Harris
 * Voice actors
 * Charlie Adler as Nails, an anthropomorphic spider who serves as Frank's partner. He actually has four arms and two legs.
 * Candi Milo as Lonette / Bob
 * Joey Camen as Interrogator No. 1 / Slash / Holli's Door
 * Michael Lally as Sparks
 * Maurice LaMarche as Interrogator No. 2 / Mash / Dr. Vincent "Vegas Vinnie" Whiskers / Super Jack Deebs
 * Patrick Pinney as Chico the bouncer
 * Gregory Snegoff as Bash
 * Frank Welker as a telephone
 * Jenine Jennings as Craps Bunny

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">As the sets were being built in Las Vegas, producer [http://en.wikipedia.org/wiki/Frank_Mancuso,_Jr. Frank Mancuso, Jr.], son of Paramount president [http://en.wikipedia.org/wiki/Frank_Mancuso,_Sr. Frank Mancuso, Sr.], had the screenplay rewritten in secret, and gave Bakshi a new screenplay by screenwriters Michael Grais and Mark Victor that "was barely the same".<sup class="reference" id="cite_ref-Gibson-McDonnell-219_3-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  In interviews at the time of the film's release, Mancuso, Jr., who was best known for the Friday the 13thfranchise, stated a desire to move away from horror films, and wanted to produce a film "about what happens when someone creates a world, becomes defined by it, and then can't escape [...] a film about being trapped by your own creation."<sup class="reference" id="cite_ref-NYT_2-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[2]  Bakshi remembers that he got into a fight with Mancuso, Jr. and "punched [him] in the mouth."<sup class="reference" id="cite_ref-DVD_Verdict_5-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Paramount threatened Bakshi with a lawsuit if he refused to complete the film. "I thought if I did the animation well, it would be worth it, but you know what? It wasn't worth it."<sup class="reference" id="cite_ref-Guardian_6-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[6]  Bakshi also stated that he "had a lot of animators there that I'd brought in and I thought that maybe I could just have fun animating this stuff, which I did."<sup class="reference" id="cite_ref-DVD_Verdict_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Bakshi had developed the film as a mix of comedy and horror that he described as "a hard R-rated story" but Paramount wanted a PG-13 film, one of the reasons for the doomed and angry relationship between filmmaker and studio.<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Bakshi had originally intended to cast Drew Barrymore and Brad Pitt in the film's leading roles. Brad Pitt was cast as Frank Harris instead, with Gabriel Byrne as Deebs and Kim Basinger as Holli.<sup class="reference" id="cite_ref-DVD_Verdict_5-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  The film's voice cast includes Maurice LaMarche and Charles Adler. According to Bakshi, Basinger had attempted to rewrite the film halfway into its production because she "thought it would be great [...] if she would be able to show this picture in hospitals to sick children [...] I said, 'Kim, I think that's wonderful, but you've got the wrong guy to do that with.' [...] [Mancuso] was sitting there with Kim [...] agreeing with her."<sup class="reference" id="cite_ref-IGN_4-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[4]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The visual design of the live-action footage was intended to look like "a living, walk-through painting", a visual concept Bakshi had long wanted to achieve. The film's sets were based upon enlargements of designer Barry Jackson's paintings. The animation was strongly influenced by Fleischer Studios (whose cartoons were released by Paramount) and Terrytoons (where Bakshi once worked, and whose Mighty Mouse character was also adapted into a series by Bakshi).<sup class="reference" id="cite_ref-Gibson-McDonnell-219_3-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  The artwork by the character Jack Deebs was drawn by underground comix artist Spain Rodriguez.<sup class="reference" id="cite_ref-Spain1_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  The film's animators were never given a screenplay, and were instead told by Bakshi to "Do a scene that's funny, whatever you want to do!"<sup class="reference" id="cite_ref-Gibson-McDonnell-219_3-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">A soundtrack album, Songs from the Cool World, featuring recordings by My Life with the Thrill Kill Kult, Moby, Ministry, The Future Sound of London, and others, was released in 1992 by Warner Bros. Records.<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9]  It included the track "Real Cool World", a David Bowie song written for the film. The soundtrack received stronger reviews from critics than the film itself, including a four-star rating from Allmusic.<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[10]  Mark Isham's original score for Cool World, featuring a mixture of jazz, orchestral pieces, and electronic remixes, and performed by the Munich Symphony Orchestra, was released on compact disc by Varèse Sarabande. It also received positive reviews.<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11] <sup class="reference" id="cite_ref-12" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12] ==Release and reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Promotion and merchandising<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Jack and Holli.<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">As part of the film's promotion, the Hollywood Sign was altered to include a 75-foot-tall cutout of Holli Would. The alteration angered local residents.<sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[13] <sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  In a letter to the city's Recreation and Park Board, commission officials wrote that they were "appalled" by the board's approval of the alterations and that "the action your board has taken is offensive to Los Angeles women and is not within your role as custodian and guardian of the Hollywood sign. The fact that Paramount Pictures donated a mere $27,000 to Rebuild L.A. should not be a passport to exploit women in Los Angeles."<sup class="reference" id="cite_ref-Chazanov_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  Protestors picketed the unveiling of the altered sign.<sup class="reference" id="cite_ref-Chazanov_15-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  The promotional campaign was focused on the sex appeal of Holli. It was considered by some experts as misaimed, with Paramount's marketing president Barry London saying "Cool World unfortunately did not seem to satisfy the younger audience it was aimed at,"<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[16]  and designer Milton Knight recalling that "Audiences actually wanted a wilder, raunchierCool World. The premiere audience I saw it with certainly did."<sup class="reference" id="cite_ref-Gibson-McDonnell-219_3-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Several different licensed video games based on the film were created by Ocean Software. The first game was developed byTwilight and released in 1992 for the Amiga, Atari ST, Commodore 64 and DOS. Two different games were released in 1993 for the Nintendo Entertainment System and Super Nintendo, alongside a Game Boy version of the original game.<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]  A four-issuecomic book prequel to the film was published as a miniseries by DC Comics.<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[18] ===Reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Cool World opened at sixth on the North American box office, with $5.5 million. Its lifetime gross was $14.1 million,<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[19]  a little more than half its reported $28 million budget.<sup class="reference" id="cite_ref-NYT_2-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[2]  The film was heavily panned by film critics. The review aggregator website Rotten Tomatoes collected a sample of 45 reviews and judged 4% of them to be positive.<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[20]  Roger Ebert of the Chicago Sun-Times wrote that Cool World "misses one opportunity after another", describing it as "a surprisingly incompetent film".<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[21] Deseret News reviewer Chris Hicks described it as "a one-joke movie – and it's a dirty joke. [...] And much of what's going on here seems more angry and nasty than inspired or funny."<sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[22]  Variety reviewer Brian Lowry compared the film to an extended music video, praising the soundtrack and visuals, but panning the story.<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23] Leonard Maltin described the film as "too serious to be fun [and] too goofy to take seriously", and the lead characters as "unlikable and unappealing".<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[24]  The Washington Post reviewer Hal Hinson wondered "whether Kim Basinger is more obnoxious as a cartoon or as a real person," and felt that the combination of animation and live action was unconvincing.<sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[25]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1997, John Grant wrote in The Encyclopedia of Fantasy that Cool World "stands as one of the fantastic cinema's most significant achievements, an instauration fantasy that reveals greater depths with each viewing."<sup class="reference" id="cite_ref-26" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[26]  Animation historian Jerry Beck described the film as being "for adults and Bakshi completists only," writing that the film "has a great premise, a great cast, and the best animation he's ever been involved with," but critiquing it as a "pointless rehash of many of Ralph's favorite themes, and the story literally goes nowhere."<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[27]  The film garnered a Razzie Award nomination for Worst Actress (Kim Basinger; also for Final Analysis).