De-Loused in the Comatorium

De-Loused in the Comatorium is the debut studio album by American progressive rock band The Mars Volta, released on June 24, 2003, on Gold Standard Laboratories and Universal Records. Based on a short story written by lead singer Cedric Bixler-Zavala and sound manipulation artistJeremy Michael Ward, the concept album is an hour-long tale of Cerpin Taxt, a man who enters a week-long coma after overdosing on a mixture ofmorphine and rat poison. The story of Cerpin Taxt alludes to the death of El Paso, Texas artist — and Bixler-Zavala's friend — Julio Venegas (1972–1996).

Co-produced by Rick Rubin and guitarist Omar Rodriguez-Lopez, it is the only studio album to feature founding member Jeremy Michael Ward, who was found dead in an apparent heroin overdose one month before the album was released. Following the departure of Eva Gardner, Red Hot Chili Peppers bassist Flea occupied the role of bass guitarist on this album.

The music contained in De-Loused is distinguished by its enigmatic lyrics, Latin and jazz rhythms, and Omar Rodríguez-López's frenetic guitar riffs, which are often strongly dissonant. The title of this album is taken from the lyrics of the song "Eunuch Provocateur" on the band's previous release,Tremulant. The cover artwork is by Storm Thorgerson.



Contents
[hide]  *1 Background and recording  ==Background and recording[ edit] == Two songs from the album, "Roulette Dares (The Haunt of)" and "Cicatriz ESP," first appeared in 2001 as the band's very first demo recordings with bassist Eva Gardner and drummer Blake Fleming; notably, the early version of "Cicatriz ESP" (then known as "Cicatrix") was slower and much shorter (4 minutes) than the album one (at 12 minutes being the longest track on the album). Both tracks can be legally obtained through The Comatorium's trading forum. ==Reception[ edit] == De-Loused became, both critically and commercially, the band's biggest hit, eventually selling in excess of 500,000 copies despite limited promotion, and was featured on several critics' "Best of the Year" lists.[11]  The album was ranked number 55 on the October 2006 issue of Guitar Worldmagazine's list of the 100 greatest guitar albums of all time.[12]  "Drunkship of Lanterns" was named the 91st best guitar song of all-time by Rolling Stone.[13]
 * 2 Reception
 * 3 Track listing
 * 4 Personnel
 * 4.1 Band
 * 4.2 Additional musicians
 * 4.3 Recording personnel
 * 4.4 Artwork
 * 5 Singles
 * 6 Charts
 * 6.1 Album
 * 7 External links
 * 8 References

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The album so far has a score of 82 out of 100 from Metacritic based on "universal acclaim".<sup class="reference" id="cite_ref-meta_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[1]  Alternative Press gave the album a perfect score of all five stars and said it "takes multiple listens to absorb, and, even then, you're probably not going to have a clue to what Bixler's raving about."<sup class="reference" id="cite_ref-meta_1-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[1]  [http://en.wikipedia.org/wiki/Yahoo!_Music Yahoo! Music UK] gave it a score of eight stars out of ten and said it was "not an album to listen to casually. It insists on taking over your life for an hour, demands a level of concentration rare in rock, amply repays multiple plays."<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[14]  Under the Radar gave the album eight stars out of ten and said that the band "has created the antithesis of ATDI, leaving behind any formula or typicality. What they kept was the fire, the fury, and the passion."<sup class="reference" id="cite_ref-meta_1-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[1] Drowned in Sound gave it a score of eight out of ten and called it "truly exquisite and well worth the wait."<sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[15]  Playlouder gave it a score of four stars out of five and said, "There are moments of prog rock, jazz fusion and freakydelia in this rush of ideas and if that sounds awful then don't be put off. Instead of the shambolic mess that this kinda influence normally entails Mars Volta have come strictly disciplined."<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[16]  Uncut gave it four stars out of five and said: "Imagine a jam session between King Crimson, Fugazi and '70s Miles. Now imagine it working. That's the Mars Volta."<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[17]  Blender also gave it four stars and said it "Roars like Led Zeppelin, churns like King Crimson and throbs like early Santana."<sup class="reference" id="cite_ref-meta_1-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[1]  Tiny Mix Tapes likewise gave it four stars and called it "a very strong debut album for the Mars Volta."<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[18]  Ink 19 Magazine also gave it a favorable review and said it was "definitely worth checking out, but make sure to keep an open mind and check any preconceived notions at the door."<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[19]  The A.V. Club also gave it a positive review and said, "Taken as a piece, the record's free-flowing synthesis of Santana, Yes, and Metallica is overwhelming in a good way."<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[20]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">There were fewer reviews that are mixed: Pitchfork Media gave it a score of 4.9 out of ten and said it "just isn't fun."<sup class="reference" id="cite_ref-pitchfork_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[5]  Neumu.net gave it four stars out of ten and called it "a sprawling mess".<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[21] ==Track listing<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">All lyrics written by Cedric Bixler-Zavala with the help of Jeremy Michael Ward, all music composed by Omar Rodríguez-López, except where noted. ==Personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The following people contributed to De-Loused in the Comatorium: ===Band<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Additional musicians<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Recording personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Artwork<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Charts<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Album<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ===
 * Cedric Bixler-Zavala – vocals
 * Omar Rodríguez-López – guitar, bass ("Ambuletz")
 * Jon Theodore – drums
 * Isaiah "Ikey" Owens – keyboards
 * Flea – bass (except "Televators" and "Ambuletz")
 * Jeremy Michael Ward – effects & sound manipulation
 * Lenny Castro – percussion
 * John Frusciante – additional guitar and synthesizer treatment ("Cicatriz ESP")
 * Justin Meldal-Johnsen – stand-up bass ("Televators")
 * Rick Rubin - producer
 * Omar Rodríguez-López - producer
 * Dave Schiffman - recording
 * Andrew Scheps - additional recording
 * Phillip Groussard - assistant engineer, recording engineer ("Ambuletz")
 * Darren Mora - assistant engineer
 * Rich Costey - mixing engineer
 * Jason Lader - mixing engineer ("Ambuletz")
 * Lindsay Chase - album production coordination
 * Vlado Meller - mastering
 * Pete Lyman - mastering (vinyl)
 * Steve Kadison - mastering assistance
 * Storm Thorgerson - cover design, art direction
 * Peter Curzon - cover design, graphics -
 * Rupert Truman - photography
 * Dan Abbott - illustrations
 * "Inertiatic ESP" (2003)
 * "Televators" (2003)