All Tomorrow's Parties

"All Tomorrow's Parties" is a song by The Velvet Underground, written by Lou Reed and released on the group's 1967 debut album, The Velvet Underground & Nico.

Inspiration for the song came from Reed's observation of the Warhol clique; according to Reed, the song is "a very apt description of certain people at theFactory at the time. ... I watched Andy. I watched Andy watching everybody. I would hear people say the most astonishing things, the craziest things, the funniest things, the saddest things."[2]  The song was Andy Warhol's favorite by The Velvet Underground.[3]

The song has notably lent its name to a music festival, a William Gibson novel, and a Yu Lik-wai film. The song also appears prominently in the horror film The Lords of Salem.



Contents
[hide]  *1 Recording  ==Recording[ edit] == The song was recorded at Scepter Studios, New York, during April 1966. It features a piano motif played by Cale (initially written as an exercise) based largely on tone clusters. It was one of the first pop songs to make use of prepared piano[4]  (a chain of paper clips were intertwined with the piano strings to change their sounds). The song also features the ostrich guitar tuning by Reed, by which all of the guitar strings were tuned to D.[3]
 * 2 Personnel
 * 3 Alternate versions
 * 3.1 Ludlow Street Loft, July 1965
 * 3.2 Single version, July 1966
 * 4 Cover versions
 * 5 Sample
 * 6 References

Nico provides lead vocals. The song was originally recorded with only one track of her vocals; they were later double-tracked for the final album version. Most versions of the album use this version of the song, though the initial 1987 CD release uses the original mix without the double-tracking. ==Personnel[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Alternate versions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Ludlow Street Loft, July 1965<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">The earliest known recorded version of "All Tomorrow's Parties" was recorded on reel to reel tape by Lou Reed, John Cale and Sterling Morrison in a New York apartment loft on Ludlow Street. With Reed on acoustic guitar, the song features a strong folk music sound—particularly in Cale and Morrison's harmony vocals—which critic David Fricke<sup class="reference" id="cite_ref-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[5]  suggests demonstrates Reed's fondness for Bob Dylan. This version, released on the Peel Slowly and See box set, is composed of multiple takes, which add up to a time of 18:26. ===Single version, July 1966<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">An edited version of the song was released in July 1966 as a single with "I'll Be Your Mirror" as a B-side. The song cuts out about half of the studio version at just under three minutes. It did not chart.
 * Lou Reed - Ostrich fretless electric guitar
 * John Cale - viola, piano
 * Sterling Morrison - bass
 * Maureen Tucker - bass drum, tambourine
 * Nico - double-tracked lead vocals

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">This version later became available in 2002 on the "Deluxe Edition" of The Velvet Underground & Nico. ==Cover versions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Both Nico and Lou Reed have recorded solo versions of the song. Other artists who have covered it include Jun Togawa, Apoptygma Berzerk,<sup class="reference" id="cite_ref-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[6]  the Ass Ponys, Buffalo Tom, Japan,<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[7]  Bauhaus, Jeff Buckley,Icehouse,<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[8]  Los Tres,<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[9]  The Method Actors, Nick Cave and the Bad Seeds,<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[10]  the Oysterband, Tom Robinson, Kikka Sirén, Simple Minds,<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[11]  Siouxsie and the Banshees,<sup class="reference" id="cite_ref-12" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[12]  Rasputina, Kendra Smith, Bryan Ferry,<sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.909090995788574px;">[13]  June Tabor, Johnette Napolitano, Iron and Wine, Deerhoof, Hole, The Music Tapes, Ordo Rosarius Equilibrio and Black Tape for a Blue Girl. Les Rita Mitsouko covered the song for the Velvet Underground tribute album Les Enfants du Velvet in 1985.