Sallie Gardner at a Gallop

Sallie Gardner at a Gallop [1]  was a film production-experiment[2] [3]  on June 19, 1878. The film consists of a fast-moving series of 24 photos that were displayed on a zoopraxiscope. Photographer Eadweard Muybridge had been given command of Leland Stanford to take the pictures. The purpose of filming was to prove that a horse Gallopin[4]  at any one time with all four hooves comes off of the ground.



Content
[hide] *1 Development  ==Development[ Edit] == Muybridge-series of a horse at a gallop.In July 1877 Muybridge tried using some single photo negatives which Stanford's racehorse Occident[5]  in the air was on display during the middle of a gallop. One of the photos was sent to the local press, butCalifornian because the film negative was manipulated, the press had the evidence rejected. Negative retouching, however, was quite common during that time and Muybridge won for the picture a price[6]  during the 12th San Francisco industrial exhibition.
 * 2 Aftermath
 * 3 see also
 * 4 References

The year after Stanford financed his next project, although the rumor went[7]  that the two had a bet on the outcome of $ 25,000. The film was included in Palo Alto on June 19, 1878 in the presence[2]  by the press. Muybridge photographed a in Kentucky -bred Mare by Stanford called Sallie Gardner<sup class="reference" id="cite_ref-8" len="178" style="line-height:1;unicode-bidi:-webkit-isolate;">[8] <sup class="reference" id="cite_ref-9" len="178" style="line-height:1;unicode-bidi:-webkit-isolate;">[9] <sup class="reference" id="cite_ref-10" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[10]. The cameras were drawn up on a track parallel to the path of the horse. Muybridge used 24 cameras<sup class="reference" id="cite_ref-11" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[11]  which is approximately at a distance of 69 cm<sup class="reference" id="cite_ref-12" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  layers from each other. The cameras went about 1/25 second<sup class="reference" id="cite_ref-13" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  after each other. The closers were served by stumbling thread, which triggered by the horse passed. The pictures were taken 1/1000 second later. Samuel, the jockey that Sallie rode, used a speed of 1: 40 gang<sup class="reference" id="cite_ref-14" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[14] <sup class="reference" id="cite_ref-15" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[15], which means that the horse ran at a rate of one mile per 1 minute and 40 seconds, which is equivalent to 36 mph or about 58 mph. the result of this experiment was a film of a horse at a gallop. To this was to see that there is indeed a ' suspension ' at a gallop when all legs are from the ground up. The pictures were produced in and when the press also saw the broken belts on Sallie's saddle, they were convinced of the reliability of the photos. ==Aftermath<span class="mw-editsection" len="340" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The relationship between Muybridge and Stanford deteriorated in 1882 when Stanford<sup class="reference" id="cite_ref-16" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[16]  the book The Horse in Motion as Shown by Instantaneous Photography wrote (published by Osgood & Co). The book did not contain the pictures by Muybridge, although it claimed instantaneous photography (photos made with a short shutter speed), and instead gave 100 illustrations<sup class="reference" id="cite_ref-17" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[17] again, based on the photographs taken were of Sallie. Muybridge was nowhere mentioned in the book, except in a technical index based on a report that Stanford had written. This was not well taken by Muybridge, since this incident the Britain's Royal Society of Arts led to him to call to explain why he got no honor for work. The society offered to finance further photographic studies of animal movement.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Moving images on a screen projected Muybridge In 1880 when he<sup class="reference" id="cite_ref-18" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[18]  a presentation held at the California School of Fine Arts. This was the first film exhibition. He later met with Thomas Edisonhad invented the phonograph that when recently. Edison went on to invent the forerunner<sup class="reference" id="cite_ref-19" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[19]  of the film camera: the Kinetoscope.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The studies and the work of Muybridge were after 9 years of successful experiment with photography and movement published in Philadelphia<sup class="reference" id="cite_ref-20" len="180" style="line-height:1;unicode-bidi:-webkit-isolate;">[20]  with help from the University of Pennsylvania.The publication consisted of 781 light plates and was called Animal locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements, 1872-1885. The light plates were about 48 at 61 cm and were stored in a frame of about 91 at 91 cm. the plates contain a total of about 20,000 photos. The published plates contain 514 men and women on the move, 27 plates depicted abnormal male and female movement, 16 plates were about children, 5 sheets were about adult male hand movement and the other 219 plates were about animals.