Pixies

The Pixies are an American alternative rock band formed in Boston, Massachusetts, in 1986. The group currently consists of founders Black Francis (lead vocals, rhythm guitar), Joey Santiago (lead guitar) and David Lovering(drums). Co-founder Kim Deal (bass, backing vocals) left in 2013, and was replaced by Kim Shattuck as live bass player for a few months, then by Paz Lenchantin for the band's 2014 tour. The Pixies achieved relatively modest popularity in their home country, but were significantly more successful in the United Kingdom and mainland Europe. The group disbanded in 1993 in acrimonious circumstances, but reunited in 2004. Despite limited commercial success, their jarring pop sound subsequently influenced bands such as Nirvana, Radiohead, The Strokes, Bush and Weezer.

The band's style of music contains a range of elements, including indie rock, space rock, psychedelia, noise rock,hard rock, surf pop and surf rock. Black Francis is the Pixies' primary songwriter and singer. He has written about a number of offbeat subjects in the band's songs, such as extraterrestrials, surrealism, incest, and biblical violence.

The group is credited with having an influence on the alternative rock boom of the 1990s. The Pixies' legacy and popularity grew in the years following their break-up, leading to sold-out world tours following their reunion in 2004. In June 2013, the band released their first new material in almost ten years.



Contents
[hide]  *1 History  ==History[ edit] == ===Formation (1986)[ edit] === Joey Santiago and Black Francis (born Charles Thompson IV) first met when they lived next to each other in a suite while attending the University of Massachusetts Amherst.[1]  Although Santiago was worried about distractions, he noticed Francis played music and the pair began to jam together.[2]  Francis then embarked on a student exchange trip to Puerto Rico to study Spanish.[1]  After six months, he returned to Amherst and dropped out of the university.[3]  Francis and Santiago spent 1984 working in a warehouse, with Francis composing songs on his acoustic guitar and writing lyrics on the subway train.<sup class="reference" id="cite_ref-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[4]
 * 1.1 Formation (1986)
 * 1.2 Record contract and Come On Pilgrim (1987)
 * 1.3 Surfer Rosa and Doolittle (1988–89)
 * 1.4 Hiatus (1989–90)
 * 1.5 Bossanova, Trompe le Monde, and break-up (1990–2002)
 * 1.6 Reunion (2003–12)
 * 1.7 Kim Deal's departure, "Bagboy" and new material (2013–present)
 * 2 Timeline
 * 3 Musical style
 * 3.1 Influences
 * 3.2 Songwriting and vocals
 * 4 Impact
 * 5 Music videos and DVDs
 * 6 Discography
 * 7 See also
 * 8 References
 * 9 Bibliography
 * 10 External links

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The pair formed a band in January 1986.<sup class="reference" id="cite_ref-allmusic-bio_5-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Bass player Kim Deal joined Santiago and Francis two weeks later after responding to a classified advertisement Francis had placed, seeking a female bass player who liked both folk music icons Peter, Paul and Mary and the band Hüsker Dü.<sup class="reference" id="cite_ref-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[6]  Deal was the only person to respond, but arrived at the audition without a bass as she had never played the instrument before.<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7] <sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  She was invited to join the band just because she liked the songs Black Francis was showing her. She later obtained a bass, and the trio started rehearsing in Deal's apartment.<sup class="reference" id="cite_ref-Frank.7CGanz.7C2005.7Cp.3D20_9-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">After recruiting Deal, the band tried unsuccessfully to get her sister, Kelley Deal, to join as its drummer.<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[10]  Kim's husband suggested they hire drummer David Lovering, whom Kim had met at her wedding reception.<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11] <sup class="reference" id="cite_ref-12" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  The group arrived at a name after Santiago selected the word "pixies" randomly from a dictionary and took a liking to how it looked and its definition as "mischievous little elves".<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]  Once the band had settled on a name and stable line-up, they moved rehearsals to Lovering's parents' garage in mid-1986.<sup class="reference" id="cite_ref-Frank.7CGanz.7C2005.7Cp.3D20_9-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9] <sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[13]  They began to play shows at bars in and around the Boston area.<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1] ===Record contract and Come On Pilgrim (1987)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">While the Pixies were playing a concert with Throwing Muses, they were noticed by producer Gary Smith, manager of Fort Apache Studios.<sup class="reference" id="cite_ref-allmusic-bio_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  He told the band he "could not sleep until you guys are world famous".<sup class="reference" id="cite_ref-officialprofile_14-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  The band produced a 17-track demo at Fort Apache soon afterwards, known to fans as "The Purple Tape" because of the tape cover's purple background. Funded by Francis' father at the cost of $1000, the recording session was completed in three days.<sup class="reference" id="cite_ref-Sisario.2C_2006._p._16_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  Local promoter Ken Goes became the band's manager, and he passed the demo to Ivo Watts-Russell of the independent record label 4AD.<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]  Watts-Russell nearly passed on the band, finding them too normal, "too rock 'n' roll", but signed them at the persuasion of his girlfriend.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[16]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Upon signing with 4AD, eight tracks from the Purple Tape were selected for the Come On Pilgrim mini-LP, the band's first release.<sup class="reference" id="cite_ref-allmusic-bio_5-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  On it, Francis drew upon his experiences in Puerto Rico, mostly in the songs "Vamos" and "Isla de Encanta"; the album included lyrics describing the poverty in Puerto Rico.<sup class="reference" id="cite_ref-officialprofile_14-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  The religious lyrics inCome On Pilgrim and later albums came from his parents' born-again Christian days in the Pentecostal Church.<sup class="reference" id="cite_ref-officialprofile_14-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  Critic Heather Phares sees themes such as sexual frustration ("I've Been Tired") and incest ("Nimrod's Son" and "The Holiday Song") on the record.<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17] ===Surfer Rosa and Doolittle (1988–89)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Come On Pilgrim was followed by the band's first full-length album, Surfer Rosa. The album was recorded by Steve Albini (who was hired by Watts-Russell on the advice of a 4AD colleague),<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[18]  completed in two weeks, and released in early 1988.<sup class="reference" id="cite_ref-officialprofile_14-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  Surfer Rosa gained the Pixies acclaim in Europe; both Melody Maker and Sounds gaveSurfer Rosa their "Album of the Year" award. American critical response was also positive yet more muted, a reaction that persisted for much of the band's career.<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[19]  The album was eventually certified Gold in the U.S. in 2005.<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[20]  After the album was released, the band arrived in England to support Throwing Muses on the European "Sex and Death" tour—beginning at the Mean Fiddler in London.<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[21]  The tour also took them to the Netherlands, where the Pixies had already received enough media attention to be headlining the tour. Francis later recalled: "The first place I made it with the Pixies was in Holland."<sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[22]  The tour became notable for the band's in-jokes, such as playing their entire set list in alphabetical order.<sup class="reference" id="cite_ref-allmusic-bio_5-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Meanwhile, the Pixies signed an American distribution deal with major record label Elektra.<sup class="reference" id="cite_ref-allmusic-bio_5-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Around this time, the Pixies struck up a relationship with the British producer Gil Norton. Norton produced their second full album,Doolittle,<sup class="reference" id="cite_ref-carew_23-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23]  which was recorded in the last six weeks of 1988 and seen as a departure from the raw sound of Come On Pilgrim and Surfer Rosa. Doolittle had a much cleaner sound, largely due to Norton and the production budget of US$40,000, which was quadruple that of Surfer Rosa.<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[24]  Doolittle featured the single "Here Comes Your Man", which biographers Josh Frank and Caryn Ganz describe as an unusually jaunty and pop-like song for the band.<sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[25] "Monkey Gone to Heaven" was a Top 10 modern rock radio hit in the U.S.,<sup class="reference" id="cite_ref-billboard_albums_26-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[26]  and reached the Top 100 in the U.K.<sup class="reference" id="cite_ref-uk_singles_27-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[27]  Like Surfer Rosa, Doolittle was acclaimed by fans and music critics alike.<sup class="reference" id="cite_ref-carew_23-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23] ===Hiatus (1989–90)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">After Doolittle tensions between Deal and Francis came to a head (for example, Francis threw a guitar at Deal during a concert in Stuttgart),<sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[28]  and Deal was almost fired from the band when she refused to play at a concert in Frankfurt.<sup class="reference" id="cite_ref-aston_29-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[29]  Santiago, in an interview with Mojo, described Deal as being "headstrong and want[ing] to include her own songs, to explore her own world" on the band's albums; eventually she accepted that Francis was the singer and had musical control of the band, but after the Frankfurt incident, "they kinda stopped talking".<sup class="reference" id="cite_ref-aston_29-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[29]  The band became increasingly tired during the post-Doolittle "Fuck or Fight" tour of the United States and fighting among members continued.<sup class="reference" id="cite_ref-carew_23-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23]  After the tour's final date in New York, the band was too exhausted to attend the end-of-tour party the following night and soon announced a hiatus.<sup class="reference" id="cite_ref-allmusic-bio_5-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">During this time, Santiago and Lovering went on vacation,<sup class="reference" id="cite_ref-carew_23-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23]  while Francis performed a short solo tour,<sup class="reference" id="cite_ref-allmusic-bio_5-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  made up of a number of concerts to generate gas money as he traveled across the country.<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]  Deal formed a new band, The Breeders, with Tanya Donelly of Throwing Muses and bass player Josephine Wiggs of Perfect Disaster.<sup class="reference" id="cite_ref-breedersbiography_30-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30]  Their debut album, Pod, was released in 1990.<sup class="reference" id="cite_ref-breedersbiography_30-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30] <sup class="reference" id="cite_ref-31" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[31] ===Bossanova, Trompe le Monde, and break-up (1990–2002)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1990, all members of the group except for Deal moved to Los Angeles.<sup class="reference" id="cite_ref-32" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[32]  Lovering stated that he, Santiago, and Francis moved there "because the recording studio was there".<sup class="reference" id="cite_ref-33" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[33]  Unlike previous recordings, the band had little time to practice beforehand, and Black Francis wrote much of the album in the studio.<sup class="reference" id="cite_ref-34" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[34]  Featuring the singles "Velouria" and "Dig for Fire", Bossanova reached number 70 in the United States.<sup class="reference" id="cite_ref-billboard_albums_26-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[26]  In contrast, the album peaked at number three in the United Kingdom.<sup class="reference" id="cite_ref-uk_albums_35-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[35]  Also in 1990, the Pixies released a cover of the Paul Butterfield Blues Band's "Born in Chicago" on the compilation album Rubáiyát: Elektra's 40th Anniversary.<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[36]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The band continued to tour and released Trompe le Monde in 1991, their final album before their break-up. The album included "U-Mass", which has been described as being about college apathy,<sup class="reference" id="cite_ref-magnet_37-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[37]  and whose guitar riff was written years before at the University of Massachusetts before Francis and Santiago dropped out.<sup class="reference" id="cite_ref-magnet_37-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[37]  The album also featured a cover of "Head On" by The Jesus and Mary Chain.<sup class="reference" id="cite_ref-38" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[38]  Also that year, the band contributed a cover of "I Can't Forget" to the Leonard Cohen tribute albumI'm Your Fan,<sup class="reference" id="cite_ref-39" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[39]  and began an international tour on which they played stadiums in Europe and smaller venues in the United States.<sup class="reference" id="cite_ref-allmusic-bio_5-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  They then embarked on an uncomfortable tour supporting U2 on their Zoo TV Tour in 1992.<sup class="reference" id="cite_ref-barton_40-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[40]  Tensions rose between band members, and, at the end of the year, the Pixies went on sabbatical and focused on separate projects.<sup class="reference" id="cite_ref-barton_40-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[40]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In early 1993, Francis announced in an interview to BBC Radio 5 that the band was finished and offered no explanation at the time, unbeknownst to the other members of the band.<sup class="reference" id="cite_ref-allmusic-bio_5-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  He later called Santiago and subsequently notified Deal and Lovering via fax, in January 1993.<sup class="reference" id="cite_ref-41" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[41]  After the break-up, the four members embarked on separate projects. Black Francis renamed himself Frank Black,<sup class="reference" id="cite_ref-42" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[42]  and he released several solo albums, including a string of releases with Frank Black and the Catholics.<sup class="reference" id="cite_ref-fbatcr_43-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[43]  Deal returned to The Breeders, who scored a hit with "Cannonball" from that group's platinum-selling Last Splash in 1993, and released two more albums several years later.<sup class="reference" id="cite_ref-breedersbiography_30-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30]  She also formed and released one album with The Amps.<sup class="reference" id="cite_ref-44" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[44] <sup class="reference" id="cite_ref-45" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[45]  Santiago played lead guitar on multiple Frank Black albums,<sup class="reference" id="cite_ref-46" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[46] <sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[47] <sup class="reference" id="cite_ref-48" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[48]  as well as on other artists' albums.<sup class="reference" id="cite_ref-49" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[49] <sup class="reference" id="cite_ref-50" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[50]  He wrote theme music for the show Undeclared on Fox television and for Crime and Punishment in Suburbia.<sup class="reference" id="cite_ref-pharesmartinis_51-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[51]  He formed a band calledThe Martinis with his wife, Linda Mallari, who released an album in 2004.<sup class="reference" id="cite_ref-52" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[52]  In 2004, he also played lead guitar on the album "Statecraft" by the novelist and musicianCharles Douglas.<sup class="reference" id="cite_ref-53" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[53]  Lovering went on to become a magician and made occasional appearances as "The Scientific Phenomenalist", performing experiments on stage and occasionally opening for Frank Black and The Breeders.<sup class="reference" id="cite_ref-54" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[54]  Lovering continued to do some drumming, playing with the band Cracker,<sup class="reference" id="cite_ref-pharesmartinis_51-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[51]  as well as on one of Tanya Donelly's solo albums,<sup class="reference" id="cite_ref-55" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[55]  and on the Martinis' song "Free", which appeared on the Empire Records soundtrack.<sup class="reference" id="cite_ref-pharesmartinis_51-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[51]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">4AD and Elektra Records continued to release Pixies material in the band's absence. They released the best-of album Death to the Pixies (1997),<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[56]  the Peel-session compilation Pixies at the BBC (1998),<sup class="reference" id="cite_ref-57" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[57]  and the Complete 'B' Sides compilation (2001).<sup class="reference" id="cite_ref-b-sides_58-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[58]  Meanwhile, in 2002 material from the band's original 17-track demo tape was released as an EP, Pixies, on Cooking Vinyl in the U.K.<sup class="reference" id="cite_ref-59" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[59]  and SpinArt Records in the U.S.;<sup class="reference" id="cite_ref-60" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[60]  Frank Black has also used these labels to release solo work<sup class="reference" id="cite_ref-61" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[61] <sup class="reference" id="cite_ref-62" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[62] and albums with The Catholics.<sup class="reference" id="cite_ref-fbatcr_43-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[43] <sup class="reference" id="cite_ref-63" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[63] ===Reunion (2003–12)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === The Pixies in concert in Kansas City, October 1, 2004. From left to right, Frank Black, David Lovering (back) and Kim Deal.<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In the 11 years following the break-up, rumors sometimes circulated regarding a reunion. Though Frank Black steadfastly dismissed them,<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1] <sup class="reference" id="cite_ref-magnet_37-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[37] <sup class="reference" id="cite_ref-64" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[64]  he did begin to incorporate an increasing number of Pixies songs in his sets with The Catholics,<sup class="reference" id="cite_ref-65" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[65]  and occasionally included Santiago in his solo work and Lovering's magic show as an opening act to concerts.<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 2003, a series of phone calls between band members resulted in some low-key rehearsals, and soon to a decision to reunite.<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]  By February 2004, a full tour was announced,<sup class="reference" id="cite_ref-66" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[66]  and tickets for nearly all the initial tour dates sold out within minutes.<sup class="reference" id="cite_ref-67" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[67]  The band's four-night run at London's Brixton Academy was the fastest selling in the venue's twenty-year history.<sup class="reference" id="cite_ref-68" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[68]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The Pixies played their first reunion concert on April 13, 2004, at The Fine Line Music Cafe in Minneapolis, Minnesota,<sup class="reference" id="cite_ref-69" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[69]  and a warm-up tour through the U.S. and Canada was followed by an appearance at the Coachella Valley Music and Arts Festival.<sup class="reference" id="cite_ref-allbusiness_70-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[70] <sup class="reference" id="cite_ref-71" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[71]  The band then spent much of 2004 touring throughout Brazil, Europe, Japan, and the U.S.<sup class="reference" id="cite_ref-allbusiness_70-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[70]  The group won the Act-of-the-Year award in the 2004 Boston Music Awards.<sup class="reference" id="cite_ref-72" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[72]  The 2004 reunion tour reportedly grossed over $14 million in ticket sales.<sup class="reference" id="cite_ref-73" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[73]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In June 2004, the band released a new song, "Bam Thwok" exclusively on the iTunes Music Store. The song reached number one in the UK Official Download Chart.<sup class="reference" id="cite_ref-74" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[74] 4AD released Wave of Mutilation: The Best of Pixies, along with a companion DVD, entitled Pixies.<sup class="reference" id="cite_ref-75" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[75]  The band also contributed a rendition of "Ain't That Pretty At All" to the Warren Zevon tribute album Enjoy Every Sandwich.<sup class="reference" id="cite_ref-76" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[76]  "Bam Thwok" and "Ain't That Pretty At All" were both recorded by engineer Ben Mumphrey, the former atStagg Street Studios in Van Nuys, CA and the latter at Metamorphosis Studio in Vienna, Austria.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 2005, the band made appearances at festivals including Lollapalooza,<sup class="reference" id="cite_ref-77" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[77]  "T on the Fringe",<sup class="reference" id="cite_ref-78" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[78]  and the Newport Folk Festival.<sup class="reference" id="cite_ref-79" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[79]  They continued to make appearances through 2006 and 2007,<sup class="reference" id="cite_ref-80" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[80] <sup class="reference" id="cite_ref-81" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[81]  culminating in their first-ever appearances in Australia.<sup class="reference" id="cite_ref-82" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[82]  Since 2005, Francis has at various times stated that the Pixies recording a new studio album was either a possibility,<sup class="reference" id="cite_ref-83" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[83] <sup class="reference" id="cite_ref-84" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[84] <sup class="reference" id="cite_ref-85" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[85]  or an unlikelihood,<sup class="reference" id="cite_ref-86" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[86] <sup class="reference" id="cite_ref-87" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[87]  the main obstacle being Deal's reluctance to do so.<sup class="reference" id="cite_ref-88" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[88] <sup class="reference" id="cite_ref-89" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[89]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">To celebrate the 20th anniversary of the release of Doolittle, the Pixies launched a tour in October 2009 where they performed the album track-for-track, including the associated B-sides.<sup class="reference" id="cite_ref-nmejune29_90-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[90]  The tour began in Europe,<sup class="reference" id="cite_ref-nmejune29_90-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[90]  continued in the United States in November,<sup class="reference" id="cite_ref-91" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[91]  with the Southamerican and Australian tour following in March 2010, then New Zealand, and more European dates in spring 2010,<sup class="reference" id="cite_ref-92" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[92] <sup class="reference" id="cite_ref-93" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[93]  and back to North America in fall 2010 and into spring 2011.<sup class="reference" id="cite_ref-94" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[94] <sup class="reference" id="cite_ref-95" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[95]  In the autumn of 2011 the "Imaginary Cities" tour continued the "Doolittle Tour" as they played many venues for the first time. ===Kim Deal's departure, "Bagboy" and new material (2013–present)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Kim Shattuck playing with The Muffs<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">On June 14, 2013, it was announced by the band's Twitter profile that Kim Deal had left the band. Deal has since posted new solo music on her website and the remaining Pixies have welcomed her to come back as her schedule with Breeders allows.<sup class="reference" id="cite_ref-kdback_96-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[96] Two weeks later, the band released a new song, "Bagboy", as a free download via the Pixies website. The song features Jeremy Dubs of Bunnies and formerly of the Bennies on vocals in place of Deal.<sup class="reference" id="cite_ref-97" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[97]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">On July 1, 2013, the Pixies announced the addition of The Muffs and The Pandoras guitarist and vocalist Kim Shattuck, who would be replacing Deal for the band's 2013 European tour.<sup class="reference" id="cite_ref-98" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[98] <sup class="reference" id="cite_ref-99" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[99] <sup class="reference" id="cite_ref-100" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[100]  On September 3, 2013 Pixies released an EP of new songs titled EP1. On November 29, 2013, Shattuck announced that she had been dismissed from the band that day.<sup class="reference" id="cite_ref-shattuckleave_101-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[101]  In December 2013, Paz Lenchantin was announced as the new bassist for the 2014 tour.<sup class="reference" id="cite_ref-102" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[102]  More new material surfaced when Pixies released their second EP, titled EP2, on January 3, 2014. The single released to radio was "Blue Eyed Hexe." Another new EP, called EP3, was released on March 24, 2014. All the EPs were only available as downloads and limited edition vinyl. The three EPs were collected in LP format and released as the album Indie Cindy in April 2014.<sup class="reference" id="cite_ref-103" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[103] ==Timeline<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;"> ==Musical style<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The Pixies' musical style has been described as "an unorthodox marriage of surf music and punk rock, ... characterized by Black's bristling lyrics and hackle-raising caterwaul, Kim Deal's whispered harmonies and waspy basslines, Joey Santiago's fragile guitar, and the persistent flush of David Lovering's drums."<sup class="reference" id="cite_ref-barton_40-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[40]  The band's music incorporates extreme dynamic shifts; Francis explained in 1991, "Those are the two basic components of rock music [. . .] the dreamy side and the rockin' side. It's always been either sweaty or laid back and cool. We do try to be dynamic, but it's dumbo dynamics, because we don't know how to do anything else. We can play loud or quiet—that's it".<sup class="reference" id="cite_ref-Guitar_Player_104-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[104] ===Influences<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The Pixies draw influence from a range of artists and genres; each member came from a different musical background. When he first started writing songs for the Pixies, Francis says he was listening to nothing but Hüsker Dü, Captain Beefheart, and Iggy Pop;<sup class="reference" id="cite_ref-105" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[105]  Other influences associated with Francis include The Gun Club<sup class="reference" id="cite_ref-106" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[106]  and The Cars.<sup class="reference" id="cite_ref-107" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[107] <sup class="reference" id="cite_ref-108" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[108]  During the making of Doolittle he was listening heavily to The Beatles' The White Album.<sup class="reference" id="cite_ref-109" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[109]  He has cited Buddy Holly as a model for his compressed songwriting.<sup class="reference" id="cite_ref-110" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[110]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Santiago listened to 1970s and 1980s punk including Black Flag, as well as David Bowie.<sup class="reference" id="cite_ref-officialprofile_14-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  Guitarists who influenced him include Jimi Hendrix, Les Paul, Wes Montgomery, and George Harrison.<sup class="reference" id="cite_ref-111" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[111]  Deal's musical background was folk music and country; she had formed a country-folk band with her sister in her teenage years, and played covers of artists such as The Everly Brothers and Hank Williams.<sup class="reference" id="cite_ref-barton_40-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[40]  Other artists they listened to included XTC, Gang of Four and Elvis Costello.<sup class="reference" id="cite_ref-rogers_112-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[112] Lovering is a fan of the band Rush.<sup class="reference" id="cite_ref-barton_40-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[40]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Other media such as film has had an impact on the Pixies; Francis cites surrealist films Eraserhead and Un chien andalou (as mentioned in "Debaser") as influences.<sup class="reference" id="cite_ref-officialprofile_14-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14] He has commented on these influences, saying he "didn't have the patience to sit around reading Surrealist novels", but found it easier to watch twenty-minute films.<sup class="reference" id="cite_ref-113" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[113] ===Songwriting and vocals<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Most of the Pixies songs were composed and sung by Francis. Critic Stephen Thomas Erlewine has described Francis's writing as containing "bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture".<sup class="reference" id="cite_ref-allmusic-bio_5-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Biblical violence is a theme of Doolittle ' s "Dead" and "Gouge Away";<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1] <sup class="reference" id="cite_ref-114" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[114]  Francis told a Melody Makerinterviewer, "It's all those characters in the Old Testament. I'm obsessed with them. Why it comes out so much I don't know."<sup class="reference" id="cite_ref-115" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[115]  He has described Come on Pilgrim ' s"Caribou" as being about reincarnation,<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]  and extraterrestrial themes appear in a number of songs on Bossanova.<sup class="reference" id="cite_ref-SPIN_Life_Pixies_1-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Deal co-wrote Doolittle ' s "Silver" with Francis,<sup class="reference" id="cite_ref-doolittle_116-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[116]  and they share lead harmony vocals on the track.<sup class="reference" id="cite_ref-Sisario.2C_2006._p._16_15-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  She also co-wrote and sang lead vocals on Surfer Rosa ' s "Gigantic",<sup class="reference" id="cite_ref-surferrosa_117-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[117] <sup class="reference" id="cite_ref-118" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[118]  and is the sole songwriter of the 2004 digital single "Bam Thwok".<sup class="reference" id="cite_ref-rogers_112-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[112] <sup class="reference" id="cite_ref-119" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[119]  She was credited as Mrs. John Murphy on the former composition<sup class="reference" id="cite_ref-surferrosa_117-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[117] —at the time she was married and she used this name as an ironic feminist joke.<sup class="reference" id="cite_ref-120" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[120]  She also sang lead vocals on the song "Into the White" and the Neil Young cover "Winterlong", both B-sides.<sup class="reference" id="cite_ref-b-sides_58-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[58]  Lovering sang lead vocals on Doolittle ' s "La La Love You"<sup class="reference" id="cite_ref-doolittle_116-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[116]  and the B-side "Make Believe".<sup class="reference" id="cite_ref-b-sides_58-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[58] ==Impact<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Although the Pixies produced relatively few albums, whose sales were modest, they influenced a number of bands associated with the alternative rock boom of the 1990s.<sup class="reference" id="cite_ref-rollingstone_121-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[121] <sup class="reference" id="cite_ref-egan_122-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[122]  Gary Smith, who produced their Come On Pilgrim, commented on the band's influence on alternative rock and their legacy in 1997:<sup class="reference" id="cite_ref-egan_122-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[122] <p style="margin-top:0.5em;line-height:inherit;">I've heard it said about The Velvet Underground that while not a lot of people bought their albums, everyone who did started a band. I think this is largely true about the Pixies as well. Charles' secret weapon turned out to be not so secret and, sooner or later, all sorts of bands were exploiting the same strategy of wide dynamics. It became a kind of new pop formula and, within a short while, "Smells Like Teen Spirit" was charging up the charts and even the members of Nirvana said later that it sounded for all the world like a Pixies song. <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Sonically, the Pixies are credited with popularizing the extreme dynamics and stop-start timing that would become widespread in alternative rock; Pixies songs typically feature hushed, restrained verses, and explosive, wailing choruses.<sup class="reference" id="cite_ref-magnet_37-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[37]  Artists including David Bowie, Radiohead, PJ Harvey, U2, Nirvana, The Strokes, Weezer, Bushand Pavement have cited admiration of or influence by the Pixies.<sup class="reference" id="cite_ref-carew_23-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23] <sup class="reference" id="cite_ref-rhino_123-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[123] <sup class="reference" id="cite_ref-allmusic_124-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[124]  Bono of U2 has called the Pixies "one of America's greatest bands ever",<sup class="reference" id="cite_ref-rhino_123-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[123] <sup class="reference" id="cite_ref-125" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[125]  and Radiohead's Thom Yorke has said that, while at school, "the Pixies had changed my life".<sup class="reference" id="cite_ref-egan_122-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[122]  Bowie, whose own music had inspired Francis and Santiago while they were at university, has said that the Pixies made "just about the most compelling music of the entire 80s."<sup class="reference" id="cite_ref-rhino_123-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[123]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">One notable citation as an influence was by Kurt Cobain, on influencing Nirvana's "Smells Like Teen Spirit", which he admitted was a conscious attempt to co-opt the Pixies' style. In a January 1994 interview with Rolling Stone, he said, "I was trying to write the ultimate pop song. I was basically trying to rip off the Pixies. I have to admit it [smiles]. When I heard the Pixies for the first time, I connected with that band so heavily I should have been in that band—or at least in a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard."<sup class="reference" id="cite_ref-egan_122-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[122] <sup class="reference" id="cite_ref-126" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[126]  Cobain cited Surfer Rosa as one of his main musical influences, and particularly admired the album's natural and powerful drum sounds—a result of Steve Albini's influence on the record. Albini later produced Nirvana's 1993 In Utero at the request of Cobain.<sup class="reference" id="cite_ref-127" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[127] ==Music videos and DVDs<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">No music videos were released from Come on Pilgrim or Surfer Rosa, but from Doolittle onwards, the following videos were made: "Monkey Gone To Heaven", "Here Comes Your Man", "Velouria", "Dig For Fire", "Allison", "Alec Eiffel", "Head On", and "Debaser";<sup class="reference" id="cite_ref-jawetz_128-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[128]  these were later released on the 2004 DVD Pixies.<sup class="reference" id="cite_ref-jawetz_128-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[128]  Furthermore, a music video accompanied the release of their 2013 song, "Bagboy", as well an alternate video released on a later date. Videos have been made for all the songs in EP1. The videos for "Here Comes Your Man" and "Allison" were also released on The Complete 'B' Sides.<sup class="reference" id="cite_ref-b-sides_58-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[58]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">By Bossanova, the band had developed a severe aversion to recording music videos, and Francis refused to lip-sync to them.<sup class="reference" id="cite_ref-pg140_129-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[129]  For example, in the "Here Comes Your Man" video, both Black and Deal open their mouths wide instead of mouthing their lyrics.<sup class="reference" id="cite_ref-130" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[130]  According to the record label this became one of the reasons that the Pixies never achieved major coverage on MTV.<sup class="reference" id="cite_ref-pg140_129-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[129]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">With Bossanova ' s release, 4AD hoped to get the Pixies chosen to perform their single "Velouria" on the BBC music programme Top of the Pops.<sup class="reference" id="cite_ref-131" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[131]  To this end, the band was pressured into producing a video for the song, and they made one cheaply with the band members filmed running down a quarry, shown in slow motion.<sup class="reference" id="cite_ref-pg140_129-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[129] <sup class="reference" id="cite_ref-barding_132-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[132]  The group was ultimately not given a spot on the show.<sup class="reference" id="cite_ref-barding_132-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[132] <sup class="reference" id="cite_ref-133" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[133]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">A 90-minute documentary called loudQUIETloud: a film about the Pixies directed by Steven Cantor and Matthew Galkin was released in 2006. The film documents their 2004 reunion and tour, and covers the years after the break-up.<sup class="reference" id="cite_ref-134" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[134]  In addition to Pixies and LoudQUIETloud, four other Pixies' DVDs were released between 2004 and 2006, all featuring concert performances: Live at the Town and Country Club 1988,<sup class="reference" id="cite_ref-135" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[135]  The Pixies—Sell Out,<sup class="reference" id="cite_ref-rhino_123-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[123]  The Pixies Acoustic: Live in Newport,<sup class="reference" id="cite_ref-136" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[136]  and The Pixies Club Date: Live at the Paradise in Boston.<sup class="reference" id="cite_ref-137" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[137] ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Main article: Pixies discography*Come On Pilgrim (1987)
 * Surfer Rosa (1988)
 * Doolittle (1989)
 * Bossanova (1990)
 * Trompe le Monde (1991)
 * Indie Cindy (2014)