Nick Cave & The Bad Seeds

Nick Cave and the Bad Seeds are an Australian alternative rock band that was formed in Melbourne in 1983 by frontman Nick Cave, multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and keyboardist Conway Savage (all four from Australia), keyboard/percussion player Barry Adamson and guitarist George Vjestica (both from the United Kingdom), and drummer Jim Sclavunos (United States). The band has released fifteen studio albums[2]  and completed numerous international tours.

The band was founded after the demise of Cave and Harvey's former group The Birthday Party, the members of which met at a boarding school inVictoria, Australia.[3]  Deviating from the noise rock roots of their contemporaries, Nick Cave and the Bad Seeds have produced alternative rock that has been influenced by various genres, such as punk rock, gothic rock, no wave and blues. Their early material—From Her to Eternity (1984), The Firstborn Is Dead (1985), Your Funeral... My Trial (1986) and Tender Prey (1988)—primarily featured a post-punk sound. The band has progressively incorporated other songwriting elements; for example, the 2008 release ''[http://en.wikipedia.org/wiki/Dig,_Lazarus,_Dig!!! Dig, Lazarus, Dig!!!]'' experimented with garage rock, also an influence of the side projectGrinderman. Synthesizers and minimal guitar work feature prominently on their newest album, Push the Sky Away (2013), recorded after the departure of Harvey in 2009.[4]



Contents
[hide]  *1 History  ==History[ edit] == ===Formation and early releases (1983–1985)[ edit] === The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of The Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us."[5]
 * 1.1 Formation and early releases (1983–1985)
 * 1.2 Relocation to Germany and stylistic evolution (1985–1989)
 * 1.3 Growing success (1989–1997)
 * 1.4 Further musical refinement; Bargeld's departure (1997–2005)
 * 1.5 Grinderman; Harvey's departure (2006–2012)
 * 1.6 Push the Sky Away and current events (2013–present)
 * 2 Members
 * 3 Discography
 * 4 Awards
 * 5 References
 * 6 External links

Cave and guitarist Kid Congo Powers during the band's 1986 tour.An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einstürzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood,<sup class="reference" id="cite_ref-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[6]  although the sessions were cut short due to Cave's touring with The Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond.<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[7]  In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983.<sup class="reference" id="cite_ref-fta_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[8]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed]  The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed]  They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September–October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984.<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;">[9] ===Relocation to Germany and stylistic evolution (1985–1989)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">After the departure of Race and Lane, the remaining members relocated to West Berlin, Germany in 1985 and released a second album The Firstborn Is Dead. The album was heavily influenced by the gothicAmericana of the American South and blues music,<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;">[10]  exemplified in songs such as "Tupelo" and "Blind Lemon Jefferson", which reference the birth of Elvis Presley and Blind Lemon Jefferson respectively. Released the following year, the cover version album Kicking Against the Pricks explored such influences more directly with renditions of material by Johnny Cash, John Lee Hooker and Lead Belly. The 1986 album also marked the arrival of Swiss drummer Thomas Wydler, a member of Die Haut, and featured guest appearances from Race, Pew, and Birthday Party guitarist Howard, who had briefly toured with the Bad Seeds as a substitute member in 1985.<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;">[11]  Pew's death from an epileptic seizure also occurred in 1986.<sup class="reference" id="cite_ref-Simon_3-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed]  Tender Prey, the dark, brooding<sup class="reference" id="cite_ref-gs_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  1988 follow-up, saw the arrival of American guitarist Kid Congo Powers—Harvey made the transition to bass—and short-tenured German keyboardist Roland Wolf. The single "The Mercy Seat" chronicled an unrepentant prisoner on death row<sup class="reference" id="cite_ref-Simon_3-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]  and further increased the group's critical acclaim and commercial attention. The track later received the honor being covered by Cash on his 2000 album American III: Solitary Man. Despite the increasing level of success, the drug-related issues of band members became problematic.<sup class="reference" id="cite_ref-gs_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  The documentary film The Road to God Knows Where, directed by Uli M Schueppel, depicts a five-week period<sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;">[13]  of the United States leg of their 1989 tour.<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;">[14]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Cave and his band-mates also pursued other creative ambitions around this time. In 1987, the Bad Seeds appeared in the Wim Wenders film Wings of Desire,<sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;">[15]  and Cave was also featured in the 1988 film''[http://en.wikipedia.org/wiki/Ghosts..._of_the_Civil_Dead Ghosts... of the Civil Dead], which he and Race co-wrote.<sup class="reference" id="cite_ref-Dick_16-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[16]  Cave's first novel And the Ass Saw the Angel'' was published in 1989.<sup class="reference" id="cite_ref-17" style="line-height:1;unicode-bidi:-webkit-isolate;">[17] ===Growing success (1989–1997)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">After a period of time in New York, Cave relocated to São Paulo, Brazil<sup class="reference" id="cite_ref-Simon_3-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]  shortly after the final tour for Tender Prey and, after successfully finishing a drug rehabilitation programme,<sup class="reference" id="cite_ref-gs_12-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  began experimenting with piano-driven ballads. The result of this post-rehabilitation period was 1990's The Good Son. Featuring a sorrowful and longing tone, the album was well-received both critically and commercially,<sup class="reference" id="cite_ref-gs_12-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[12]  and yielded the singles "The Weeping Song" (featuring vocals from Bargeld) and "The Ship Song".<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;">[18]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Two established Australian musicians, Casey of The Triffids and solo artist and keyboardist Savage, replaced the departing Powers and Wolf. The addition of Casey on bass allowed Harvey to return to guitar. Their next record, 1992's Henry's Dream, marked a change towards a harder rock sound. Producer David Briggs, known for his work with Neil Young, was enlisted for the recording process. The tour for the album is documented on 1993's live album Live Seeds and showcases the new group's aggressive sound.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">In mid-1993, the group returned once more to London and recorded Let Love In, the follow-up album. Let Love In expanded upon the fuller ensemble sound that was established in Henry's Dream<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;">[19]  and featured contributions from Howard, Ellis, Tex Perkins (Beasts of Bourbon) and David McComb (The Triffids).<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;">[20]  Several popular songs, such as "Red Right Hand" (which featured in the Scream film series)<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;">[21] <sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;">[22]  and "Loverman" (later covered by Metallica),<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;">[23]  were drawn from the album. During the promotional tour for the album, American percussionist and drummer Jim Sclavunos joined the group.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">In 1996 the band released Murder Ballads, their best-selling album to date.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed]  Centered on the subject of murder,<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed]  the album includes a cover of the folk song "Henry Lee"—a duet with British rock singer PJ Harvey, with whom Cave had a brief relationship—<sup class="reference" id="cite_ref-Simon_3-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]  and "Where the Wild Roses Grow", a duet with Australian pop idol Kylie Minogue. The Minogue collaboration was a mainstream hit in the UK and Australia, and won three Australian Recording Industry Association (ARIA) Awards, including Song of the Year. It was at this time that Ellis of the Dirty Three began regularly working with the band and eventually became Cave's primary collaborator.<sup class="reference" id="cite_ref-Simon_3-5" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">The sound of The Boatman's Call, released in 1997, was a radical departure from the archetypal and violent narratives of the band's past, featuring songs about relationships, loss, and longing, often with sparse arrangements. Cave revealed his mindset during the creation of the album in a 2008 interview: "When I was making half that record I was furious because certain things had happened in my love life that seriously pissed me off. And some of those songs came straight out of that. I don't regret making it ... the songs are of a moment when you felt a certain way. When ... you just think, 'Fuck - please!'"<sup class="reference" id="cite_ref-Simon_3-6" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] The album's corresponding tour was later documented on the 2008 live album Live at the Royal Albert Hall. After the release of the album, Cave embarked on a brief hiatus, during which time he remarried.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed] ===Further musical refinement; Bargeld's departure (1997–2005)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Founding guitarist Bargeld left the band in 2003<p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Following Cave's hiatus the band oversaw the release of Original Seeds, a compilation of material from other artists that influenced the group, as well as their own "best of" album The Best of Nick Cave and The Bad Seeds. The proper follow-up to The Boatman's Call was 2001's No More Shall We Part. The record featured guest appearances byKate and Anna McGarrigle and was generally well received in reviews: one critic hailed the album as an "entire album of deeply tragic and beautiful love songs without irony, sarcasm, or violent resolution", while also stating that the work is at risk of devolving "into schmaltz".<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;">[24]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">The band then released Nocturama in 2003. The album marked a return to band-oriented and collaborative arrangements, as previous releases involved a decreased level of input from Cave's band-mates. Nocturama garnered mixed reviews, with critic Eric Carr stating that "in truth, it may still be the group's best work since Let Love In, but it had the potential to be so much more".<sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;">[25]  Shortly after the album's release, Bargeld left the band after 20 years to devote more time to Einstürzende Neubauten.<sup class="reference" id="cite_ref-26" style="line-height:1;unicode-bidi:-webkit-isolate;">[26]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">In 2004 the band released the acclaimed two-disc set Abattoir Blues / The Lyre of Orpheus, with Bargeld replaced by the English actor, guitarist and organist James Johnston, a member of Gallon Drunk and former guest member of the Bad Seeds from a Lollapalooza tour ten years prior (Johnston only played organs on the recordings, as Harvey contributed the guitar pieces).<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;">[27] <sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;">[28]  Conceived as two separate albums packaged together, the record featured a diversity of arrangement styles, including aggressive rock and choir-driven ballads. In 2005 the band released B-Sides & Rarities Vol 5, a three-volume, 56-song collection of B-sides, rarities and compilation tracks that was released on Mute Records in Europe, the US and the UK.<sup class="reference" id="cite_ref-29" style="line-height:1;unicode-bidi:-webkit-isolate;">[29]  The Abattoir Blues Tour, a two-CD, two-DVD box set with performances from the album's promotional tour, was then released in 2007 in Europe and the US. The tour included guest backing vocalists Ase Bergstrom, Geo Onaymake, Eleanor Palmer and Wendi Rose.<sup class="reference" id="cite_ref-30" style="line-height:1;unicode-bidi:-webkit-isolate;">[30]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Also in 2005, Cave completed work on his script for The Proposition, a western film set in 19th century Australia directed by John Hillcoat, who also directed and co-wrote Ghosts of the Civil Dead.<sup class="reference" id="cite_ref-Dick_16-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[16] <sup class="reference" id="cite_ref-31" style="line-height:1;unicode-bidi:-webkit-isolate;">[31] Cave and Ellis collaborated on the film's score,<sup class="reference" id="cite_ref-32" style="line-height:1;unicode-bidi:-webkit-isolate;">[32]  a partnership that would later also score the films The Assassination of Jesse James by the Coward Robert Ford (2007) and The Road (2009).<sup class="reference" id="cite_ref-Simon_3-7" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] <sup class="reference" id="cite_ref-33" style="line-height:1;unicode-bidi:-webkit-isolate;">[33] ===Grinderman; Harvey's departure (2006–2012)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">After operating for several years as a touring backing band for Cave's solo work, Bad Seeds members Ellis, Sclavunos and Casey formed a new side-project Grinderman with Cave in 2006. The band, featuring Cave playing guitar for the first significant time, played garage rock-influenced music that still retained much of The Bad Seeds' aura and released a self-titled debut album in 2007.<sup class="reference" id="cite_ref-Sean_34-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[34]  In October 2007 Cave was inducted into the ARIA Hall of Fame and, in his acceptance speech, also inducted the members of The Bad Seeds and The Birthday Party, after explaining, "I cannot really accept this until we get a few things straight. What I can't figure out is why I am up here and The Bad Seeds aren't?"<sup class="reference" id="cite_ref-35" style="line-height:1;unicode-bidi:-webkit-isolate;">[35]

Grinderman marked a return to a raw sound, as well as Cave's debut on guitar.<p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Nick Cave and the Bad Seeds released their 14th studio album ''[http://en.wikipedia.org/wiki/Dig,_Lazarus,_Dig!!! Dig, Lazarus, Dig!!!] in 2008 and received a high level of critical acclaim.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;white-space:nowrap;">[citation needed]  Inspired by the biblical story of the resurrection of Lazarus of Bethany by Jesus Christ,<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;">[36] <sup class="reference" id="cite_ref-37" style="line-height:1;unicode-bidi:-webkit-isolate;">[37]  the album continued the punk and garage rock-inspired arrangements that were explored on the debut Grinderman album, resulting in what NME'' termed a "gothic psycho-sexual apocalypse".<sup class="reference" id="cite_ref-38" style="line-height:1;unicode-bidi:-webkit-isolate;">[38]  The group then embarked on a North American and European tour is support of the album, with a seven-piece lineup that did not include Johnston, who had left the group after the album's completion.<sup class="reference" id="cite_ref-39" style="line-height:1;unicode-bidi:-webkit-isolate;">[39]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Cave and the band curated Australia's first edition of the All Tomorrow's Parties music festival that was held in various Australian locations during January 2009. On 22 January, after the festival's completion, Harvey announced his departure from the band after 25 years, citing "a variety of personal and professional reasons". Harvey concluded his public statement by stating, "I shall continue working on the Bad Seeds back catalogue re-issues project over the coming year and look forward to the new opportunities I shall be able to accommodate as a result of my changed circumstances."<sup class="reference" id="cite_ref-Mick_4-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[4]  Harvey's departure was the end of a 36-year-long musical collaboration between Cave and Harvey, and Cave was left as the group's only original member.<sup class="reference" id="cite_ref-Sean_34-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[34]  The band enlisted guitarist Ed Kuepper, formerly of the Australian bands The Saints and the Laughing Clowns, as a touring member to complete the 2009 summer festival dates that were scheduled.<sup class="reference" id="cite_ref-Ed_40-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[40]  Also in 2009, Cave published his second novel The Death of Bunny Munro,<sup class="reference" id="cite_ref-41" style="line-height:1;unicode-bidi:-webkit-isolate;">[41]  and Mute Records commenced work on a series of remastered versions of the Bad Seeds' back catalogue (some of the remastered albums included documentary footage from Iain Forsyth and Jane Pollard).<sup class="reference" id="cite_ref-42" style="line-height:1;unicode-bidi:-webkit-isolate;">[42] <sup class="reference" id="cite_ref-43" style="line-height:1;unicode-bidi:-webkit-isolate;">[43] <sup class="reference" id="cite_ref-44" style="line-height:1;unicode-bidi:-webkit-isolate;">[44]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Following this string of activity, the Bad Seeds became dormant while Grinderman reactivated and released Grinderman 2 in 2011.<sup class="reference" id="cite_ref-Sean_34-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[34]  The group also attracted further attention when their song "O Children" appeared in the 2010 film Harry Potter and the Deathly Hallows – Part 1. In December 2011, Grinderman disbanded immediately following an Australian tour. Their final performance was at the Meredith Music Festival in rural Victoria.<sup class="reference" id="cite_ref-Sean_34-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[34] <sup class="reference" id="cite_ref-45" style="line-height:1;unicode-bidi:-webkit-isolate;">[45] ===Push the Sky Away and current events (2013–present)<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Nick Cave and the Bad Seeds' 15th studio album Push the Sky Away was released in mid-February 2013 by Kobalt Label Services.<sup class="reference" id="cite_ref-46" style="line-height:1;unicode-bidi:-webkit-isolate;">[46]  During the album's recording, former member Barry Adamson rejoined the band as a bassist. Adamson has also taken over some of the drumming duties on the Push The Sky Away tour, as Wydler has been unable to participate in the tour due to health reasons.<sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;">[47]  Kuepper also returned as the band's touring guitarist,<sup class="reference" id="cite_ref-Ed_40-1" style="line-height:1;unicode-bidi:-webkit-isolate;">[40]  but was replaced by George Vjestica for the European leg of the tour; Vjestica's 12-string guitar-playing is included on the 15th studio album.<sup class="reference" id="cite_ref-48" style="line-height:1;unicode-bidi:-webkit-isolate;">[48] <sup class="reference" id="cite_ref-49" style="line-height:1;unicode-bidi:-webkit-isolate;">[49]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">In its review of the 2013 release, NME dubbed Nick Cave "the grand lord of gothic lushness" and qualified the recording as a "majestic and desolate masterpiece".<sup class="reference" id="cite_ref-50" style="line-height:1;unicode-bidi:-webkit-isolate;">[50]  In mid-August 2013, the band was a 'First Longlist' finalist for the 9th Coopers AMP, alongside artists such as Kevin Mitchell and The Drones—the Australian music prize is worth A$30,000 and the 2013 winner will be announced in March 2014.<sup class="reference" id="cite_ref-51" style="line-height:1;unicode-bidi:-webkit-isolate;">[51]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">The album was identified as the 22nd-best album of 2013 by the Australian Faster Louder publication. The article referenced the online publication's February 2013 review of the album, in which it stated: “Straight to your heart and to your gut, Push The Sky Away hits like a gentle kiss.”<sup class="reference" id="cite_ref-52" style="line-height:1;unicode-bidi:-webkit-isolate;">[52]  Over 100 writers from the Music.com.au website ranked the album second in its list of the "20 Best Australian Albums of 2013".<sup class="reference" id="cite_ref-53" style="line-height:1;unicode-bidi:-webkit-isolate;">[53]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Following the completion of the U.S. leg of the Push the Sky Away tour, Cave re-tooled the Seeds into a smaller incarnation for late 2013 European dates, with Adamson shifting to keyboards, joined by the rhythm section of Sclavunos and Casey, and with Ellis as the featured multi-instrumentalist. The quintet recorded Live from KCRW during the summer of 2013, releasing the career-spanning album in December 2013 via Kobalt Label Services. For their 2014 U.S. Tour, Conway Savage and George Vjestica rejoined the band. ==Members<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Main article: List of Nick Cave and the Bad Seeds band members ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Main article: Nick Cave and the Bad Seeds discography;Studio albums
 * From Her to Eternity (1984)
 * The Firstborn Is Dead (1985)
 * Kicking Against the Pricks (1986)
 * Your Funeral... My Trial (1986)
 * Tender Prey (1988)
 * The Good Son (1990)
 * Henry's Dream (1992)
 * Let Love In (1994)
 * Murder Ballads (1996)
 * The Boatman's Call (1997)
 * No More Shall We Part (2001)
 * Nocturama (2003)
 * Abattoir Blues / The Lyre of Orpheus (2004)
 * Dig, Lazarus, Dig!!! (2008)
 * Push the Sky Away (2013)