Woman in the Moon

Woman in the Moon (German Frau im Mond) is a science fiction silent film that premiered 15 October 1929. It is often considered to be one of the first "serious" science fiction films.[1]  It was written and directed by Fritz Lang, based on the novel Die Frau im Mond (1928, translated as The Woman to the Moon in 1930) by his then-wife and collaborator Thea von Harbou. It was released in the USA as By Rocket to the Moon and in the UK as Woman in the Moon. The basics of rocket travel were presented to a mass audience for the first time by this film, including the use of a multi-stage rocket.[1]

Director Fritz Lang (on the right), on the set of his film Woman in the Moon, 1929.

Contents
[hide]  *1 Plot  ==Plot[ edit] == The film is a melodrama with scientific speculation. Helius (Willy Fritsch) is an entrepreneur with an interest in space travel. He seeks out Professor Mannfeldt (Klaus Pohl), a visionary who has written a treatise on the likelihood of finding gold on the moon, only to be ridiculed by his peers. Helius recognizes the value of Mannfeldt's work, but a gang of evil businessmen have also taken an interest in Mannfeldt's theories.
 * 2 Influence
 * 3 Further reading
 * 4 References
 * 5 External links

Meanwhile, Helius's assistant Windegger (Gustav von Wangenheim) has announced his engagement to Helius's other assistant, Friede (Gerda Maurus). This is disconcerting to Helius, who secretly loves Friede, so he avoids their engagement party. He is mugged on the way home from his meeting with Mannfeldt by henchmen of the evil businessmen, commanded by an American, "The man who calls himself Walter Turner," (Fritz Rasp) as stated in the opening credits. They steal the research that Professor Mannfeldt had entrusted to him and also burgle Helius's home, taking other valuable material. They then present him with an ultimatum: they know he is planning a voyage to the moon; either he includes them in the project, or they will sabotage it and destroy his rocket. Reluctantly, Helius agrees to their terms.

The rocket team is assembled: Helius, Mannfeldt, Windegger, Friede and Turner, who represents the interests of the evil businessmen. After the rocket blasts off, they discover that Gustav (Gustl Gstettenbaur), a young boy who has befriended Helius, is aboard as a stowaway with his collection of science fiction pulp magazines. During the journey, Windegger emerges as a coward, and the feelings of Helius toward Friede become known to her, creating a romantic triangle.

Once they get to the far side of the Moon, Mannfeldt and Turner prove Mannfeldt's theory that there is gold on the moon. They struggle in a cave, and Mannfeldt falls to his death in a crevasse. Turner attempts to hijack the rocket, and in the struggle, he is shot and killed. Gunfire damages the oxygen tanks, and they come to the grim realization that there is not enough oxygen for all to make the return trip. One person must remain on the moon. (In this film, the moon has a breathable atmosphere on its far side, per the theories of Peter Andreas Hansen, who is mentioned near the beginning of the film.)

Helius and Windegger draw straws to see who must stay and Windegger loses. Seeing Windegger's anguish, Helius decides to drug Windegger and Friede with a last drink together and take Windegger's place, letting Windegger return to Earth with Friede. Friede senses that something is in the wine. She pretends to drink and then retires to the compartment where her cot is located, closes and locks the door. Helius makes Gustav his confidant and the new pilot for the ship. Helius counts down the time for the ship's liftoff from a distance away. He watches it depart and a stricken look crosses his face as he realizes that he is alone on the moon. As he lowers his head and resignedly starts to move towards the survival camp originally prepared for Windegger, Helius discovers that Friede has decided to stay with him on the moon. He throws his arms wide like a child seeking to be held and Friede runs to him. They embrace and Helius weeps into her shoulder while Friede strokes his hair and whispers words of comfort to him. ==Influence[ edit] == <p style="margin-top:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Lang, who also made Metropolis, had a personal interest in science fiction. When returning to Germany in the late 1950s he sold his extensive collection ofAstounding Science Fiction, Weird Tales, and Galaxy magazines.<sup class="reference" id="cite_ref-gold195912_2-0" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  Woman in the Moon is often cited as the first occurrence of the "countdown to zero" before a rocket launch.<sup class="reference" id="cite_ref-DGA-Quarterly-summer2012_1-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[1] <sup class="reference" id="cite_ref-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[3]  The launch crew counts down the seconds from ten to zero, and the rocket ship then blasts off into space.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.363636016845703px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302947998px;">Since rocket scientist Hermann Oberth worked as an advisor on this movie (he had originally intended to build a working rocket for use in the film; time and technology kept this from happening), it was popular among the rocket scientists in Wernher von Braun's circle at the Verein für Raumschiffahrt (VfR). The first successfully launched V-2 rocket at the rocket-development facility in Peenemünde had the Frau im Mond logo painted on its base. Noted post-war science writerWilly Ley also served as a consultant on the film. Thomas Pynchon's Gravity's Rainbow, which deals with the V-2 rockets, refers to this, along with several other classic German silent films.