Octave Mirbeau

Octave Mirbeau (16 February 1848 – 16 February 1917) was a French journalist, art critic, travel writer, pamphleteer,novelist, and playwright, who achieved celebrity in Europe and great success among the public, while still appealing to the literary and artistic avant-garde. His work has been translated into thirty languages.



Contents
[hide]  *1 Biography  ==Biography[ edit] == ===Aesthetic and political struggles[ edit] === Octave Mirbeau.Mirbeau spent his childhood in a village of the Normandy, Rémalard, pursuing secondary studies at a Jesuit college in Vannes, which expelled him at the age of fifteen.[1]  Two years after the traumatic experience of the 1870 war, he was tempted by a call from the Bonapartist leader Dugué de la Fauconnerie, who hired him as private secretary and introduced him to L'Ordre de Paris.
 * 1.1 Aesthetic and political struggles
 * 1.2 Mirbeau's novels
 * 1.2.1 Autobiographical novels
 * 1.2.2 Crisis of the novel
 * 1.2.3 Death of the novel
 * 1.3 Mirbeau's theatre
 * 1.4 Posthumous fame
 * 2 References
 * 3 Works
 * 3.1 Novels
 * 3.2 Théâtre
 * 3.3 Short stories
 * 3.4 Art chronicles
 * 3.5 Travelogues
 * 3.6 Political and social chronicles
 * 3.7 Correspondence
 * 4 Bibliography
 * 5 External links

After his debut in journalism in the service of the Bonapartists,[2]  and his debut in literature when he worked as a ghostwriter,[3] Mirbeau began to publish under his own name. Thereafter, he wrote in order to express his own ethical principles and aestheticvalues. A supporter of the anarchist cause (cf. La Grève des électeurs)[4]  and fervent supporter of Alfred Dreyfus,[5]  Mirbeau embodied the intellectual who involved himself in civic issues. Independent of all parties, Mirbeau believed that one's primary duty was to remain lucid.<sup class="reference" id="cite_ref-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[6]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">As an art critic, he campaigned on behalf of the “great gods nearest to his heart”: he sang the praises of Auguste Rodin, Claude Monet, Camille Pissarro, Paul Cézanne, Paul Gauguin, Auguste Renoir, Félix Vallotton, and Pierre Bonnard, and was an early advocate of Vincent van Gogh, Camille Claudel, Aristide Maillol, and Maurice Utrillo (cf. his Combats esthétiques, 1993).

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">As a literary critic and early member of Académie Goncourt, he 'discovered' Maurice Maeterlinck and Marguerite Audoux and admired Remy de Gourmont, Marcel Schwob, Léon Bloy, Georges Rodenbach, Alfred Jarry, Charles-Louis Philippe, Émile Guillaumin, Valery Larbaud and Léon Werth (cf. his Combats littéraires, 2006). ===Mirbeau's novels<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ====Autobiographical novels<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  ==== Georges Jeanniot, Le Calvaire(1901)<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">After authoring ten ghostwritten novels,<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]  he made his own literary debut with Le Calvaire (Calvary, 1886), in which writing allowed him to overcome the traumatic effects of his devastating liaison with the ill-reputed Judith Vinmer, renamed Juliette Roux in the novel.<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1888, Mirbeau published L'Abbé Jules (Abbé Jules), the first pre-Freudian novel written under the influence of Dostoyevskyto appear in French literature;<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9]  the text featured two main characters: l'abbé Jules and Father Pamphile. In Sébastien Roch(1890) (English translation: Sébastien Roch, 2000), Mirbeau purged the traumatic effects of his experience as a student at aJesuits school in Vannes. In the novel, the 13-year old Sébastien is sexually abused by a priest at the school and the abuse destroys his life.<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[10] ====Crisis of the novel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== Sébastien Roch, illustrated byHenri-Gabriel Ibels, 1906<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Mirbeau then underwent a grave existential and literary crisis, yet during this time, he still published in serial form a pre-existentialist novel about the artist’s fate, Dans le ciel(In the Sky), introducing the figure of a painter (Lucien), directly modeled on Van Gogh. In the aftermath of the Dreyfus Affair – which exacerbated Mirbeau's pessimism<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11]  – he published two novels judged to be scandalous by self-styled paragons of virtue: Le Jardin des supplices (Torture Garden (1899) and Le Journal d'une femme de chambre(Diary of a Chambermaid) (1900), then Les Vingt et un Jours d'un neurasthénique (The twenty one days of a neurasthenic person) (1901). In these works, Mirbeau unsettled traditional novelistic conventions, practicing the technique of collage,<sup class="reference" id="cite_ref-12" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  transgressing the code of verisimilitude and fictional credibility, and defying the hypocritical rules of propriety. ====Death of the novel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In his last two novels, La 628-E8 (1907) – including La Mort de Balzac – and Dingo (1913), he strayed ever further from realism, giving free rein to fantasy elements and casting his car and his own dog as heroes. Because of the indeterminacy of their genre affiliation, these last Mirbeau stories show how completely he had broken with the conventions of realist fiction.<sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[13] ===Mirbeau's theatre<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In the theatre, Mirbeau made his first steps with a proletarian drama and modern tragedy, Les Mauvais bergers (The Bad Shepherds, 1897). Then he experienced worldwide acclaim with Les affaires sont les affaires (Business is business, 1903) – his classical comedy of manners and characters in the tradition of Molière. Here Mirbeau featured the character of Isidore Lechat, predecessor of the modern master of business intrigue, a product of the new world, a figure who makes money from everything and spreads his tentacles out over the world.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1908 – at the end of a long legal and media battle<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  – Mirbeau saw his play Le Foyer (Home) performed by the Comédie-Française. In this work, he broached a new taboo subject, the economic and sexual exploitation of adolescents in a home that pretended to be a charitable one.

Le Foyer<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">He also wrote six one act plays, published under the title of Farces et moralités (1904), among them being L'Épidémie(Epidemics, 1898). Here, Mirbeau can be seen as anticipating the theatre of Bertolt Brecht, Marcel Aymé, Harold Pinter, andEugène Ionesco.<sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  He calls language itself into question, demystifying law, ridiculing the discourse of politicians, and making fun of the language of love (Les Amants, The Lovers, 1901). ===Posthumous fame<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Mirbeau has never been forgotten, and there has been no interruption in the publication of his works. Yet his immense literary production has largely been known through only three works, and he was considered as literarily and politically incorrect.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">But, more recently, Mirbeau has been rediscovered and presented in a new light. A fuller appreciation of the role he played in the political, literary, and artistic world of la Belle Époque is emerging.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[16]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Mirbeau lies buried in the Passy Cemetery, in the 16th arrondissement of Paris. ==References<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Works<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Novels<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Théâtre<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Short stories<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Art chronicles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Travelogues<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Political and social chronicles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === *La Grève des électeurs (1888-1902) (Voters strike). ===Correspondence<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Bibliography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * 1) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. « Rémalard » and « Vannes », in Dictionnaire Octave Mirbeau.
 * 2) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. « Bonapartisme », in Dictionnaire Octave Mirbeau.
 * 3) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. « Négritude », in Dictionnaire Octave Mirbeau; and Pierre Michel, « Quelques réflexions sur la “négritude” », in Cahiers Octave Mirbeau, n° 12, 2005, p. 4-34.
 * 4) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  English translation: The Voters strike, The Anarchist Library, 2012.
 * 5) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. « Affaire Dreyfus », in Dictionnaire Octave Mirbeau.
 * 6) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Pierre Michel, Lucidité désespoir et écriture, Presses de l'Université d’Angers, 2001.
 * 7) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  For instance, L'Écuyère, La Belle Madame Le Vassart and Dans la vieille rue.
 * 8) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. Jean-Michel Guignon, « Aux sources du Calvaire – Qui était Judith/Juliette ? », Cahiers Octave Mirbeau, n° 20, 2013, p. 145-152.
 * 9) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Pierre Michel, « L'Abbé Jules : de Zola à Dostoïevski », Éditions du Boucher, 2003, p. 3-18.
 * 10) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Pierre Michel, « Sébastien Roch, ou le meurtre d'une âme d'enfant », Éditions du Boucher, 2003, p. 3-24.
 * 11) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  « Pessimisme », in Dictionnaire Octave Mirbeau.
 * 12) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. « Collage », in Dictionnaire Octave Mirbeau.
 * 13) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. « Réalisme », in Dictionnaire Octave Mirbeau; and Pierre Michel, Octave Mirbeau et le roman, Société Octave Mirbeau, 2005.
 * 14) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Pierre Michel, « La Bataille du Foyer », Revue d'histoire du théâtre, 1991, n° 3, p. 195-230.
 * 15) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Pierre Michel, « Octave Mirbeau et Eugène Ionesco », Cahiers Octave Mirbeau, n° 13, 2006, p. 163-174.
 * 16) <span class="cite-accessibility-label" style="top:-99999px;clip:rect(1px1px1px1px);overflow:hidden;-webkit-user-select:none;position:absolute!important;height:1px!important;width:1px!important;">Jump up ^  Cf. Société Octave Mirbeau.
 * Le Calvaire (1886) (Calvary, New York, 1922).
 * L'Abbé Jules (1888) (Abbé Jules, Sawtry, Dedalus, 1996).
 * Sébastien Roch (1890) (Sébastien Roch, Sawtry, Dedalus, 2000).
 * Dans le ciel (1893–1989) (In the sky, translation to be published).
 * Le Jardin des supplices (1899) (Torture Garden, New York, 1931; The Garden of Tortures, London, 1938).
 * Le Journal d'une femme de chambre (1900) (A Chambermaid's diary, New York, 1900 ; The Diary of a Lady's Maid, London, 1903 ; Célestine, being the diary of a chambermaid, New York, 1930 ; Diary of a chambermaid, New York, 1945).
 * Les Vingt et un Jours d'un neurasthénique (1901).
 * Dingo (novel) (1913).
 * Un gentilhomme (1919).
 * Les Mémoires de mon ami (1920).
 * Œuvre romanesque, 3 volumes, Buchet/Chastel – Société Octave Mirbeau, 2000–2001, 4 000 pages. Website of Éditions du Boucher, 2003-2004.
 * Les Mauvais bergers (The Bad Shepherds) (1897).
 * Les affaires sont les affaires (1903) (Business is business, New York, 1904).
 * Farces et moralités, six morality plays (1904) (Scruples, New York, 1923 ; The Epidemic, Bloomington, 1949 ; The Lovers, translation coming soon).
 * Le Foyer (1908) (Charity).
 * Dialogues tristes, Eurédit, 2005.
 * Dans l'antichambre (Histoire d'une Minute) (1905).
 * La Mort de Balzac (1989).
 * Contes cruels, 2 volumes (1990 and 2000).
 * Contes drôles (1995).
 * Mémoire pour un avocat (2007).
 * Combats esthétiques, 2 volumes (1993).
 * Premières chroniques esthétiques (1995).
 * Combats littéraires (2006).
 * La 628-E8 (1907) (Sketches of a journey, London, 1989).
 * Combats politiques (1990).
 * L'Affaire Dreyfus (1991).
 * Lettres de l'Inde (1991).
 * L'Amour de la femme vénale (1994).
 * Chroniques du Diable (1995).
 * Interpellations (2011).
 * Lettres à Alfred Bansard des Bois (1989)
 * Correspondance avec Rodin (1988), avec Monet (1990), avec Pissarro (1990), avec Jean Grave (1994), avec Jules Huret(2009).
 * Correspondance générale, 3 volumes already published (2003-2005-2009).
 * Reginald Carr, Anarchism in France - The Case Octave Mirbeau, Manchester, 1977.
 * Pierre Michel and Jean-François Nivet, Octave Mirbeau, l'imprécateur au cœur fidèle, Séguier, 1990, 1020 pages.
 * Pierre Michel, Les Combats d'Octave Mirbeau, Annales littéraires de l'université de Besançon, 1995, 386 pages.
 * Christopher Lloyd, Mirbeau's fictions, Durham, 1996.
 * Enda McCaffrey, Octave Mirbeau’s literary intellectual evolution as a french writer (1880-1914), Edwin Mellen Press, 2000, 246 pages.
 * Pierre Michel, Lucidité, désespoir et écriture, Presses de l'Université d'Angers (2001).
 * Samuel Lair, Mirbeau et le mythe de la nature, Presses universitaires de Rennes, 2004, 361 pages.
 * Pierre Michel Octave Mirbeau et le roman, Société Octave Mirbeau, 2005, 276 pages.
 * Pierre Michel Bibliographie d'Octave Mirbeau, Société Octave Mirbeau, 2009, 713 pages.
 * Pierre Michel Albert Camus et Octave Mirbeau, Société Octave Mirbeau, Angers, 2005, 68 pages.
 * Pierre Michel Jean-Paul Sartre et Octave Mirbeau, Société Octave Mirbeau, Angers, 2005, 67 pages.
 * Pierre Michel, Octave Mirbeau, Henri Barbusse et l'enfer, 51 pages.
 * Robert Ziegler, The Nothing Machine : The Fiction of Octave Mirbeau, Rodopi, Amsterdam – Kenilworth, September 2007.
 * Samuel Lair, Octave Mirbeau l'iconoclaste, L'Harmattan, 2008.
 * Yannick Lemarié - Pierre Michel, Dictionnaire Octave Mirbeau, L'Age d'Homme, 2011, 1200 p.
 * Anita Staron, L'Art romanesque d'Octave Mirbeau - Thèmes et techniques, Wydawnictwo Uniwersytetu Lodzkiego, 2014, 298 p.
 * Cahiers Octave Mirbeau, n° 1 to n° 21, 1994–2014, 7 700 pages.