Jan and Dean

Jan and Dean were an American rock and roll duo, popular from the late 1950s through the mid 1960s, consisting ofWilliam Jan Berry (April 3, 1941 – March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). They were pioneers of the vocal "surf music" craze that was popularized by The Beach Boys. Among their most successful songs was "Surf City", which topped both the Billboard and Cashbox music charts in June 1963; "Drag City", which was a No. 10 hit on both the Billboard and Cashbox charts in 1963; and their song "The Little Old Lady from Pasadena", which peaked at No. 3. "Dead Man's Curve", which reached No. 8 on the Billboard charts in 1964, was inducted into the Grammy Hall of Fame in 2008.[1]

In 1972 Torrence won the Grammy Award for Best Album Cover for the psychedelic rock band Pollution's first eponymous 1971 album,[2]  and was nominated three other times in the same category for albums of The Nitty Gritty Dirt Band. In 2013, Torrence's design contribution of the Surf City Allstars "In Concert" CD was named a Silver Award of Distinction at the Communicator Awards competition.[3]



Contents
[hide]  *1 Early lives  ==Early lives[ edit] == William Jan Berry (born in Los Angeles, California April 3, 1941; died March 26, 2004), was the son of aeronautical engineer William L. Berry (born December 7, 1909, in The Bronx, NY; died December 19, 2004, in Camarillo, California),[4]  who had been project manager of the "Spruce Goose" and flew on its only flight with Howard Hughes, and Clara Lorentze Mustad Berry (born September 2, 1919 in Bergen, Norway; died July 9, 2009).[4] [5] [6] [7]
 * 2 History
 * 2.1 Formation: 1957–1959
 * 2.1.1 The Barons
 * 2.1.2 Jan & Arnie
 * 2.2 Early years: 1959–1962
 * 2.2.1 Part-time musicians
 * 2.3 Surf's golden boys: 1963–1964
 * 2.4 Changing times: 1965–1966
 * 2.5 Berry's car wreck and its aftermath: 1966–1968
 * 2.6 Further progress: 1969–1978
 * 2.7 Back on the road: 1978–2004
 * 2.8 Post Berry: 2005-present
 * 3 Legacy
 * 4 Discography
 * 4.1 Main albums
 * 4.2 Jan & Dean's Singles
 * 4.3 Jan & Arnie's Singles
 * 4.4 Jan Berry's Solo Singles
 * 4.5 Dean Torrence Related Singles
 * 5 References
 * 6 Footnotes
 * 7 External links

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Dean Ormsby Torrence (born Los Angeles, California March 10, 1940), is the son of Natalie Ormsby Torrence (born April 10, 1911, in California; died August 10, 2008, in Los Angeles, California) and Maurice Dean Torrence (born December 5, 1907, in South Dakota; died November 16, 1997, in Los Angeles, California),<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8] <sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9]  a graduate of Stanford University,<sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[10]  who was a sales manager at the Wilshire Oil Company. ==History<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Formation: 1957–1959<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Berry and Torrence, both born in Los Angeles, California, met while students at Emerson Junior High School in Westwood, Los Angeles, and both were on the school'sfootball team. By 1957, they were students in the Vagabond Class of 1958 at the nearby University High School, where again they were on the school's football team, the Warriors.<sup class="reference" id="cite_ref-Twist_2002_11-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11]  Berry and Torrence had adjoining lockers, and after football practice, they began harmonizing together in the showers with several other football players, including future actor James Brolin.<sup class="reference" id="cite_ref-Twist_2002_11-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11] <sup class="reference" id="cite_ref-Ben_Marcus_2005_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12] ====The Barons<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In order to enter at a talent competition at University High School, Berry and Torrence helped form a doo-wop group known as "The Barons" (named after their high school's Hi-Y club, of which they were members),<sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[13]  which comprised fellow University High students William "Chuck" Steele (lead singer), Arnold P. "Arnie" Ginsburg (born November 19, 1939; 1st tenor), Wallace S. "Wally" Yagi (born July 20, 1940; 2nd tenor),<sup class="reference" id="cite_ref-14" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14] <sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  John 'Sagi" Seligman (2nd tenor),<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[16]  with Berry singing bass, and Torrence providing falsetto.<sup class="reference" id="cite_ref-Twist_2002_11-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11]  During its short duration Sandy Nelson, Torrence's neighbor, played drums, and future Beach Boy, Bruce Johnston, occasionally sang and played piano. The Barons rehearsed for hours in the garage of Berry's parents' home at 1111 Linda Flora Drive, Bel Air, where Berry's father provided an upright piano and two two-track Ampex reel-to-reel tape recorders.<sup class="reference" id="cite_ref-Ben_Marcus_2005_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12] <sup class="reference" id="cite_ref-ReferenceA_17-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]  During primitive recording sessions in the garage, Berry served as producer and arranger,<sup class="reference" id="cite_ref-Ben_Marcus_2005_12-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  and experimented with multi-part vocal arrangements (five years before he started working professionally with Brian Wilson)<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[18]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1958, The Barons performed to popular acclaim at the talent competition at University High School, covering contemporary hits like "Get a Job", "Rock and Roll Is Here To Stay", and "Short Shorts".<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[19]  However, after the contest various members of The Barons drifted away, leaving only Berry and Torrence,<sup class="reference" id="cite_ref-20" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[20]  who tried to write their own songs. ====Jan & Arnie<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">After being inspired by a poster featuring a local, Hollywood burlesque performer, Virginia Lee Hicks, who was then performing as Jennie Lee, the "Bazoom Girl", at the New Follies Burlesk at 548 S. Main St, Los Angeles,<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[21]  Ginsburg wrote a tribute song, "Jennie Lee", that he brought to Berry and Torrence. Berry adapted the Civil Wartune "Aura Lea" and arranged the harmonies. After weeks of practice, Berry, Ginsburg, and Torrence planned to record a demo recording in Berry's garage, but Torrence was conscripted into the United States Army Reserve forcing Berry and Ginsburg to record "Jennie Lee" without Torrence,<sup class="reference" id="cite_ref-ReferenceB_22-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[22]  with Berry's friend and fellow University High student Donald J. Altfeld (born March 18, 1940, in Los Angeles, California)<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23]  "belting out the rhythm on a children's metal high chair".<sup class="reference" id="cite_ref-ReferenceA_17-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]  The next day Berry took their recording to Radio Recorders, a small Hollywood recording studio, to have it transferred to an acetate disc.<sup class="reference" id="cite_ref-ReferenceA_17-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]  Joe Lubin, Vice President and Head of A & R of Doris Day and Martin Melcher's Arwin Records, was impressed and offered to add instruments and to release it through Arwin.<sup class="reference" id="cite_ref-ReferenceB_22-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[22]  In March 1958, the fathers of Berry and Ginsburg signed contracts authorizing Lubin to produce, arrange, and manage their sons.<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[24] <sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[25]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Berry and Ginsburg, now christened "Jan & Arnie", re-recorded their vocals on a professional recording system.<sup class="reference" id="cite_ref-ReferenceA_17-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]  Produced by Lubin, "Jennie Lee" (Arwin 108), backed with "Gotta Get a Date" (credited to Ginsburg, Berry & Lubin), became a surprise commercial success. According to Berry's biographer Mark A. Moore, "The song (with backing vocals, plus additional instruments added by the Ernie Freeman combo) had a raucous R&B flavor, with a bouncing bomp-bomp vocal hook that would become a signature from Jan on future recordings."<sup class="reference" id="cite_ref-26" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[26]  Distributed by Dot Records,<sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[27]  "Jennie Lee" was released in mid-April,<sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[28]  entered the charts on May 10, 1958, the same day they appeared on ABC's Dick Clark Show. "Jennie Lee" peaked at No. 3 on the Cash Box charts on June 21, 1958,<sup class="reference" id="cite_ref-29" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[29]  No. 4 on the R&B charts, and No. 8 on the Billboard charts on June 30, 1958. Billy Ward and His Dominoes's R&B cover of "Jennie Lee" reached No. 55 in the Pop charts in June 1958,<sup class="reference" id="cite_ref-Covering_Jan_and_Dean_30-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30]  while other cover versions including that of Moon Mullican (Coral 9-61994) and Bobby Phillips & the Toppers (Tops 45-R422-49), released in 1958 failed to chart.<sup class="reference" id="cite_ref-Covering_Jan_and_Dean_30-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In July 1958, Jan & Arnie released their second single, "Gas Money" backed with "Bonnie Lou" (Arwin 111), both written by Berry, Ginsburg, and Altfeld. Like "Jennie Lee", "Gas Money" contained a few elements of what would later become surf music. It entered the Billboard charts on August 24, 1958, and peaked at No. 81 a week later.<sup class="reference" id="cite_ref-31" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[31]  With Sheb Wooley, The Champs, Link Wray and his Ray Men, Frankie Avalon, The Kalin Twins, and Dicky Doo & The Don'ts, Jan & Arnie were a featured act on the Summer Dance Party that toured the US East Coast, including Pennyslvania, Massachusetts, and Connecticut in July 1958. By the end of the month, they traveled to Manhattan to appear on ABC's Dick Clark Show.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">On August 24, 1958, Jan & Arnie played in a live show hosted by Dick Clark that featured Bobby Darin, the Champs, Sheb Wooley, The Blossoms, The Six Teens, Jerry Wallace, Jack Jones, Rod McKuen, and the Ernie Freeman Orchestra in front of nearly 12,000 fans at the first rock-n-roll show ever held at the Hollywood Bowl.<sup class="reference" id="cite_ref-32" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[32]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">By September 6, 1958, Jan & Arnie's third and final single, "The Beat That Can't Be Beat" backed with "I Love Linda" (Arwin 113), again composed by the Berry, Ginsburg, and Altfeld team, was released. However this single failed to chart, due in part to a lack of distribution. On October 19, 1958 Jan & Arnie performed "The Beat That Can't Be Beat" on CBS's Jack Benny Show.<sup class="reference" id="cite_ref-33" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[33]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Ginsburg recorded "Kathy Cryin' Heart", a catchy number laced with ironic humour, that was backed with "Catching Spies". It was a raw-sounding garage number, and these songs were not released.<sup class="reference" id="cite_ref-34" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[34]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">By the end of the year, when Torrence had completed his six-month stint at Fort Ord, Ginsburg had become disenchanted with the music business. Ginsburg enrolled in the School of Architecture and Design at the University of Southern California, and graduated in the field of product design in 1966. After graduation Ginsburg worked for several noted Los Angeles architects, among them Charles Eames,.<sup class="reference" id="cite_ref-Making_The_Most_Of_A_Minimal_Life_35-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[35]  and in December 1973 he was granted a U.S. Patent for a table he designed.<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[36]  Arnie Ginsburg moved to Santa Barbara, California, in 1975, where he worked as an architectural designer,<sup class="reference" id="cite_ref-Making_The_Most_Of_A_Minimal_Life_35-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[35]  designing the innovative Ginsburg House.<sup class="reference" id="cite_ref-37" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[37]  In September 1976 Ginsburg and Michael W. O'Neill were granted a patent for a portable batting cage.<sup class="reference" id="cite_ref-38" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[38] ===Early years: 1959–1962<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">After Torrence returned from a six-month compulsory stint in the US Army Reserve, Berry and Torrence began to make music as "Jan and Dean." With the help ofrecord producers Herb Alpert and Lou Adler, Jan and Dean scored a No. 10 hit with "Baby Talk" (1959),<sup class="reference" id="cite_ref-pc20_39-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[39]  (which was incorrectly labeled as Jan & Arnie when it initially was released), their first song to contain a few of the soon-to-be-famous elements that became associated with surf music (close vocal harmonies, selective use of major and minor chords, falsetto doo-wop singing), then scored a series of hits over the next couple of years. Playing local venues, they met and performed with the Beach Boys, and discovered the appeal of the latter's "surf sound". By this time Berry was co-writing, arranging, and producing all of Jan and Dean's original material. Berry signed a series of contracts with Screen Gems to write and produce music for Jan and Dean, as well as other artists such as Judy & Jill (Berry's girlfriend, Jill Gibson, and Dean Torrence's girlfriend, Judy Lovejoy), The Matadors, and Pixie (a young female solo singer).<sup class="reference" id="cite_ref-40" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[40]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">During this time Berry co-wrote, and/or arranged and produced songs for artists outside of Jan and Dean, including The Angels ("I Adore Him", Top 30), the Gents, the Matadors (Sinners), Judy & Jill, Pixie (unreleased), Jill Gibson, Shelley Fabares, Deane Hawley, The Rip Chords ("Three Window Coupe", Top 30), and Johnny Crawford, among others. ====Part-time musicians<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==== <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Unlike most other rock 'n roll acts of the period, Jan and Dean did not give music their full-time attention. Jan and Dean were college students, maintaining their studies while writing and recording music and making public appearances on the side.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Torrence majored in advertising design in the school of architecture at USC, where he also was a member of the Phi Sigma Kappa fraternity. Berry took science and music classes at UCLA, became a member of Phi Gamma Delta fraternity, and entered the California College of Medicine (now the UC Irvine School of Medicine) in 1963. By the time of his 1966 auto accident, Berry had completed two years of medical school.<sup class="reference" id="cite_ref-41" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[41] ===Surf's golden boys: 1963–1964<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Jan and Dean in 1964.<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Jan and Dean reached their commercial peak in 1963 and 1964, after they met Brian Wilson. The duo scored an impressive sixteen Top 40 hits on the Billboard and Cash Box magazine charts, with a total of twenty-six chart hits over an eight-year period (1958–1966). Jan and Brian Wilson collaborated on roughly a dozen hits and album cuts for Jan and Dean, including the number one national hit "Surf City", written by Brian Wilson,<sup class="reference" id="cite_ref-The_Book_of_Golden_Discs_42-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[42]  in 1963. Subsequent top 10 hits included "Drag City" (#10, 1964), the eerily portentous "Dead Man's Curve" (#8, 1964), and "The Little Old Lady from Pasadena" (#3, 1964).

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1964, at the height of their fame, Jan and Dean hosted and performed at The T.A.M.I. Show, a historic concert film directed by Steve Binder. The film also featured such acts as The Rolling Stones, Chuck Berry, Gerry & the Pacemakers, James Brown,Billy J. Kramer & The Dakotas, Marvin Gaye, The Supremes, Lesley Gore, Smokey Robinson & The Miracles, and The Beach Boys. Also in 1964, the duo performed the title track for the Columbia Pictures film Ride the Wild Surf, starring Fabian Forte,Tab Hunter, Peter Brown, Shelley Fabares, and Barbara Eden. The song, penned by Jan Berry, Brian Wilson, and Roger Christian, was a Top 20 national hit. The pair were also to have appeared in the film, but their roles were cut following their friendship with Barry Keenan, who had engineered the Frank Sinatra Jr. kidnapping.<sup class="reference" id="cite_ref-43" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[43]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Jan and Dean also filmed two unreleased television pilots: Surf Scene in 1963 and On the Run in 1966. Their feature film forParamount Pictures Easy Come, Easy Go was canceled when Berry, as well as the film's director and other crew members, were seriously injured in a railroad accident while shooting the movie in Chatsworth, California, in August 1965.<sup class="reference" id="cite_ref-44" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[44] ===Changing times: 1965–1966<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">After the surf craze, Jan and Dean scored two Top-30 hits in 1965: "You Really Know How to Hurt a Guy" and "I Found a Girl"—the latter from the album Folk 'n Roll. During this period, they also began to experiment with cutting-edge comedy concepts such as the original (unreleased) Filet of Soul and Jan & Dean Meet Batman. The former's album cover shows Berry with his leg in a cast as a result of the accident while filming Easy Come, Easy Go. ===Berry's car wreck and its aftermath: 1966–1968<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">On April 12, 1966, Berry received severe head injuries in an automobile accident on Whittier Drive, just a short distance from Dead Man's Curve in Beverly Hills, California, two years after the song had become a hit. He was on his way to a business meeting when he crashed his Corvette into a parked truck on Whittier Drive, near the intersection of Sunset Boulevard, in Beverly Hills. He also had separated from his girlfriend of seven years, singer-artist Jill Gibson, later a member of The Mamas & the Papas for a short time, who also had co-written several songs with him. Berry was in a coma for nearly two months; he awoke on the morning of June 16, 1966.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Berry traveled a long and difficult road toward recovery from brain damage and partial paralysis. He had minimal use of his right arm, and had to learn to write with his left hand. Doctors said he would never walk again, but he refused to give up, and ultimately succeeded. Torrence stood by his partner, maintaining their presence in themusic industry, and keeping open the possibility that they would perform together again.<sup class="reference" id="cite_ref-45" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[45]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In Berry's absence Torrence released several singles on the J&D Record Co. label and recorded Save for a Rainy Day in 1966, a concept album featuring all rain-themed songs. Torrence posed with Berry's brother Ken for the album cover photos. Columbia Records released one single from the project ("Yellow Balloon") as did the song's writer, Gary Zekley, with The Yellow Balloon, but with legal wrangles scuttling Torrence's Columbia deal and Berry's disapproval of the project, Save for a Rainy Day remained a self-released album on the J&D Record Co. label (JD-101).<sup class="reference" id="cite_ref-46" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[46]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Besides his studio work, Torrence became a graphic artist, starting his own company, Kittyhawk Graphics, and designing and creating album covers and logos for other musicians and recording artists, including Harry Nilsson, Steve Martin, the Nitty Gritty Dirt Band, Dennis Wilson, Bruce Johnston, The Beach Boys, Diana Ross and The Supremes, Linda Ronstadt, Canned Heat, The Ventures and many others. Torrence (with Gene Brownell) won a Grammy Award for "Album Cover of the Year", for the group Pollution in 1973.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Berry returned to the studio in April 1967, almost one year to the day after his accident. Working with collaborators, he began writing and producing music again. In December 1967, Jan and Dean signed an agreement with Warner Bros. Records. Warner issued three singles under the name "Jan and Dean," but a 1968 Berry-produced album for Warner Bros., the psychedelic Carnival of Sound, remained unreleased until February 2010, when Rhino Records' "Handmade" label put out CD and vinyl compilations of all tracks recorded for Carnival, along with various outtakes and remixes from the project.<sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[47] ===Further progress: 1969–1978<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1971 Jan & Dean released the album Jan & Dean Anthology Album under the label United Artists Records. The album included many of their top hits, starting with 1958's "Jennie Lee" and ending with 1968's "Vegetables". <sup class="reference" id="cite_ref-48" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[48]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Berry began to sing again in the early 1970s, and he arranged and produced a number of singles (both solo and as Jan & Dean) between 1972 and 1978 on the Ode and A&M labels, facilitated by friend and former manager Lou Adler.<sup class="reference" id="cite_ref-49" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[49]  Berry also toured with his Aloha band, while Dean began performing with a band called Papa Doo Run Run.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1973, Jan and Dean made an appearance at the Hollywood Palladium, as part of Jim Pewter's "Surfer's Stomp" reunion, in which the duo attempted to lip sync "Surf City," but the backing track failed, and they were booed off stage. The duo's first live performance after Berry's accident occurred at the Palomino Nightclub in North Hollywood on June 5, 1976, ten years after the accident, as guests of Disneyland regulars Papa Doo Run Run. Their first actual multi-song concert billed as Jan and Dean took place in 1978 in New York City at The Palladium as part of the Murray the K Brooklyn Fox Reunion Show. This was followed by a handful of East Coast shows as guests of their longtime friends The Beach Boys. Four nationwide J & D headlining tours followed through 1980. Jan was still suffering the effects of his 1966 accident, with partial paralysis and aphasia. He had a noticeable limp and his right arm was useless. In addition, his speech was slowed down a bit to keep up with his still almost genius IQ.<sup class="reference" id="cite_ref-50" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[50] <sup class="reference" id="cite_ref-51" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[51] ===Back on the road: 1978–2004<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">On February 3, 1978, CBS aired a made-for-TV movie about the duo titled Deadman's Curve. The biopic starred Richard Hatch as Jan Berry and Bruce Davison as Dean Torrence, with cameo appearances by Dick Clark, Wolfman Jack, Mike Love of the Beach Boys, and Bruce Johnston (who at that time was temporarily out of the Beach Boys), as well as Berry himself. Near the end of the film he can be seen sitting in the audience, watching "himself" (Richard Hatch) perform onstage. The part of Jan & Dean's band was played by Papa Doo Run Run, which included Mark Ward and Jim Armstrong, who went on to form Jan & Dean and the Bel-Air Bandits. Johnston and Berry had known each other since high school, and had played music together in Berry's garage in Bel Air—long before Jan & Dean or the Beach Boys were formed. Following the release of the film, the duo made steps toward an official comeback that year, including touring with the Beach Boys, and performing with Papa Doo Run Run at Cupertino High School.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In the early 1980s, Papa Doo Run Run left to explore other performance and recording ventures. Berry struggled to overcome drug addiction. In 1979, Jan had performed over 100 concerts of Jan and Dean songs with another front man from Hawaii, Randy Ruff. Torrence also toured briefly as "Mike & Dean," with Mike Love of the Beach Boys. Later, the duo reunited for good. In "Phase II" of their career, Dean led the touring operation. In 1986, Berry helped establish the Jan Berry Center for the Brain Injured in Downey, California. Though he only made a partial recovery, Berry remained a high-profile example for patients with traumatic brain injury.<sup class="reference" id="cite_ref-52" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[52]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Jan and Dean continued to tour on their own throughout the 1980s, 1990s, and into the new millennium—with 1960s nostalgia providing them with a ready audience, headlining oldies shows throughout North America. Noted Chicago Tribune columnist Bob Greene penned a 2008 book, When We Get to Surf City: A Journey Through America in Pursuit of Rock and Roll, Friendship, and Dreams, detailing his occasional appearances with Jan & Dean's touring band throughout the 1990s and early 2000s. Sundazed Records reissued Torrence's Save for a Rainy Day in 1996 in CD and vinyl formats, as well as the collector's vinyl 45" companion EP, "Sounds For A Rainy Day," featuring four instrumental versions of the album's tracks.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Between the 1970s and the early 2000s, Torrence issued a number of re-recordings of classic Jan and Dean and Beach Boys hits. A double album titled One Summer Night / Live was issued by Rhino Records in 1982.<sup class="reference" id="cite_ref-53" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[53]  Torrence released the album Silver Summer with the help of Mike Love in 1985 for Jan & Dean's 25th anniversary. Silver Summer was officially released as a Jan & Dean album, but falsely gives credit to Berry as co-producer and singer. Berry did not partake in the album.<sup class="reference" id="cite_ref-54" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[54]  Torrence participated with Berry on Port to Paradise, released as a cassette on the J&D Records label in 1986. In 1997, after many years of hard work, Berry released a solo album called Second Wave on One Way Records. June 11, 2002, Torrence released a solo album titled, Anthology: Legendary Masked Surfer Unmasked.<sup class="reference" id="cite_ref-55" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[55]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">On August 31, 1991, Berry married Gertie Filip at The Stardust Convention Centre in Las Vegas, Nevada. Torrence was Berry's best man at the wedding.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Jan and Dean's long career together ended with Jan Berry's death on March 26, 2004, after he suffered a seizure eight days before his 63rd birthday. Berry was anorgan donor, and his body was cremated.<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[56]  On April 18, 2004, a "Celebration of Life" was held in Berry's memory at The Roxy Theatre on the Sunset Strip in West Hollywood, California. Attendees included Torrence, Lou Adler, Jill Gibson, and Nancy Sinatra, along with many family members, friends, and musicians associated with Jan and Dean and the Beach Boys, including the original members of Papa Doo Run Run. ===Post Berry: 2005-present<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In February 2010, the legendary unreleased Jan & Dean album "Carnival Of Sound" was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there is a limited (to 1500 copies) edition which includes a 10-track LP. The album was released in Europe in April 2010 in its original US form.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 movie "Deadman's Curve," to perform with The Bamboo Trading Company on theirFrom Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also feature Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening". <sup class="reference" id="cite_ref-57" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[57]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Torrence now tours occasionally with The Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in-part to his efforts, is nationally recognized as "Surf City USA." Dean's website, Jan & Dean, features—among other things—rare images, a complete Jan & Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters. ==Legacy<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1964, Jan and Dean were signed to host what became the first multi-act Rock and Roll show that was edited into a motion picture designed for wide distribution. The T.A.M.I. Show became a seminal and original production – in essence one of the first rock videos – on its release in 1964. Using a high-resolution videotape process called Electronovision (good enough to be transferred from television kinescope directly onto 35mm motion picture stock), new sound recording techniques and having a remarkable cast, The T.A.M.I. Show set the standard for all succeeding music film and video work, including many of the early videos shown by MTV 17 years later. The revolutionary technical achievements of The T.A.M.I. Show and the legendary list of performers (including a performance by James Brown that many critics have called the best of his career) marked a high point for Jan and Dean, as they were the hosts and one of the main featured acts as well. They became one of the main faces of mid-1960s music, until Berry's auto accident two years later, through their T.A.M.I. Show appearance.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">According to rock critic Dave Marsh, the attitude and public persona of punk rock can be traced to Jan and Dean.<sup class="reference" id="cite_ref-58" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[58]  Certainly their early hits, recorded with myriad overdubs in a garage, and their casual and goofy stage antics were consistent with some of punk rock's ethos. But their constant improvement and the increased complexity of their arrangements in the latter recordings showed their fealty to Brian Wilson's baroque approach. Many of their records feature the top session players of the era, and their arrangements, with multiple key changes and complex vocal harmonies, reflected a high level of craftsmanship.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Nevertheless, Jan Berry and Dean Torrence's anti-establishment attitudes toward the music industry are well-documented. Their music has been covered by numerouspunk rock and alternative rock bands since the 1970s.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Along with Phil Spector, Brian Wilson, and Lee Hazlewood, Berry enjoyed a reputation as one of the best record producers on the West Coast.<sup class="reference" id="cite_ref-59" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[59]  Brian Wilson has cited Berry as having a direct impact on his own growth as a record producer.<sup class="reference" id="cite_ref-60" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[60]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In an interview conducted by Jan & Dean fan and historian David Beard for the Collectors' Choice release, Jan & Dean The Complete Liberty Singles,<sup class="reference" id="cite_ref-61" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[61]  Dean Torrence stated that he felt the duo should be in the Rock & Roll Hall of Fame: "We have the scoreboard if you just want to compare number of hits and musical projects done. We beat 75-percent of the people in there. So what else is it? I've got to think that we were pretty irreverent when it came to the music industry. They kind of always held that against us. That's okay with me."

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The Who covered Jan and Dean's song "Bucket T" on their UK EP Ready Steady Who from 1966. It is one of only a few songs the group performed that Keith Moon (a huge surf music fan) provided the lead vocals.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">That not everybody considered Jan and Dean's output to be "real" rock 'n roll is illustrated by disc jockey Steve Propes' calling his early-80s Sunday morning program on KLON Long Beach We Don't Play No Jan And Dean. He subsequently renamed the show Rock-N-Roll-N-Rhythm-N-Blues, which reflected its content equally well.<sup class="reference" id="cite_ref-62" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[62]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Alternative rock group Red Hot Chili Peppers referenced the duo in their song "Did I Let You Know", on the album I'm With You. ==Discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Main albums<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Jan & Dean's Singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Jan & Arnie's Singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Jan Berry's Solo Singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===Dean Torrence Related Singles<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ===
 * The Jan & Dean Sound (1960)
 * Golden Hits (1962)
 * Jan & Dean Take Linda Surfin (1963)
 * Surf City and Other Swingin' Cities (1963)
 * Drag City (1963)
 * Dead Man's Curve / The New Girl In School (1964)
 * Ride the Wild Surf (1964)
 * The Little Old Lady From Pasadena (1964)
 * Command Performance (1965)
 * Pop Symphony No. 1 (1966)
 * Golden Hits Volume 2 (1965)
 * Folk 'n Roll (1965)
 * Jan and Dean Meet Batman (1966)
 * Filet of Soul (1966)
 * Popsicle (1966)
 * Golden Hits Volume 3 (1966)
 * Save For A Rainy Day (1966)
 * Jan & Dean Anthology Album (1971)
 * Gotta Take That One Last Ride (1974)
 * One Summer Night/Live (1982)
 * Silver Summer (1985)
 * Port To Paradise (1986)
 * Second Wave (1997) Jan Berry solo album
 * Anthology: Legendary Masked Surfer Unmasked (2002) Dean Torrence solo album
 * Carnival of Sound (2010)
 * The Bamboo Trading Company - From Kitty Hawk To Surf City" (2013) Dean Torrence solo project
 * "Baby Talk"/"Jeanette Get Your Hair Done" (1959)
 * "There's A Girl"/"My Heart Sings" (1959)
 * "Clementine"/You're On My Mind" (1960)
 * "White Tennis Sneakers"/"Cindy" (1960)
 * "We Go Together"/"Rosie Lane" (1960)
 * "Gee"/"Such A Good Night For Dreaming" (1960)
 * "Baggy Pants"/"Judy" (1961)
 * "Heart and Soul"/"Those Words" (1961)
 * "Heart and Soul"/"Midsummer Night's Dream" (1961)
 * "Don't Fly Away"/"Oh Julie" (1961)
 * "Wanted, One Girl"/"Something A Little Bit Different" (1961)
 * "A Sunday Kind of Love"/"Poor Little Puppet" (1962)
 * "Tennessee"/"Your Heart Has Changed Its Mind" (1962)
 * "Who Put The Bomp"/"My Favorite Dream" (1962)
 * "Frosty the Snowman"/"She's Still Talking Baby Talk" (1962)
 * "Linda"/"When I Learn How To Cry" (1963)
 * "Surf City"/"She's My Summer Girl" (1963)
 * "Honolulu Lulu"/"Someday You'll Go Walking By" (1963)
 * "Drag City"/"Shlock Rod Part 1" (1963)
 * "Dead Man's Curve"/"New Girl in School" (1964)
 * "Move Out Little Mustang"/"Bucket Seats" (1964)
 * "The Little Old Lady from Pasadena"/"Mighty GTO" (1964)
 * "Ride the Wild Surf"/"Anaheim, Azusa, & Cucamonga Sewing Circle, Book Review And Timing Association" (1964)
 * "Sidewalk Surfin'"/"When It's Over" (1964)
 * "From All Over The World"/"Freeway Flyer" (1965)
 * "Summertime Summertime"/"Theme From Leon's Garage" (1965)
 * "You Really Know How To Hurt A Guy"/"It's As Easy As 1,2,3" (1965)
 * "It's A Shame To Say Goodbye"/"Submarine Races" (1965)
 * "I Found A Girl"/"It's A Shame To Say Goodbye" (1965)
 * "A Beginning From An End"/"Folk City" (1965)
 * "Batman!"/"Bucket T" (1966)
 * "Popsicle"/"Norwegian Wood" (1966)
 * "Fiddle Around"/"A Surfers Dream" (1966)
 * "California Lullaby"/"Summertime Summertime" (1966)
 * "Like A Summer Rain"/"Louisiana Man" (1966)
 * "School Days"/"New Girl in School" (1966)
 * "Yellow Balloon"/"Taste of Rain" (1967)
 * "Hawaii"/"Tijuana" (1967)
 * "Fan Tan"/"Love and Hate" (1967)
 * "Vegetables"/"Snowflakes On Laughing Gravy's Whiskers" (1967)
 * "Only A Boy"/"Love and Hate" (1968)
 * "I Know My Mind"/"Laurel and Hardy" (1968)
 * "Girl, You're Blowing My Mind"/"In The Still Of The Night" (1968)
 * "Jennie Lee"/"Vegetables" (1972)
 * "Gonna Hustle You"/"Summertime, Summertime" (1973)
 * "Summer Means Fun"/"Gonna Hustle You" (1973)
 * "Fun City"/"Totally Wild" (1975)
 * "Sidewalk Surfin'"/"Gonna Hustle You" (1976)
 * "Ocean Park Angel"/"Blue Moon" (1982)
 * "Oh What A Beautiful Morning"/"Wa Ishi Nichi Shiow" (1987)
 * "Jennie Lee"/"I Gotta Get A Date" (1958)
 * "Gas Money"/"Bonnie Lou" (1958)
 * "The Beat That Can't Be Beat"/"I Love Linda" (1958)
 * "Tomorrows Teardrops"/"Midsummers Night Dream" (1960)
 * "Universal Coward"/"I Can't Wait To Love You" (1965)
 * "Mother Earth"/"Blue Moon Shuffle" (1972)
 * "Blue Moon Shuffle"/"Don't You Just Know It" (1973)
 * "Tinsel Town"/"Blow Up Music" (1974)
 * "Sing Sang A Song"/"Sing Sang A Song" (instrumental) (1976)
 * "Little Queenie"/"That's The Way It Is" (1977)
 * "Skateboard Surfin' USA"/"How-How I Love Her" (1978)
 * "Rock City"/"Its Gotta Be True" (1984)
 * The Bamboo Trading Company digital EP — "Shrewd Awakening" [lead vocal with Katie & Jillian Torrence]/"Tonga Hut" [intro and backing vocal] (January 21, 2014) <sup class="reference" id="cite_ref-63" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[63]
 * The Bamboo Trading Company digital EP — "Star Of The Beach" [lead vocal]/"Drinkin' In The Sunshine" [backing vocal]/"Tweet (Don't Talk Anymore)" [lead vocal] (July, 4, 2014) <sup class="reference" id="cite_ref-64" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[64]