Video Killed the Radio Star

"Video Killed the Radio Star" is a song written by Trevor Horn, Geoff Downes and Bruce Woolley in 1978. It was first recorded by Bruce Woolley and The Camera Club (with Thomas Dolby on keyboards) for their album English Garden, and later by British group The Buggles, consisting of Horn and Downes. The track was recorded and mixed in 1979, released as their debut single on 7 September 1979 by Island Records, and included on their first album The Age of Plastic. The backing track was recorded at Virgin's Town House in West London, and mixing and vocal recording would later take place at Sarm East Studios.

Like all the other tracks from the LP, "Video"'s theme was promotion of technology while worrying about its effects. This song relates to concerns about mixed attitudes towards 20th-century inventions and machines for the media arts. Musically, the song performs like an extended jingle, and the composition plays in the key of D♭ major, in common time and at a tempo of 132 beats per minute. The track has been positively received, with reviewers praising its unusual musical pop elements. Although the song includes several common pop characteristics and six basic chords are used in its structure, Downes and writer Timothy Warner described the piece as musically complicated, due to its use of suspended and minor ninth chords for enhancement that gave the song a "slighty different feel."

Commercially, "Video Killed the Radio Star" was also a success. The track topped sixteen international music charts, including the official singles charts of the group's home country of the UK and other nations such as Australia, Austria, France, Italy Ireland, Spain, Sweden and Switzerland, as well as the Japanese Oricon International Chart. It also peaked within the top 10 in Canada, Germany, New Zealand and South Africa, the top 20 in Belgium and the Netherlands, and barely in the top 40 in the United States.

The song's music video was written, directed, and edited by Russell Mulcahy, and is well-remembered as the first music video shown on MTV in the United States at 12:01am on 1 August 1981, and the first video shown on MTV Classic in the United Kingdom on 1 March 2010. The song has received several critical accolades, such as being ranked number 40 on VH1's 100 Greatest One-Hit Wonders of the '80s.[1]  It has been covered by many recording artists. Trevor Horn has done performances of the song, both at Buggles reunion performances and with The Producers, since 1998.



Contents
[hide]  *1 Writing, lyrical themes and background  ==Writing, lyrical themes and background[ edit] == The Buggles, which formed in 1977, first consisted of Trevor Horn, Geoff Downes and Bruce Woolley.[2]  They all wrote "Video Killed the Radio Star" in an hour of one afternoon in 1978, six months before it was recorded, together in Downes' apartment, which was located above a monumental stonemason's in Wimbledon Park London.[3] [4] [5]  The piece was built up from a chorus riff developed by Woolley.[4]  It is one of the three Buggles songs that he assisted in writing, the two others being "Clean, Clean" and "On TV."<sup class="reference" id="cite_ref-Bio_2-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2]  An early demo of the song they did helped the group get signed to Island Records to record and publish their debut album The Age of Plastic.<sup class="reference" id="cite_ref-Bio_2-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2] <sup class="reference" id="cite_ref-SOS_6-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  Woolley left during recording to form his own band, The Camera Club, which did their own version of "Video", as well as "Clean, Clean" for their album English Garden.<sup class="reference" id="cite_ref-Bio_2-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[2]
 * 2 Production and music
 * 3 Commercial performance
 * 4 Critical reception
 * 5 Live performances
 * 6 Music video
 * 6.1 Production and concept
 * 6.2 Broadcasting and reception
 * 7 Charts and certifications
 * 7.1 Chart performance
 * 7.1.1 Weekly charts
 * 7.1.2 Year-end charts
 * 7.2 Sales and certifications
 * 8 Accolades
 * 9 Personnel
 * 10 Cover versions
 * 11 In other media
 * 12 See also
 * 12.1 Suggested reading
 * 12.2 No. 1 chart lists
 * 13 Release history
 * 14 References
 * 15 External links

Trevor Horn (middle) has said J. G. Ballard's "The Sound-Sweep" was an inspiration for "Video Killed the Radio Star".<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Horn has said that the short story "The Sound-Sweep", in which the title character—a mute boy vacuuming up stray music in a world without it—comes upon an opera singer hiding in a sewer, provided inspiration for "Video," and he felt "an era was about to pass."<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[7]  Horn claimed that Kraftwerk was another influence of the song: "...It was like you could see the future when you heard Kraftwerk, something new is coming, something different. Different rhythm section, different mentality. So we had all of that, myself and Bruce, and we wrote this song probably six months before we recorded it."<sup class="reference" id="cite_ref-RB-interview_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">All the tracks of the The Age of Plastic deal with positives and concerns of the impact of modern technology.<sup class="reference" id="cite_ref-SOS_6-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6] The theme of "Video Killed the Radio Star" is thus nostalgia, with the lyrics referring to a period of technological change in the 1960s, the desire to remember the past and the disappointment that children of the current generation would not appreciate the past.<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[8]  The lyrics relate to concerns of the varied behaviors towards 20th-century technical inventions and machines used and changed in media arts such as photography, cinema, radio, television, audio recording and record production.<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[9] ==Production and music<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * Note: this section covers the production info and composition and arrangement of the Buggles version of the song, and most of it may not apply to that done by Bruce Woolley and the Camera Club or later cover versions of the song.

<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">"Video Killed the Radio Star" is a new wave-synthpop song.<sup class="reference" id="cite_ref-Allmusic_10-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[10] <sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[11]  It performs like an extendedjingle,<sup class="reference" id="cite_ref-Allmusic_10-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[10]  sharing its rhythm characteristics with disco.<sup class="reference" id="cite_ref-TW-43_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[12]  The piece plays in common time at a bright tempo of 132 beats per minute.<sup class="reference" id="cite_ref-sheet_13-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[13]  It is in the key of D♭ major,<sup class="reference" id="cite_ref-GD_4-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[4] <sup class="reference" id="cite_ref-sheet_13-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[13]  with the vocal range spanning from A<sub style="line-height:1;font-size:10.9090909957886px;">3  to D<sub style="line-height:1;font-size:10.9090909957886px;">5 ,<sup class="reference" id="cite_ref-sheet_13-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[13]  and six basic chords are used in the song's chord progression.<sup class="reference" id="cite_ref-TW-43_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[12] According to Geoff Downes, "It's actually a lot more complicated piece of music than people think, for instance part of the bridge is actually chords suspended and minor 9ths. A lot of people transcribed the song wrongly, they thought it was a straight F# chord. The song was written in D flat. The suspended gives it a slightly different feel."<sup class="reference" id="cite_ref-GD_4-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[4]  Writing in his book, Pop Music: Technology and Creativity: Trevor Horn and the Digital Revolution, Timothy Warner said that the "relatively quiet introduction" helping the listener detect a high amount of "tape hiss" generated through the use of analogue multi-track tape recorders, as well as the timbre of the synthesized instruments, give an indication of the technical process and time of producing the song.<sup class="reference" id="cite_ref-TW-45_14-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[14]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">"Video" was put in more than three months of production.<sup class="reference" id="cite_ref-GD_4-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[4]  The instrumental track was recorded at Virgin's Town House in West London for twelve hours, with mixing and recording of vocals held at Sarm East Studios.<sup class="reference" id="cite_ref-RB-interview_5-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[5] <sup class="reference" id="cite_ref-SOS_6-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6] <sup class="reference" id="cite_ref-Smash_15-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[15]  The entire song was mixed through a Trident TSM console.<sup class="reference" id="cite_ref-SOS_6-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  "Video" was the first track recorded for the group's debut LP The Age of Plastic, which cost a sum of £60,000 (equivalent to £300,336 in 2014) to produce,<sup class="reference" id="cite_ref-Smash_15-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[15] and the song had been mixed by Gary Langan four or five times.<sup class="reference" id="cite_ref-SOS_6-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  According to Langan, "there was no total recall, so we just used to start again. We’d do a mix and three or four days later Trevor would go, ‘It’s not happening. We need to do this and we need to do that.’ The sound of the bass drum was one of his main concerns, along with his vocal and the backing vocals. It was all about how dry and how loud they should be in the mix without the whole thing sounding ridiculous. As it turned out, that record still had the loudest bass drum ever for its time."<sup class="reference" id="cite_ref-SOS_6-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The song includes instrumentation of drums, bass guitar, electric guitar, synth strings, instruments, piano, glockenspiel, marimbas and other futuristic, twinkly sounds, and vocals.<sup class="reference" id="cite_ref-GD_4-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[4] <sup class="reference" id="cite_ref-Allmusic_10-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[10] <sup class="reference" id="cite_ref-TW-43_12-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[12] <sup class="reference" id="cite_ref-TW-45_14-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[14] Downes used a Solina, Minimoog and Prophet-5 to create the overdubbed orchestral parts.<sup class="reference" id="cite_ref-GD_4-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[4]  Both the male and female voices differ to give a tonalitic and historical contrast.<sup class="reference" id="cite_ref-TW-46_16-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[16]  When Langan was interviewed in December 2011, he believed the male vocal was recorded through either a dynamic Shure SM57, SM58, Sennheiser 421, or STC 4038 ribbon microphone, and that four of five takes had to be done.<sup class="reference" id="cite_ref-SOS_6-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  The male voice echos the song's theme in the tone of the music, initially limited in bandwidth to give a "telephone" effect typical of early broadcasts, and uses a mid-Atlantic accent resembling that of British singers in 1950s and '60s.<sup class="reference" id="cite_ref-TW-46_16-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[16]  The Vox AC30 amplifier was used to achieve the telephone effect, and Gary Lagan says he was trying to make it "loud without cutting your head off", in others words make the voice sound soft. Gary Langan and Trevor Horn also tried using a bullhorn, but they found it too harsh. Langan later compressed and EQ'd the male vocals, and he said that doing the compression for old-style vocal parts was a "real skill."<sup class="reference" id="cite_ref-SOS_6-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  The female vocals are panned in the left and right audio channels,<sup class="reference" id="cite_ref-SOS_6-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6]  and sound more modern and have a New York accent.<sup class="reference" id="cite_ref-TW-46_16-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[16]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The single version of "Video Killed the Radio Star" lasts for 3 minutes and 25 seconds. The album version plays for 4 minutes and 13 seconds, about 48 seconds longer than the single version, as it fades into a piano and synth coda, which ends with a brief sampling of the female vocals.<sup class="reference" id="cite_ref-SOS_6-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6] ==Commercial performance<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">"Video Killed the Radio Star" was a huge commercial success, reaching number one on 16 different national charts.<sup class="reference" id="cite_ref-Peel_17-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[17]  In the Buggles' home country, the song made its debut on the UK Singles Chart in the top 40 at number 24, on the issue dated 29 September 1979.<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[18]  The next week, the track entered into the chart's top 10 at number 6,<sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[19]  before topping the chart on the week of 20 October.<sup class="reference" id="cite_ref-UK_20-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[20]  It was the 444th UK number-one hit in the chart's entire archive.<sup class="reference" id="cite_ref-Peel_17-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[17]  The single was later certified gold by the British Phonographic Industry for UK sales of 500,000.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In Australia, "Video Killed the Radio Star" reached number one, where it was the best-selling record for 27 years.<sup class="reference" id="cite_ref-Peel_17-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[17]  The track went number one on the Italian Singles Chart in 1980, where it became the best-selling single of the same year.<sup class="reference" id="cite_ref-Italy_21-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[21]  The song also made a number-one peak in France and Spain,<sup class="reference" id="cite_ref-France_22-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[22] <sup class="reference" id="cite_ref-Spain_23-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[23]  where it was certified gold and platinum, respectively, as well as Austria,<sup class="reference" id="cite_ref-Austria_24-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[24]  Ireland,<sup class="reference" id="cite_ref-Ireland_25-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[25]  Sweden<sup class="reference" id="cite_ref-Sweden_26-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[26]  and Switzerland.<sup class="reference" id="cite_ref-Switzerland_27-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[27]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In other parts of Europe and Oceania, "Video Killed the Radio Star" was a number-two hit in Germany and New Zealand,<sup class="reference" id="cite_ref-Germany_28-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[28] <sup class="reference" id="cite_ref-New_Zealand_29-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[29]  and also charted in Flanders, on both the Ultratop 50 and VRT Top 30 charts,<sup class="reference" id="cite_ref-Ultratop_30-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[30] <sup class="reference" id="cite_ref-VRT_31-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[31]  and in the Netherlands, on the Nationale Hitparade Top 50 (now the Single Top 100) and Dutch Top 40.<sup class="reference" id="cite_ref-Dutch100_32-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[32] <sup class="reference" id="cite_ref-Dutch40_33-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[33]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">"Video Killed the Radio Star" did not start charting in North America, however, until November 1979. In the United States, the song appeared on the Billboard Hot 100 and Cash Box Top 100, barely breaking into the top 40 on both charts.<sup class="reference" id="cite_ref-awards_34-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[34] <sup class="reference" id="cite_ref-Cashbox_35-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[35]  It had debuted at number 86 on the Billboard Hot 100 on the week of 10 November 1979,<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[36]  while on the Cashbox Top 100 it debuted at number 83 that same week.<sup class="reference" id="cite_ref-37" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[37]  It started also at number 83 on the Canadian RPM Top Single Chart.<sup class="reference" id="cite_ref-38" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[38]  By January 1980, it entered the top 40 at number 31,<sup class="reference" id="cite_ref-39" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[39]  and on 2 February made it into the top 20 at number 11.<sup class="reference" id="cite_ref-40" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[40]  Two weeks later, the song earned its peak in the top 10 at number 6 and issue dated 16 February 1980.<sup class="reference" id="cite_ref-Canada_41-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[41] ==Critical reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Ever since its release, "Video Killed the Radio Star" has been given a mostly positive reception from music critics. Originally, the song became a Billboard Top Single Pick on 3 November 1979, whom the publication found the chorus catchy and also highlighted the orchestral instruments supporting the backing singers.<sup class="reference" id="cite_ref-Billboardreview_42-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[42]  Although there had been a mixed review of the single from Smash Hits, who found the song to be "too tidy, like vymura" (wallpaper),<sup class="reference" id="cite_ref-Smashreview_43-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[43]  they listed it in a review of The Age of Plastic as one of the best tracks of the album, along with "Living in the Plastic Age".<sup class="reference" id="cite_ref-Smashrank_44-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[44]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Timothy Warner wrote that, although several common pop elements were still present in the song, it included stronger originality for its own purpose than most other pop hits released at the time.<sup class="reference" id="cite_ref-TW-48_45-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[45]  These unusual pop music characteristics include the timbres of the male and female vocal parts, and the use of suspended fourth and ninths chords for enhancement in its progression.<sup class="reference" id="cite_ref-TW-43_12-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[12] He also felt it was unnecessary to dislike it as a "novelty song."<sup class="reference" id="cite_ref-TW-48_45-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[45]  AllMusic's Heather Phares said the track "can be looked on as a perfectly preserved new wave gem," "just as the song looks back on the radio songs of the '50s and '60s." She concluded her review by saying that it "still sounds as immediate as it did when it was released, however, and that may be the song's greatest irony."<sup class="reference" id="cite_ref-Allmusic_10-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[10] ==Live performances<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">A rare live performance of the song by Horn and Downes came at a ZTT showcase in 1998.<sup class="reference" id="cite_ref-46" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[46]  In 2004, The Buggles re-united again with Bruce Woolley at Wembley Arena to perform "Video Killed the Radio Star" and "Living in the Plastic Age" as part of a tribute event to Horn to raise money for The Prince's Trust charity. They were joined by Debi Doss and Linda Jardim (now Linda Allan), who performed the background singing on the original recording. Paul Robinson, who played drums on the original, also appeared. Both Horn and Downes have performed the song live in other acts, including Yes (which Downes and Horn joined for the Drama album and tour in 1980), Downes in the 2006–2009 revival of Asia with John Wetton on lead vocals, and Horn in his band The Producers, also in 2006.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In November 2006, The Producers played at their first gig in Camden Town. A video clip can be seen on ZTT Records of Horn singing lead vocals and playing bass in a performance of "Video Killed the Radio Star". Tina Charles appears on a YouTube video singing 'Slave to the Rhythm' with The Producers<sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[47]  and Horn reveals that Tina was the singer and originator of the "Oh Ah-Oh Ah-Oh" part of 'Video'; fellow 5000 Volt member Martin Jay was also a session musician on The Buggles record.<sup class="reference" id="cite_ref-48" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[48]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Robbie Williams performed the song with Trevor Horn at the BBC Electric Proms on 20 October 2009.<sup class="reference" id="cite_ref-RW_49-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[49]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Since 2010, Horn has performed "Video" with both the Buggles and his new band, Producers. Since 2011, he has added new vocals to his live performance before the song's final chorus:<sup class="reference" id="cite_ref-50" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[50] <p style="margin-top:0.5em;line-height:inherit;">Video killed the radio star, He hit him on the head with his old guitar, He tried to run away, but didn't get far, That's how video killed the radio star ==Music video<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Production and concept<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Trevor Horn (right) and Geoff Downes (left) as they appear in the video.<p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The music video for "Video Killed the Radio Star", written, directed and edited by Australian Russell Mulcahy,<sup class="reference" id="cite_ref-MyMTV_51-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[51] <sup class="reference" id="cite_ref-IntheCity_52-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[52]  was produced on a budget of $50,000.<sup class="reference" id="cite_ref-P-interview_3-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[3]  It was filmed in only a day in South London,<sup class="reference" id="cite_ref-MyMTV_51-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[51]  and was edited in a couple of days.<sup class="reference" id="cite_ref-IntheCity_52-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[52]  Geoff Downes said in a 2011 interview that he felt the concept of the video reflected on that of the song.<sup class="reference" id="cite_ref-IntheCity_52-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[52]  Mulcahy asked a friend of his, who was an aspiring actress, to play a girl who was dressed "in a silver costume and be lowered via wires in a test tube." There were about 30 takes required for shots of the actress in the tube. The tube falls over in the video, although Mulcahy claims it was not intended to be shown in the final edit.<sup class="reference" id="cite_ref-MyMTV_51-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[51]  Hans Zimmer can be briefly seen wearing black playing a keyboard,<sup class="reference" id="cite_ref-CoS_53-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[53]  andDebi Doss and Linda Jardim, who provided the female vocals for the song, are also seen.<sup class="reference" id="cite_ref-54" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[54]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The video starts with a girl c. 1952, sitting in front of a radio. A black-and-white shot of Trevor Horn singing into a radio-era microphone is altered over the girl by the radio. The radio blows up by the time of the first chorus, and then in the second verse, she is seen transported into the future, where she meets Horn and a silver-jumpsuited female in a clear plastic tube. Shots of Horn and Geoff Downes are shown during the remainder of the video.<sup class="reference" id="cite_ref-CoS_53-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[53] ===Broadcasting and reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">The video was first released in 1979,<sup class="reference" id="cite_ref-55" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[55]  when it originally aired on Top of the Pops for promotion of the single, rather than doing live performances.<sup class="reference" id="cite_ref-P-interview_3-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[3]  Zimmer recalled in 2001 that the video drew criticism from some viewers who watched it before it aired on MTV, due to being "too violent because we blew up a television."<sup class="reference" id="cite_ref-P-interview_3-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[3]  The video is best known as marking the debut of MTV, when the US channel started broadcasting at 12:01 AM on 1 August 1981.<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[56]  On 27 February 2000, it became the one-millionth video to be aired on MTV.<sup class="reference" id="cite_ref-57" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[57]  It also opened MTV Classic in the UK and Ireland, which replaced VH1 Classic on 1 March 2010, at 6 AM.<sup class="noprint Inline-Template Template-Fact" style="line-height:1;font-size:10.9090909957886px;white-space:nowrap;">[citation needed]  The video marked the closing of MTV Philippines before its shutdown on 15 February 2010 at 11:49 PM.<sup class="reference" id="cite_ref-58" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[58]  MTV co-founder Bob Pittman said the video "made an aspirational statement. We didn't expect to be competitive with radio, but it was certainly a sea-change kind of video."<sup class="reference" id="cite_ref-P-interview_3-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[3] ==Charts and certifications<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  == ===Chart performance<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">]  === ==Accolades<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ==Personnel<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">Sources:<sup class="reference" id="cite_ref-SOS_6-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[6] <sup class="reference" id="cite_ref-88" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[88]

==Cover versions<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:20.3636360168457px;color:rgb(37,37,37);font-family:sans-serif;font-size:13.63636302948px;">In July 2013, multiple independent artists covered "Video" for the launch of the TV channel Pivot.<sup class="reference" id="cite_ref-91" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[91] ==In other media<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == "Video Killed the Radio Star" was sampled inNicki Minaj (left) and will.i.am's (right) "Check It Out".*Five clues about the song have appeared on the American quiz show [http://en.wikipedia.org/wiki/Jeopardy! Jeopardy!]: "On August 1, 1981 this channel aired its first video, titled "Video Killed the Radio Star"" on 25 May 1998,<sup class="reference" id="cite_ref-92" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[92]  "On Aug. 1, 1981 MTV aired its first video, this one by the Buggles" on 18 November 1998,<sup class="reference" id="cite_ref-93" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[93]  "In a hit by the Buggles, it's what "killed the radio star"" on 4 September 2002,<sup class="reference" id="cite_ref-94" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[94]  "Killer of "the radio star" in a Buggles song" on 13 June 2011,<sup class="reference" id="cite_ref-95" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[95]  and "On Aug. 1, 1981 this channel debuted with a video by The Buggles; the channel is still around, but not so much into videos" on 1 August 2013.<sup class="reference" id="cite_ref-96" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[96] ==See also<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Suggested reading<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ===No. 1 chart lists<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === ==Release history<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * Trevor Horn – songwriter, producer, bass, vocals
 * Geoff Downes – songwriter, producer, keyboards, percussion
 * Bruce Woolley – songwriter, guitar
 * Paul Robinson – drums
 * Debi Doss – backing vocals
 * Linda Jardim – backing vocals
 * Dave Birch – lead guitar
 * Gary Langan – mixer, recording
 * Hugh Padgham – recording, audio engineering
 * John Dent – mastering
 * The recording by The Presidents of the United States of America features in The Wedding Singer soundtrack.<sup class="reference" id="cite_ref-97" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[97]
 * "Video Killed the Radio Star" appears on the soundtrack for Grand Theft Auto: Vice City and in the game itself on the pop station Flash FM.<sup class="reference" id="cite_ref-98" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[98]
 * The song is used twice in Sarah Polley's 2011 film Take this Waltz;<sup class="reference" id="cite_ref-99" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[99]  once midway through, and again during the closing scene. It is played as an accompaniment to the Scrambler ride in Toronto's Centre Island.<sup class="reference" id="cite_ref-100" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[100]
 * The song is used in the 1990s cult film Empire Records starring Anthony LaPaglia, Liv Tyler and Renée Zellweger and is included in the film's soundtrack.<sup class="reference" id="cite_ref-101" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[101]
 * The 2010 single "Check It Out" by will.i.am and Nicki Minaj heavily samples "Video Killed the Radio Star".<sup class="reference" id="cite_ref-102" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[102]
 * The track is featured in the film Take Me Home Tonight starring an ensemble cast with Topher Grace and Anna Faris and is included in its soundtrack.<sup class="reference" id="cite_ref-103" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[103]
 * In 2009, Robbie Williams titled his eighth album Reality Killed the Video Star. The album was produced by Trevor Horn. Williams also performed the song live in the BBC Electric Proms that year,<sup class="reference" id="cite_ref-RW_49-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[49]  with Horn playing bass.
 * In June 2000, The Broad Band (consisting of Mark Cohn and Ken Martin) released a parody entitled "Internet Killed the Video Star".<sup class="reference" id="cite_ref-104" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:10.9090909957886px;">[104]
 * The Jazz Singer is a 1927 U.S. film notable for being the first "talking motion picture" to be widely commercially distributed.
 * Singin' in the Rain is a musical film that explores the transition from silent film to sound film.
 * Sunset Boulevard explores how sound film and television led to the demise of films and silent stars.
 * "Radio Ga Ga", a single by Queen, also laments the demise of radio as the primary mass medium.
 * "Internet Killed the Video Star", a 2010 song by The Limousines
 * List of number-one singles in Australia during the 1970s
 * List of number-one singles from 1968–79 (Switzerland)
 * List of UK Singles Chart number ones of the 1970s
 * List of European number-one hits of 1980
 * List of number-one singles and albums in Sweden