Cría cuervos

Cría cuervos is a Spanish drama film from 1976 film directed by Carlos Saura.



Content
[hide] *1 Story  ==Story[ Edit] == If the eight-year-old Ana, looking impassive and quietly to the parental bedroom runs, she hears the voice of a woman who confesses her love to her father. If they then the stairway ends she sees an attractive middle-aged woman's dress up and rapidly spread from the bedroom rushing to the front door of the dark House. The woman and Ana Exchange glances, but say nothing. After the woman left, Ana goes to her father in the bedroom, but finds him dead in bed: apparently died of a heart attack. As if they don't understand what's going on, takes Ana the half full glass of milk to the kitchen and wash this off. In the kitchen she sees her mother, who scolds her for being so late on is and sends her to bed.
 * 2 Cast
 * 3 Music
 * 4 Trivia
 * 5 external link
 * footnote 6

Reality and fantasy seem Exchange. After the bizarre death of her father, show this to have been a fascist military. The seemingly mundane behavior of her mother reveals the fantasy fantasized of a mourning child. Ana's mother is already dead and her image is only Ana's illusion. Her search for a culprit for the illness and death of her mother and her father's death, lost Ana on a rising agent for baking powder,, by a mysterious powder and keep develops faith, that it is a powerful poison is aware that her father was killed. Her mother had her years ago said throwing it away because it was spoiled. Her belief in the power of the white gif is enhanced when her father dies.

At the wake for her father she sees the mysterious woman again, which they earlier in the evening of the death of her father had seen fleeing the House. This woman, Amelia, is the wife of a friend and fellow soldier of her father. Ana's satisfaction with a life without this father is short lived. Aunt Paulina, a sister of her mother, keep the household running comes and turns out just as chilly and authoritarian as Ana's father. The women House is completed by the grandmother of the children, who's stupid and is in a wheelchair. There is also the tough, fleshy housekeeper Rosa.

Ana seeks her refuge in the cellar, where she keeps her ' lethal ' powder and where she is watched by an appearance of himself in 20 years. The adult Ana, strongly similar to her mother, talks about her childhood: "I do not believe in a paradise childhood, or in innocence, or the natural goodness of children. I remember my childhood as a long period, endless, sad, full of anguish and fear of the unknown '.

The small rituals of everyday life fill Ana's days during her summer vacation from school. Tormented by the memory of the illness of her mother Ana rebels against her authoritarian aunt and in bouts of loneliness she depicts itself in various ways the presence of her mother and even her own suicide. Despite the presence of her sister Irene and little brother Mayte are Ana's only real companions the housekeeper Rosa and Roni, her Guinea pig. Unfortunately finds Ana the Guinea pig on a morning dead in its cage.

Her mother's painful illness and death from cancer, the presumed murder of her father, her Guinea Pigs dead and her own thoughts of suicide pressing heavily on the mind of the girl. Ana even offers her grandmother the chance to die and get rid of her loneliness, by her to offer her a spoonful of poison. The old woman strikes the offerings, not least because they know that baking powder is.

The adult Ana – like her mother also played by Geraldine Chaplin-explains to her that her mother had labeled as toxic as warning the baking powder. She explains to the young Ana to her motivation to want to kill her father. "The only thing I recall is his responsibility for the grief that so heavily on my mother pressed, that she was sick of it."

Ana, still assuming that they killed her father, tries to poison her aunt with the same powder. But the next morning and also the first new school day, turns out aunt Paulina still alive. Than leaving Ana and her sister and brother the lurid family home and steps forward, that life in the vibrant city of them previously remember. ==Division Of Roles[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == ==Music<span class="mw-editsection" len="334" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">In the film is the dominant Spanish-language pop song present "Porque te vas". <sup class="reference" id="cite_ref-1" len="173" style="line-height:1;unicode-bidi:-webkit-isolate;">[1]  it is sung by Jeanette Dimech. <sup class="reference" id="cite_ref-2" len="173" style="line-height:1;unicode-bidi:-webkit-isolate;">[2]  <sup class="reference" id="cite_ref-3" len="173" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] ==Trivia<span class="mw-editsection" len="334" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">[ Edit<span class="mw-editsection-bracket" len="1" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:22.399999618530273px;color:rgb(37,37,37);font-family:sans-serif;">Was both in 1994 (episode 4 Inez de Beaufort) and 2012 (episode 3 Sara Waller) the closing film of the television program summer guests.
 * Ana Torrent: Ana
 * Conchi Pérez: Irene
 * Maite Sánchez: Mayte
 * Geraldine Chaplin: ANA's mother
 * Mónica Randall: Aunt Paulina
 * Florinda Chico: Rosa
 * Josefina Díaz: ANA's grandmother
 * Germán Cobos: Nicolás
 * Héctor Alterio: Anselmo
 * Mirta Miller: Amelia