E.T. the Extra-Terrestrial

E.T. the Extra-Terrestrial (often referred to simply as E.T.) is a 1982 American science-fiction/fantasy film coproduced and directed by Steven Spielberg and written by Melissa Mathison, featuring special effects by Carlo Rambaldi andDennis Muren, and starring Henry Thomas, Dee Wallace, Robert MacNaughton, Drew Barrymore, and Peter Coyote. It tells the story of Elliott (played by Thomas), a lonely boy who befriends an extraterrestrial, dubbed "E.T.", who is stranded on Earth. Elliott and his siblings help it return home while attempting to keep it hidden from their mother and the government.

The concept for the film was based on an imaginary friend Spielberg created after his parents' divorce in 1960. In 1980, Spielberg met Mathison and developed a new story from the stalled science fiction/horror film project Night Skies. It was shot from September to December 1981 in California on a budget of US$10.5 million. Unlike most motion pictures, it was shot in roughly chronological order, to facilitate convincing emotional performances from the young cast.

Released by Universal Pictures,E.T was a blockbuster, surpassing Star Wars to become the highest-grossing film of all time—a record it held for ten years until Jurassic Park, another Spielberg-directed film, surpassed it in 1993. Nevertheless, it remains the 46th highest-grossing film of all time, and the highest-grossing film of the 1980s. Critics acclaimed it as a timeless story of love, and it ranks as the greatest science fiction film ever made in a Rotten Tomatoessurvey. The film was re-released in 1985, and then again in 2002 to celebrate its 20th anniversary, with altered shots and additional scenes.



Contents
[hide]  *1 Plot  ==Plot[ edit] == In a California white van, a group of SHREKS botanists collect flora samples. When government agents appear on the scene, the aliens flee in their spaceship, leaving one of their own behind. The scene shifts to a suburban home, where a 10-year-old boy named Elliott is trying to hang out with his 16-year-old brother Michael and his friends. As he returns from picking up a pizza, Elliott discovers that something is hiding in their tool shed. The creature promptly flees upon being discovered. Despite his family's disbelief, Elliott lures the alien from the forest to his bedroom using a trail of Reese's Pieces. Before he goes to sleep, Elliott realizes the alien is imitating his movements. Elliott feigns illness the next morning to stay home from school and play with the alien. Later that day, Michael and their five-year-old sister Gertie meet the alien. They decide to keep him hidden from their mother. When they ask it about its origin, the alien levitates several balls to represent its solar system and then demonstrates its powers by reviving a dead plant.
 * 2 Cast
 * 3 Production
 * 3.1 Development
 * 3.2 Pre-Production
 * 3.3 Filming
 * 3.4 Music
 * 3.5 Allegations of plagiarism
 * 4 Themes
 * 5 Reception
 * 5.1 Release and sales
 * 5.2 Critical response
 * 5.3 Awards and honors
 * 6 20th anniversary version
 * 7 Other portrayals
 * 8 See also
 * 9 References
 * 10 Bibliography
 * 11 External links

At school the next day, Elliott begins to experience a psychic connection with the alien, including exhibiting signs of intoxication due to the alien drinking beer, and he begins freeing all the frogs in a biology class. As the alien watches John Wayne kiss Maureen O'Hara in The Quiet Man, Elliott kisses a girl he likes.

Makeshift communicator used by E.T. to phone home. Among its parts is a Speak & Spell, an umbrella lined with tinfoil, and a coffee can filled with other electronics.The alien learns to speak English by repeating what Gertie says as she watches Sesame Street and, at Elliott's urging, dubs itself "E.T." E.T. reads a comic strip where Buck Rogers, stranded, calls for help by building a makeshift communication device, and is inspired to try it himself. He gets Elliott's help in building a device to "phone home" by using a Speak & Spell toy. Michael notices that E.T.'s health is declining and that Elliott is referring to himself as "we".

On Halloween, Michael and Elliott dress E.T. as a ghost so they can sneak him out of the house. Elliott and E.T. ride a bicycle to the forest, where E.T. makes a successful call home. The next morning, Elliott wakes up in the field, only to find E.T. gone, so he returns home to his distressed family. Michael searches for and finds E.T. dying in a ditch and takes him to Elliott, who is also dying. Mary becomes frightened when she discovers her son's illness and the dying alien, just as government agents invade the house. Scientists set up a medical facility there, quarantining Elliott and E.T. Their link disappears and E.T. then appears to die while Elliott recovers. A grief-stricken Elliott is left alone with the motionless alien when he notices a dead flower, the plant E.T. had previously revived, coming back to life. E.T. reanimates and reveals that his people are returning. Elliott and Michael steal a van that E.T. had been loaded into and a chase ensues, with Michael's friends joining them as they attempt to evade the authorities by bicycle. Suddenly facing a police roadblock, they escape as E.T. uses telekinesis to lift them into the air and toward the forest.

Standing near the spaceship, E.T.'s heart glows as he prepares to return home. Mary, Gertie, and "Keys," a government agent, show up. E.T. says goodbye to Michael and Gertie, as Gertie presents E.T. with the flower that he had revived. Before entering the spaceship, E.T. tells Elliott "I'll be right here," pointing his glowing finger to Elliott's forehead. He then picks up the flower Gertie gave him, walks into the spaceship, and takes off, leaving a rainbow in the sky as Elliott (and the rest of them) watches the ship leave. ==Cast[ edit] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Having worked with Cary Guffey on Close Encounters of the Third Kind, Spielberg felt confident in working with a cast composed mostly of child actors.<sup class="reference" id="cite_ref-starry_3-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  For the role of Elliott, he auditioned hundreds of boys<sup class="reference" id="cite_ref-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[4]  before Robert Fisk suggested Henry Thomas for the role.<sup class="reference" id="cite_ref-20edition_5-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Thomas, who auditioned in an Indiana Jones costume, did not perform well in the formal testing, but got the filmmakers' attention in an improvised scene.<sup class="reference" id="cite_ref-starry_3-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  Thoughts of his dead dog inspired his convincing tears.<sup class="reference" id="cite_ref-Must_own_DVD_6-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[6]  Robert MacNaughton auditioned eight times to play Michael, sometimes with boys auditioning for Elliott. Spielberg felt Drew Barrymore had the right imagination for mischievous young Gertie after she impressed him with a story that she led a punk rock band.<sup class="reference" id="cite_ref-20edition_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Spielberg enjoyed working with the children, and he later said that the experience made him feel ready to be a father.<sup class="reference" id="cite_ref-reunion_7-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]
 * Henry Thomas as Elliott, a lonely 10-year-old boy. He longs for a good friend, whom he finds in E.T., who was left behind on Earth. He adopts him and they form a mental, physical, and emotional bond.
 * Robert MacNaughton as Michael, Elliott's football-playing 16-year-old brother who often makes fun of him. He saves E.T.'s life.
 * Drew Barrymore as Gertie, Elliott's mischievous 5-year-old sister. She is sarcastic and initially terrified of E.T., but grows to love him.
 * Dee Wallace as Mary, the children's mother, recently separated from her husband. She is mostly oblivious to E.T.'s presence in her house.
 * Peter Coyote as "Keys", a government agent. His face is not shown until the film's second half, his name is never mentioned, and he is identified by the key rings that prominently hang from his belt. He tells Elliott that he has waited to see an alien since age 10.
 * K. C. Martel, Sean Frye and C. Thomas Howell as Michael's friends Greg, Steve and Tyler. They help Elliott and E.T. evade the authorities during the film's climax.
 * Erika Eleniak as the young girl Elliott kisses in class.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The major voice work for E.T. was performed by Pat Welsh, an elderly woman who lived in Marin County, California. Welsh smoked two packets of cigarettes a day, which gave her voice a quality that sound effects creator Ben Burtt liked. She spent nine-and-a-half hours recording her part, and was paid $380 by Burtt for her services.<sup class="reference" id="cite_ref-brode_8-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  Burtt also recorded 16 other people and various animals to create E.T.'s "voice". These included Spielberg; Debra Winger; Burtt's sleeping wife, who had a cold; a burp from his USC film professor; and raccoons, otters, and horses.<sup class="reference" id="cite_ref-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9] <sup class="reference" id="cite_ref-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[10]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Doctors working at the USC Medical Center were recruited to play the doctors who try to save E.T. after government agents take over Elliott's house. Spielberg felt that actors in the roles, performing lines of technical medical dialogue, would come across as unnatural.<sup class="reference" id="cite_ref-reunion_7-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]  During post-production, Spielberg decided to cut a scene featuringHarrison Ford as the principal at Elliott's school. The scene featured his character reprimanding Elliott for his behavior in science class and warning of the dangers of underage drinking. He is then taken aback as Elliott's chair rises from the floor, while E.T. is levitating his "phone" equipment up the staircase with Gertie.<sup class="reference" id="cite_ref-20edition_5-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5] ==Production<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Development<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">After his parents' divorce in 1960, Spielberg filled the void with an imaginary alien companion. Spielberg said that E.T. was "a friend who could be the brother I never had and a father that I didn't feel I had anymore."<sup class="reference" id="cite_ref-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[11]  During 1978, Spielberg announced he would shoot a film entitled Growing Up, which he would film in 28 days. The project was set aside because of delays on 1941, but the concept of making a small autobiographical film about childhood would stay with Spielberg.<sup class="reference" id="cite_ref-brode_8-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  He also thought about a follow-up to Close Encounters of the Third Kind, and began to develop a darker project he had planned with John Sayles called Night Skies in which malevolent aliens terrorize a family.<sup class="reference" id="cite_ref-brode_8-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Filming Raiders of the Lost Ark in Tunisia left Spielberg bored, and memories of his childhood creation resurfaced.<sup class="reference" id="cite_ref-mcbride_12-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  He told screenwriter Melissa Mathison about Night Skies, and developed a subplot from the failed project, in which Buddy, the only friendly alien, befriends an autistic child. Buddy's abandonment on Earth in the script's final scene inspired the E.T. concept.<sup class="reference" id="cite_ref-mcbride_12-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  Mathison wrote a first draft titled E.T. and Me in eight weeks,<sup class="reference" id="cite_ref-mcbride_12-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  which Spielberg considered perfect.<sup class="reference" id="cite_ref-20edition_5-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  The script went through two more drafts, which deleted an "Eddie Haskell"-esque friend of Elliott. The chase sequence was also created, and Spielberg also suggested having the scene where E.T. got drunk.<sup class="reference" id="cite_ref-brode_8-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  Columbia Pictures, which had been producing Night Skies, met Spielberg to discuss the script. The studio passed on it, calling it "a wimpy Walt Disneymovie", so Spielberg approached the more receptive Sid Sheinberg, president of [http://en.wikipedia.org/wiki/MCA_Inc. MCA].<sup class="reference" id="cite_ref-13" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[13] ===Pre-Production<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Carlo Rambaldi, who designed the aliens for Close Encounters of the Third Kind, was hired to design the animatronics of E.T. Rambaldi's own painting Women of Deltaled him to give the creature a unique, extendable neck.<sup class="reference" id="cite_ref-20edition_5-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  The creature's face was inspired by the faces of Carl Sandburg, Albert Einstein and Ernest Hemingway.<sup class="reference" id="cite_ref-DVD_notes_14-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14] Producer Kathleen Kennedy visited the Jules Stein Eye Institute to study real and glass eyeballs. She hired Institute staffers to create E.T.'s eyes, which she felt were particularly important in engaging the audience.<sup class="reference" id="cite_ref-starry_3-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  Four E.T. heads were created for filming, one as the main animatronic and the others for facial expressions, as well as a costume.<sup class="reference" id="cite_ref-DVD_notes_14-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[14]  Two dwarfs, Tamara De Treaux and Pat Bilon,<sup class="reference" id="cite_ref-brode_8-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  as well as 12-year-old Matthew DeMeritt, who was born without legs,<sup class="reference" id="cite_ref-15" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[15]  took turns wearing the costume, depending on what scene was being filmed. DeMeritt actually walked on his hands and played all scenes where E.T. walked awkwardly or fell over. The head of the E.T. puppet was placed above the head of the actors, and the actors could see through slits in the puppet's chest.<sup class="reference" id="cite_ref-20edition_5-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Caprice Roth, a professional mime, filled prosthetics to play E.T.'s hands.<sup class="reference" id="cite_ref-starry_3-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  The puppet was created in three months at the cost of $1.5 million.<sup class="reference" id="cite_ref-16" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[16]  Spielberg declared it was "something that only a mother could love."<sup class="reference" id="cite_ref-20edition_5-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Mars, Incorporated found E.T. so ugly that the company refused to allow M&M's to be used in the film, believing the creature would frighten children. This allowed The Hershey Company the opportunity to market Reese's Pieces.<sup class="reference" id="cite_ref-sweet_17-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]  Science and technology educator Henry Feinberg created E.T.'s communicator device.<sup class="reference" id="cite_ref-18" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[18] <sup class="reference" id="cite_ref-19" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[19] ===Filming<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">E.T. began shooting in September 1981.<sup class="reference" id="cite_ref-exceptional_20-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[20]  The project was filmed under the cover name A Boy's Life, as Spielberg did not want anyone to discover and plagiarize the plot. The actors had to read the script behind closed doors, and everyone on set had to wear an ID card.<sup class="reference" id="cite_ref-starry_3-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3]  The shoot began with two days at a high school in Culver City, and the crew spent the next 11 days moving between locations at Northridge and Tujunga.<sup class="reference" id="cite_ref-brode_8-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  The next 42 days were spent at Culver City's Laird International Studios, for the interiors of Elliott's home. The crew shot at a redwood forest near Crescent City for the production's last six days.<sup class="reference" id="cite_ref-brode_8-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8] <sup class="reference" id="cite_ref-mcbride_12-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  Spielberg shot the film in roughly chronological order to achieve convincingly emotional performances from his cast. In the scene in which Michael first encounters the alien, the creature's appearance caused MacNaughton to jump back and knock down the shelves behind him. The chronological shoot gave the young actors an emotional experience as they bonded with E.T., making the hospital sequences more moving.<sup class="reference" id="cite_ref-reunion_7-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]  Spielberg ensured the puppeteers kept away from the set to maintain the illusion of a real alien. For the first time in his career, he did not storyboard most of the film, in order to facilitate spontaneity in the performances.<sup class="reference" id="cite_ref-exceptional_20-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[20]  The film was shot so adults, except for Dee Wallace, are never seen from the waist up in the film's first half, as a tribute to Tex Avery's cartoons.<sup class="reference" id="cite_ref-20edition_5-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  The shoot was completed in 61 days, four days ahead of schedule.<sup class="reference" id="cite_ref-mcbride_12-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12] According to Spielberg, the memorable scene where E.T. disguises himself as a stuffed animal in Elliott's closet was suggested by colleague Robert Zemeckis, after he read a draft of the screenplay that Spielberg had sent him.<sup class="reference" id="cite_ref-21" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[21] ===Music<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Main article: E.T. the Extra-Terrestrial (soundtrack)<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Longtime Spielberg collaborator John Williams, who composed the film's musical score, described the challenge of creating a score that would generate sympathy for such an odd-looking creature. As with their previous collaborations, Spielberg liked every theme Williams composed and had it included. Spielberg loved the music for the final chase so much that he edited the sequence to suit it.<sup class="reference" id="cite_ref-22" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[22]  Williams took a modernist approach, especially with his use of polytonality, which refers to the sound of two different keys played simultaneously. The Lydian mode can also be used in a polytonal way. Williams combined polytonality and the Lydian mode to express a mystic, dreamlike and heroic quality. His theme—emphasizing coloristic instruments such as the harp, piano, celesta, and other keyboards, as well as percussion—suggests E.T.'s childlike nature and his "machine."<sup class="reference" id="cite_ref-23" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[23] ===Allegations of plagiarism<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">There were allegations that the film was plagiarized from a 1967 script, The Alien, by Indian Bengali director Satyajit Ray. Ray stated, "E.T. would not have been possible without my script of The Alien being available throughout the United States in mimeographed copies." Spielberg denied this claim, stating, "I was a kid in high school when his script was circulating in Hollywood."<sup class="reference" id="cite_ref-24" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[24]  Star Weekend Magazine disputes Spielberg's claim, pointing out that he had graduated from high school in 1965 and began his career as a director in Hollywood in 1969.<sup class="reference" id="cite_ref-25" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[25]  Besides E.T., some believe that an earlier Spielberg film, Close Encounters of the Third Kind, was also inspired by The Alien.<sup class="reference" id="cite_ref-timesofindia_26-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[26] <sup class="reference" id="cite_ref-27" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[27]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Veteran filmmakers Martin Scorsese and Richard Attenborough too pointed out Spielberg's influences from Ray's script.<sup class="reference" id="cite_ref-28" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[28] ==Themes<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == Spielberg admitted this scene triggered speculation as to whether the film was a spiritual parable.<sup class="reference" id="cite_ref-take_22_29-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:9.60000038146973px;">[29] <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Spielberg drew the story of E.T. from his parents' divorce;<sup class="reference" id="cite_ref-salon_30-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30]  Gary Arnold of The Washington Post called the film "essentially a spiritual autobiography, a portrait of the filmmaker as a typical suburban kid set apart by an uncommonly fervent, mystical imagination".<sup class="reference" id="cite_ref-arnold_31-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[31]  References to Spielberg's childhood occur throughout: Elliott feigns illness by holding his thermometer to a light bulb while covering his face with a heating pad, a trick frequently employed by the young Spielberg.<sup class="reference" id="cite_ref-32" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[32]  Michael's picking on Elliott echoes Spielberg's teasing of his younger sisters,<sup class="reference" id="cite_ref-20edition_5-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  and Michael's evolution from tormentor to protector reflects how Spielberg had to take care of his sisters after their father left.<sup class="reference" id="cite_ref-reunion_7-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Critics have focused on the parallels between E.T.'s life and Elliott, who is "alienated" by the loss of his father.<sup class="reference" id="cite_ref-sebeok_33-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[33] <sup class="reference" id="cite_ref-back_34-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[34]  A.O. Scottof The New York Times wrote that while E.T. "is the more obvious and desperate foundling", Elliott "suffers in his own way from the want of a home."<sup class="reference" id="cite_ref-aoscott_35-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[35]  E.T. is the first and last letter of Elliott's name.<sup class="reference" id="cite_ref-36" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[36]  At the film's heart is the theme of growing up. Critic Henry Sheehan described the film as a retelling of Peter Pan from the perspective of a Lost Boy (Elliott): E.T. cannot survive physically on Earth, as Pan could not survive emotionally in Neverland; government scientists take the place of Neverland's pirates.<sup class="reference" id="cite_ref-sheehan_37-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[37]  Vincent Canby of The New York Times similarly observed that the film "freely recycles elements from [...] Peter Pan and The Wizard of Oz".<sup class="reference" id="cite_ref-38" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[38]  Some critics have suggested that Spielberg's portrayal of suburbia is very dark, contrary to popular belief. According to A.O. Scott, "The suburban milieu, with its unsupervised children and unhappy parents, its broken toys and brand-name junk food, could have come out of a Raymond Carver story."<sup class="reference" id="cite_ref-aoscott_35-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[35]  Charles Taylor of Salon.com wrote, "Spielberg's movies, despite the way they're often characterized, are not Hollywood idealizations of families and the suburbs. The homes here bear what the cultural critic Karal Ann Marling called 'the marks of hard use'."<sup class="reference" id="cite_ref-salon_30-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[30]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Other critics found religious parallels between E.T. and Jesus.<sup class="reference" id="cite_ref-39" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[39] <sup class="reference" id="cite_ref-40" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[40]  Andrew Nigels described E.T.'s story as "crucifixion by military science" and "resurrection by love and faith".<sup class="reference" id="cite_ref-41" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[41]  According to Spielberg biographer Joseph McBride, Universal Pictures appealed directly to the Christian market, with a poster reminiscent ofMichelangelo's The Creation of Adam and a logo reading "Peace".<sup class="reference" id="cite_ref-mcbride_12-5" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  Spielberg answered that he did not intend the film to be a religious parable, joking, "If I ever went to my mother and said, 'Mom, I've made this movie that's a Christian parable,' what do you think she'd say? She has a kosher restaurant on Pico and Doheny in Los Angeles."<sup class="reference" id="cite_ref-take_22_29-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[29]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">As a substantial body of film criticism has built up around E.T., numerous writers have analyzed the film in other ways as well. E.T. has been interpreted as a modern fairy tale<sup class="reference" id="cite_ref-gordon_42-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[42]  and in psychoanalytic terms.<sup class="reference" id="cite_ref-back_34-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[34] <sup class="reference" id="cite_ref-gordon_42-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[42]  Producer Kathleen Kennedy noted that an important theme of E.T. is tolerance, which would be central to future Spielberg films such as Schindler's List.<sup class="reference" id="cite_ref-20edition_5-9" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  Having been a loner as a teenager, Spielberg described the film as "a minority story".<sup class="reference" id="cite_ref-43" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[43]  Spielberg's characteristic theme of communication is partnered with the ideal of mutual understanding: he has suggested that the story's central alien-human friendship is an analogy for how real-world adversaries can learn to overcome their differences.<sup class="reference" id="cite_ref-44" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[44] ==Reception<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == ===Release and sales<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">E.T. was previewed in Houston, Texas, where it received high marks from viewers.<sup class="reference" id="cite_ref-mcbride_12-6" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]  The film premiered at the 1982 Cannes Film Festival's closing gala,<sup class="reference" id="cite_ref-second_coming_45-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[45] <sup class="reference" id="cite_ref-festival-cannes.com_46-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[46]  and was released in the United States on June 11, 1982. It opened at number one with a gross of $11 million, and stayed at the top of the box office for six weeks; it then fluctuated between the first and second positions until October, before returning to the top spot for the final time in December.<sup class="reference" id="cite_ref-47" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[47]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1983, the film surpassed Star Wars as the highest-grossing film of all-time,<sup class="reference" id="cite_ref-Dirks_.282010.29_48-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[48]  and by the end of its theatrical run it had grossed $359 million in North America and $619 million worldwide.<sup class="reference" id="cite_ref-BOM_2-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[2] <sup class="reference" id="cite_ref-49" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[49]  Spielberg earned $500,000 a day from his share of the profits,<sup class="reference" id="cite_ref-50" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[50] <sup class="reference" id="cite_ref-secrets_51-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[51]  while The Hershey Company's profits rose 65% due to the film's prominent use of Reese's Pieces.<sup class="reference" id="cite_ref-sweet_17-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[17]  The "Official E. T. Fan Club" offered photographs, a newsletter that let readers "relive the film's unforgettable moments [and] favorite scenes", and a phonographic record with "phone home" and other sound clips.<sup class="reference" id="cite_ref-ahoy198401_52-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[52]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The film was re-released in 1985 and 2002, earning another $60 million and $68 million respectively,<sup class="reference" id="cite_ref-BOM_1985_53-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[53] <sup class="reference" id="cite_ref-BOM_2002_54-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[54]  for a worldwide total of $792 million with North America accounting for $435 million.<sup class="reference" id="cite_ref-BOM_2-2" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[2]  E.T. held the global record until it was usurped by Jurassic Park—another Spielberg-directed film—in 1993,<sup class="reference" id="cite_ref-55" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[55]  although it managed to hold on to the domestic record for a further four years, where a Star Wars reissue reclaimed the record.<sup class="reference" id="cite_ref-56" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[56]  It was eventually released on VHS and laserdisc on October 27, 1988; to combat piracy, the tapeguards and tape hubs on the videocassettes were colored green, the tape itself was affixed with a small, holographic sticker of the 1963 Universal logo (much like the holograms on a credit card), and encoded with Macrovision.<sup class="reference" id="cite_ref-Must_own_DVD_6-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[6]  In North America alone, VHS sales came to $75 million.<sup class="reference" id="cite_ref-57" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[57]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">E.T. was the first major film to have been seriously affected by video piracy. The usual account is that the public in some areas were becoming impatient at long delays getting E.T. to their cinemas; an illegal group realized this, got hold of a copy of the film for a night by bribing a projectionist, and made it into a video by projecting the film with a sound and video recording device. The resulting video was used as a master to run off very many copies, which were widely sold illegally.<sup class="reference" id="cite_ref-58" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[58] ===Critical response<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === Empire called Elliott and E.T.'s flight to the forest the most magical moment in cinema.<sup class="reference" id="cite_ref-59" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:9.60000038146973px;">[59]  The image of them encircled by the moon is now the symbol for Spielberg's film and television company Amblin Entertainment.<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Critics acclaimed E.T. as a classic. Roger Ebert wrote, "This is not simply a good movie. It is one of those movies that brush away our cautions and win our hearts."<sup class="reference" id="cite_ref-second_coming_45-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[45]  Michael Sragow of Rolling Stone called Spielberg "a space age Jean Renoir.... [F]or the first time, [he] has put his breathtaking technical skills at the service of his deepest feelings".<sup class="reference" id="cite_ref-60" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[60]  Leonard Maltin would include it in his list of "100 Must-See Films of the 20th Century" as one of only two movies from the 1980s.<sup class="reference" id="cite_ref-61" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[61]  George Will was one of the few to pan the film, feeling it spread subversive notions about childhood and science.<sup class="reference" id="cite_ref-62" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[62]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">E.T. the Extra-Terrestrial holds a 98% rating on Rotten Tomatoes.<sup class="reference" id="cite_ref-63" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[63]  It has a Metacritic score of 94.<sup class="reference" id="cite_ref-64" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[64]  In addition to the many impressed critics, President Ronald Reagan and First Lady Nancy Reagan were moved by the film after a screening at the White House on June 27, 1982.<sup class="reference" id="cite_ref-secrets_51-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[51]  Princess Diana was even in tears after watching the film.<sup class="reference" id="cite_ref-20edition_5-10" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]  On September 17, 1982, the film was screened at the United Nations, and Spielberg received the U.N. Peace Medal.<sup class="reference" id="cite_ref-65" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[65] ===Awards and honors<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] === <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The film was nominated for nine Oscars at the 55th Academy Awards, including Best Picture. Gandhi won that award, but its director, Richard Attenborough, declared, "I was certain that not only would E.T. win, but that it should win. It was inventive, powerful, [and] wonderful. I make more mundane movies."<sup class="reference" id="cite_ref-66" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[66]  It won four Academy Awards: Best Original Score, Best Sound (Robert Knudson, Robert Glass, Don Digirolamo, Gene Cantamessa), Best Sound Effects Editing (Charles L. Campbell and Ben Burtt), and Best Visual Effects (Carlo Rambaldi, Dennis Muren and Kenneth F. Smith).<sup class="reference" id="cite_ref-Oscars1983_67-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[67]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">At the 40th Golden Globe Awards, the film won Best Picture in the Drama category and Best Score; it was also nominated for Best Director, Best Screenplay, and Best New Male Star for Henry Thomas. The Los Angeles Film Critics Association awarded the film Best Picture, Best Director, and a "New Generation Award" for Melissa Mathison.<sup class="reference" id="cite_ref-68" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[68]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The film won Saturn Awards for Best Science Fiction Film, Best Writing, Best Special Effects, Best Music, and Best Poster Art, while Henry Thomas, Robert McNaughton, and Drew Barrymore won Young Artist Awards. In addition to his Golden Globe and Saturn, composer John Williams won 2 Grammy Awards and aBAFTA for the score. E.T. was also honored abroad: the film won the Best Foreign Language Film award at the Blue Ribbon Awards in Japan, Cinema Writers Circle Awards in Spain, César Awards in France, and David di Donatello in Italy.<sup class="reference" id="cite_ref-69" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[69]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In American Film Institute polls, E.T. the Extra-Terrestrial has been voted the 24th greatest film of all time,<sup class="reference" id="cite_ref-70" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[70]  the 44th most heart-pounding,<sup class="reference" id="cite_ref-71" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[71]  and the sixth most inspiring.<sup class="reference" id="cite_ref-72" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[72]  Other AFI polls rated it as having the 14th greatest music score<sup class="reference" id="cite_ref-73" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[73]  and as the third greatest science-fiction film.<sup class="reference" id="cite_ref-74" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[74]  The line "E.T. phone home" was ranked 15th on AFI's 100 Years...100 Movie Quotes list,<sup class="reference" id="cite_ref-75" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[75]  and 48th on Premiere's top movie quote list.<sup class="reference" id="cite_ref-76" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[76]  The character of Elliott was nominated for AFI's 100 Years...100 Heroes & Villains as one of the 50 greatest heroes.<sup class="reference" id="cite_ref-77" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[77]  In 2005, the film topped a Channel 4 poll of the 100 greatest family films,<sup class="reference" id="cite_ref-78" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[78]  and was also listed by Time as one of the 100 best films ever made.<sup class="reference" id="cite_ref-79" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[79]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 2003, Entertainment Weekly called the film the eighth most "tear-jerking";<sup class="reference" id="cite_ref-80" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[80]  in 2007, in a survey of both films and television series, the magazine declared E.T. the seventh greatest work of science-fiction media in the past 25 years.<sup class="reference" id="cite_ref-81" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[81]  The Times also named E.T. as their ninth favorite alien in a film, calling it "one of the best-loved non-humans in popular culture".<sup class="reference" id="cite_ref-82" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[82]  The film is among the top ten in the BFI list of the 50 films you should see by the age of 14. In 1994, E.T. was selected for preservation in the U.S. National Film Registry.<sup class="reference" id="cite_ref-83" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[83]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 2011, ABC aired Best in Film: The Greatest Movies of Our Time, revealing the results of a poll of fans conducted by ABC and People magazine: E.T. was selected as the fifth best film of all time and the second best science fiction film.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">On October 22, 2012, Madame Tussauds unveiled wax likenesses of E.T. at six of its international locations.<sup class="reference" id="cite_ref-84" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[84] ==20th anniversary version<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == The 20th anniversary version of the film replaces the guns, used by the police, with walkie-talkies.<p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">An extended version of the film, including altered special effects, was released on March 22, 2002. Certain shots of E.T. had bothered Spielberg since 1982, as he did not have enough time to perfect the animatronics. Computer-generated imagery(CGI), provided by Industrial Light & Magic (ILM), was used to modify several shots, including ones of E.T. running in the opening sequence and being spotted in the cornfield. The spaceship's design was also altered to include more lights. Scenes shot for but not included in the original version were introduced. These included E.T. taking a bath, and Gertie telling Mary that Elliott went to the forest on Halloween night. Spielberg did not add the scene featuring Harrison Ford, feeling that would reshape the film too drastically. Spielberg became more sensitive about the scene where gun-wielding federal agents confront Elliott and his escaping friends and had the guns digitally replaced with walkie-talkies.<sup class="reference" id="cite_ref-20edition_5-11" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">At the premiere, John Williams conducted a live performance of the score.<sup class="reference" id="cite_ref-85" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[85]  The new release grossed $68 million in total, with $35 million coming from Canada and the United States.<sup class="reference" id="cite_ref-BOM_2002_54-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[54]  The changes to the film, particularly the escape scene, were criticized as political correctness. Peter Travers of Rolling Stone wondered, "Remember those guns the feds carried? Thanks to the miracle of digital, they're now brandishing walkie-talkies.... Is this what two decades have done to free speech?"<sup class="reference" id="cite_ref-86" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[86]  Chris Hewitt of Empire wrote, "The changes are surprisingly low-key...while ILM's CGI E.T. is used sparingly as a complement to Carlo Rambaldi's extraordinary puppet."<sup class="reference" id="cite_ref-87" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[87]  South Park ridiculed many of the changes in the 2002 episode "Free Hat".<sup class="reference" id="cite_ref-88" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[88]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The two-disc DVD release which followed in October 22, 2002 contained the original theatrical and 20th Anniversary extended versions of the film. Spielberg personally demanded the release to feature both versions.<sup class="reference" id="cite_ref-YouTubeSpielberg_89-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[89]  The two-disc edition, as well as a three-disc collector's edition containing a "making of" book and special features that were unavailable on the two-disc edition,<sup class="reference" id="cite_ref-90" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[90] were placed in moratorium on December 31, 2002. Later, E.T. was re-released on DVD as a single-disc re-issue in 2005, featuring only the 20th Anniversary version.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In a June 2011 interview, Spielberg said that in the future <p style="margin-top:0.5em;line-height:inherit;">There's going to be no more digital enhancements or digital additions to anything based on any film I direct.... When people ask me which E.T. they should look at, I always tell them to look at the original 1982 E.T. If you notice, when we did put out E.T. we put out two E.T.s. We put out the digitally enhanced version with the additional scenes and for no extra money, in the same package, we put out the original '82 version. I always tell people to go back to the '82 version.<sup class="reference" id="cite_ref-91" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[91] <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">A 30th Anniversary edition was released on October 9, 2012 for Blu-ray and DVD, which included a fully restored version of the original film, re-instating the original animatronic close-ups and the shotguns.<sup class="reference" id="cite_ref-92" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[92] ==Other portrayals<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] == <p style="margin-top:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In July 1982, during the film's first theatrical run, Spielberg and Mathison wrote a treatment for a sequel to be titled E.T. II: Nocturnal Fears. It would have shown Elliott and his friends kidnapped by evil aliens and follow their attempts to contact E.T. for help. Spielberg decided against pursuing the sequel, feeling it "would do nothing but rob the original of its virginity".<sup class="reference" id="cite_ref-midas_touch_93-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[93]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">[http://en.wikipedia.org/wiki/Atari,_Inc. Atari, Inc.] made a video game based on the film for the Atari 2600. Released in 1982, it was widely considered to be one of the worst video games ever made.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">William Kotzwinkle, author of the film's novelization, wrote a sequel, E.T.: The Book of the Green Planet, which was published in 1985. In the novel, E.T. returns home to the planet Brodo Asogi, but is subsequently demoted and sent into exile. E.T. then attempts to return to Earth by effectively breaking all of Brodo Asogi's laws.<sup class="reference" id="cite_ref-94" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[94]  E.T. Adventure, a theme park ride, debuted at Universal Studios Florida in 1990. The $40 million attraction features the title character saying goodbye to visitors by name.<sup class="reference" id="cite_ref-mcbride_12-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[12]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1998, E.T. was licensed to appear in television public service announcements produced by the Progressive Corporation. The announcements featured E.T.'s voice reminding drivers to "buckle up" their safety belts. Traffic signs depicting a stylized E.T. wearing a safety belt were installed on selected roads around the United States.<sup class="reference" id="cite_ref-95" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[95]  The following year, British Telecommunications launched the "Stay in Touch" campaign, with E.T. as the star of various advertisements. The campaign's slogan was "B.T. has E.T.", with "E.T." also taken to mean "extra technology".<sup class="reference" id="cite_ref-96" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[96]  At Spielberg's suggestion, George Lucas included members of E.T.'s species as background characters in Star Wars Episode I: The Phantom Menace (1999).<sup class="reference" id="cite_ref-97" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[97]