King of Kings (1961 film)

King of Kings is a 1961 American biblical epic film made by Samuel Bronston Productions and distributed by Metro-Goldwyn-Mayer. Directed by Nicholas Ray, the film is a dramatization of the story of Jesus Christ from his birth and ministry to his crucifixion and resurrection, with much dramatic license.

Contents

 * 1 Plot
 * 2 Primary cast
 * 3 Production details
 * 4 Reception
 * 4.1 Box Office
 * 4.2 Legacy
 * 5 See also
 * 6 References
 * 7 External links

Plot
In 63 BC, Pompey conquers Jerusalem and the city is sacked. He enters the Temple to seize the treasure of Solomon and massacres the priests there. He discovers that the treasure is only a collection of scrolls of the Torah. These he holds over a fire until an old priest reaches for them imploringly. Pompey relents and hands them to the old man.

Many years later, a series of rebellions break out against the authority of Rome, so the Romans crucify many of the leaders and place Herod the Great on the throne ofJudea.

A carpenter named Joseph and his wife Mary, who is about to give birth, arrive in Bethlehem for the census. Not having found accommodation for the night, they take refuge in a stable, where the child, Jesus, is born. The shepherds, who have followed the Magi from the East, gather to worship him. However, Herod, informed of the birth of a child-king, orders the centurion Lucius and his men to go to Bethlehem and kill all the newborn male children.

Mary and Joseph flee to Egypt with the child. Herod dies, killed by his son Herod Antipas, who then takes power. In Nazareth, Jesus, who is now twelve years old, is working with Joseph when soldiers arrive under the command of Lucius, who realizes that Jesus escaped the massacre of the infants. But he does nothing and only asks that Mary and Joseph register their son's birth before the year's end.

Years pass and Jewish rebels led by Barabbas and Judas Iscariot prepare to attack a caravan carrying the next governor of Judea, Pontius Pilate and his wife Claudia. The ambush fails and Barabbas and Judas flee for their lives.

Pilate and Herod Antipas meet on the banks of the River Jordan, where John the Baptist preaches to the crowds. Jesus arrives here, now 30 years of age. He isbaptized by John, who recognizes that he is the Messiah. Jesus goes into the desert, where he is tempted by Satan. After forty days, Jesus travels to Galilee, where he recruits his Apostles.

In Jerusalem, Herod Antipas arrests John the Baptist, who is visited by Jesus in prison. Judas leaves the rebel Barabbas and joins the Apostles. Jesus begins to preach and gather crowds, among which are Claudia, Pilate's wife, and Lucius. Herod beheads John on a whim of his stepdaughter, Salome.

Herod, Pilate and the High Priest Caiaphas are terrorized by the works and miracles of Jesus. Barabbas plots a revolt in Jerusalem during Passover, during which time Jesus enters the holy city in triumph and goes to the Temple to preach. The rebels storm the Antonia Fortress, but the legions of Pilate become involved, ambushing and crushing the revolt, causing hundreds of casualties. Barabbas is arrested.

Jesus meets the disciples on the evening of Thursday, having supper one last time with them and after goes to pray at Gethsemane. In the meantime, Judas wants Jesus to free Judea from the Romans and to force his hand delivers him to the Jewish authorities. Jesus is brought before Caiaphas and then to Pilate. Pilate starts the trial, but sensing that the issue is one of Jewish sensabilities then sends him to Herod Antipas, who, in turn, sends him back.

Pilate is infuriated by Antipas's returning of Jesus and commands his soldiers to scourge him. The people demand the release of Barabbas and Pilate bows to their pressure and sentences Jesus to be crucified. Jesus, wearing a crown of thorns on his head, carries his cross to Golgotha where he is crucified with two thieves, one of them being the penitent thief Dismas.

Desperate because he has betrayed Jesus to his death, Judas hangs himself and his body is found by Barabbas. Jesus dies in front of his mother, the apostle John, a few soldiers, Claudia (Pilate's wife), and Lucius (who utters the fateful words: "He is truly the Christ"). His body is taken down from the cross and is carried to a rock tomb. Two days later, Mary Magdalene finds the tomb empty, and encounters the Risen Jesus.

The film ends on the shores of Lake Tiberias when Jesus appears to the Apostles for "a final time" according to the narration, and tells them to bring his message to the ends of the world. Only his shadow is visible, forming the shape of a cross where it falls on the stretched-out fishing nets. The apostles then leave, and as the shadow of Jesus falls across the screen, it could be assumed that he is ascending to Heaven.

Primary cast[edit]

 * Jeffrey Hunter as Jesus
 * Siobhán McKenna as Mary
 * Robert Ryan as John the Baptist
 * Ron Randell as Lucius
 * Hurd Hatfield as Pontius Pilate
 * Viveca Lindfors as Claudia
 * Rita Gam as Herodias
 * Frank Thring as Herod Antipas
 * Royal Dano as Peter
 * Rip Torn as Judas Iscariot
 * Harry Guardino as Barabbas
 * Carmen Sevilla as Mary Magdalene
 * Brigid Bazlen as Salomé
 * Guy Rolfe as Caiaphas
 * Gregoire Aslan as Herod the Great
 * Luis Prendes as Penitent thief
 * Barry Keegan as Gestas, the Impenitent thief
 * Orson Welles (uncredited) as the Narrator

Production details[edit]
An earlier silent film about Jesus Christ entitled The King of Kings directed by Cecil B. DeMille and starring H.B. Warner as Jesus was released in 1927. That film, however, begins when Christ is already an adult. Director Nicholas Ray's 1961 version tells the story from the beginning and places Jesus' life in the political context of Roman conquest. As Jesus becomes an active preacher and healer, his activities are contrasted with the political stance of Barabbas and his insurgents who battle against the Roman occupiers.

In contrast to other usual film versions of the life of Christ, which show Barabbas only as the murderer whose freedom is offered in exchange for Jesus' life, in King of Kings Barabbas plays a major role, depicted as an incendiary figure fighting Roman domination and as a good friend of Judas Iscariot. Judas believes that he can persuade Barabbas to embrace Christ as a liberator and that he can influence Christ to take up arms against Rome, but Barabbas becomes disillusioned after listening to the Sermon on the Mount. It is then that Judas decides to betray Christ to the Romans. When Lucius frees Barabbas, Lucius pointedly commands Barabbas to go look at Christ as he carries his cross.

The film features scenes of Jesus' miracles and his Sermon on the Mount (shot with many thousands of extras), as well as a scene where Jesus visits John the Baptist in his dungeon during his imprisonment by Herod Antipas. Ray staged the scene in such a way that John the Baptist must crawl up an incline inside the dungeon, holding out his hand to reach for Jesus' hand, a vivid example of Ray's architectural sense of composition and visual drama (Ray had studied under Frank Lloyd Wright to become an architect).[citation needed]

Nicholas Ray's direction balances majestic spectacle with more mundane and small-scale drama, such as Jesus' relationships with His mother and the apostles. The Sermon on the Mount sequence is nearly at the exact center of the film, conveying the core moral and spiritual message of Jesus, which plays a pivotal role in the subplot of Barabbas's conflicted attitude towards Jesus.[citation needed]

The production was photographed in Technirama by Manuel Berenguer, Milton R. Krasner and Franz Planer, and was presented in 70mm Super Technirama at selected first-run engagements.[2] It was the first film of the life of Christ to be photographed in 70mm, which was not in use when previous films on the same subject had been made. The previous film version of Christ's life, a church-sponsored film called Day of Triumph, had been filmed in standard "spherical" widescreen in 1954 by much the same people who filmed television's The Living Christ Series.[3]

Not credited at the time, Orson Welles did the voiceover of the narration, written by Ray Bradbury.[4] Welles insisted on pronouncing the word 'apostles' with a hard 't'.

Reception[edit]
Brigid Bazlen portrays Salome, seen here dancing in order to incite King Herod with lust into giving her "anything [she] wants" — the head of John the Baptist.

At the time of its release, the film gained negative reviews from major publications such as Time magazine[5] and New York Times's Bosley Crowther. The latter felt that the movie had "the nature of an illustrated lecture" and was a "peculiarly impersonal film that constructs a great deal of random action around Jesus and does very little to construct a living personality for Him."[6]

However, its reputation has since improved, with such critics as Leonard Maltin giving the film three-and-a-half stars out of four. Musicians such as Grammy Award-winning Art Greenhaw have cited the movie as being an influence in their work and even their favorite film of all time.[7] The film holds a "fresh" 86% on Rotten Tomatoes.[8]

King of Kings is also memorable for the music score by composer Miklós Rózsa, which was nominated for a Golden Globe Award.[9] Rózsa's most recent work at the time was the score for MGM's hugely successful religious epic Ben-Hur (1959), for which he won his third Oscar. Rózsa composed the scores for many of MGM's epic films, including Quo Vadis? (1951).

Box Office[edit]
According to MGM records, the film earned $8 million in North America and $5.4 million overseas, earning a profit of $1,621,000.[1] According to the Internet Movie Database, the film had a budget of $6,000,000, and made $25,000,000 worldwide as of 1989, based on total worldwide cinema showings, video rentals, and video sales.

Legacy[edit]
Most films at the time did not show Jesus' face, preferring to do shots of his hands (as in Ben-Hur) or over-the-shoulder views. King of Kings was the first large-budget major studio sound film in English to actually show Christ's face. Jeffrey Hunter's youthful, matinee idol appearance (although he was 33 when cast) caused some to nickname the film "I Was a Teenage Jesus",[10] a parodic reference to the 1957 horror film I Was a Teenage Werewolf.