Frederik van Eeden

Willem Frederik van Eeden (Haarlem, the third april 1.86 thousand - Bussum, the sixteenth in Jun. 1 932) was a Dutch psychiatrist, writer, best known for his novels The Little John (1887) and From the cold lakes of death (1900). Gooder as he kept himself deeply involved with language and understanding of criticism.



Content
*1 Life  ==Live [edit]== Frederik van Eeden was the son of the botanist Frederik Willem van Eeden and grew up in an environment in which art and science played an important role. In 1878 he went to study medicine in Amsterdam. In 1886, Van Eeden and he settled himself was promoted to Bussum as a general practitioner, but he quickly specialized entirely in the psychotherapy. In the early eighties of the nineteenth century, Van Eeden played an important role in student life in Amsterdam and he published his first articles and comedies. He joined the literary club Flanor and founded in 1885 by Frank van der Goes, Willem Kloos, William Paap and Albert Verwey magazine De Nieuwe Gids, that the voice of the Eighties Movement would become.
 * 2 Bibliography
 * 3 Trivia
 * 4   Literature

The Eighties reacted against the Victorian "pastor poetry", which was popular in the latter half of the nineteenth century. Van Eeden supplied a large proportion of theBlades of Grass Cornelis Paradise (1885), with a foreword by Sebastiaan Sleep (= Willem Kloos) and PA Saaije Azn. (Pseudonym of Arnold Aletrino). In this famouspastiche on the rijmelarijen poets as Nicolaas Beets, JJL ten Kate, E. Laurillard and JP Hasebroek was also demolished the reputation of Hendrik Tollens, who was regarded as the national poet. In a hundred years of this volume appeared ten prints.

The first episodes of the new guide include parts of the Van Eeden wrote allegorical tale of the little John, which was published in book form in 1887 and in 1892 by Anna Fles wasTRANSLATED into German. In 1894 he resigned from the editorial board of The New Guide. The emphasis laid on the Tachtigers the aesthetics as a driving factor (art for art's sake)CLOSED mind and do not permanently at his view of life.

On April 15, 1886 Frederik van Eeden married Martha van fleets. They had two sons. They divorced on July 29, 1907. Over the life and death of his son Paul, he wrote the book, Paul's awakening. On August 21, 1907 he married Geertruida Woutrina Everts (1873-1952), member of the family Everts, with whom he also had two sons.

In 1900 he published his psychological novel of the cool lakes of death, which has since been reprinted many times and still widely read. Van Eeden herein represents the healing value of religion and psychotherapy versus the fatalistic views of the naturalistic writers. [1]

Around 1900 he developed in anarchist direction. He was a friend of the exile residing in London's Russian Peter Kropotkin. The colony Walden in Bussum was an attempt to give concrete shape social attitudes. This experiment from 1898 to 1907 for the development of socialism in The Netherlands in significance.

Later in his life, Van Eeden kept himself increasingly occupied with significa and spiritualism. In 1897 he published his rhetorical foundation of understanding, which is considered the first Dutch writings in the significa. <sup class="reference" id="cite_ref-2" style="line-height:1;unicode-bidi:-webkit-isolate;">[2] He belonged in 1916 to the founding of the International School for Philosophy in Amersfoort, which in his eyes, a center ' to deepen worldview 'to be had. In addition, the doctrine of significa, especially the significance of the language of human understandings, for him an important source of inspiration. He maintainedCLOSE contact at that time with the founder Lady Victoria Welby.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:22.3999996185303px;color:rgb(37,37,37);font-family:sans-serif;font-size:14px;">On February 18, 1922 Frederik van EedenPERFORMED at the age of 61 joined the Roman Catholic Church after a conversion period that had lasted since 1919. HeRECEIVED in St. Paul's Abbey of the Benedictines at Oosterhout the sacrament of holy baptism, in the presence of his literary friends writer Pieter van der Meer the Walcheren (self convert) and the priest and professor Jac. van Ginneken SJ His Christian names were Fredricus Paul, also in his young deceased son. <sup class="reference" id="cite_ref-3" style="line-height:1;unicode-bidi:-webkit-isolate;">[3] He was buried at the Roman Catholic Cemetery in Bussum. ==<span class="mw-editsection-bracket" style="color:rgb(85,85,85);"><span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[Bibliography edit] == Poster Theo Molkenboer ''for:. The Bokkenrijder or the skeleton'' by Frederik van Eeden (Client: The Hollandsch Tooneel)The little John, wall panel in Gouda*Mushroom or the dangerous passion, Comedians (1882) ==<span class="mw-editsection-bracket" style="color:rgb(85,85,85);"><span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[Trivia edit] == Van Eeden described the Sarphatistraat in 1888 as an example of nineteenth-century bad taste, while he could still recall that he once found the most beautiful street in  Amsterdam. Apparently it was well known that Nesciobrug Van Eeden referred to the "wonderful guy" from the Uitvreter. In a speech he addressed to workers in Amsterdam in 1899, Van Eeden introduced himself with the words, "you may have been told that I'm a strange guy ..." In his Titaantjes wrote Nesciobrug: "In the colony of Van Eeden we might be able to go, but when we were walking back there on a Sunday, four hours walking, then ran as a gentleman in a smock on expensive yellow shoes, eat column adrenal little out of a paper bag, bareheaded, in intimateCONTACT with nature, as it was then called, and his beard full of crumbs. We dared not go and walked again to Amsterdam ". ==<span class="mw-editsection-bracket" style="color:rgb(85,85,85);"><span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;">[References edit] ==
 * The sonnet (1883)
 * Frans Hals (1884)
 * The gate, or The Devil in Elburg Crumb (1884)
 * The Little John (1885)
 * Blades of grass (with ps. Cornelis Paradise) (1885)
 * The student home - Blijspel- (1886)
 * It hypnotism and miracles (1886)
 * Thoughts (1887)
 * Northern Lights (1888)
 * Don Torribio (1890)
 * Studies (1890)
 * Ellen, a song of sorrow (1891)
 * John Viator, The Book of Love (1892)
 * The Brothers (1894)
 * Studies. SECOND series (1894)
 * The song of appearance and reality (1895-1922)
 * Lioba (1897)
 * Studies. Third series (1897)
 * A few verses (1898)
 * Which we live? -Nutsrede - (1898)
 * What Are YouWORKING? - Toespraak- (1899)
 * The cool lakes of Death (1900)
 * The passion defenseless lily (1901)
 * The Interior colonization (1901)
 * The water lily (1901)
 * The joyful world (1903)
 * About Word Art (1903)
 * Communal land ownership (1903)
 * Studies. Fourth series (1904)
 * The small John II and III (1905, 1906)
 * Poortje or the Devil in the Crumb (1906)
 * Minnestral (1907)
 * Dante and Beatrice (1908)
 * IJsbrand (1908)
 * The idealists of the promised land - TheatrePLAY - (1909)
 * Night Bride (1909)
 * Circe's palace - TheatrePLAY - (1910)
 * Welt durch Eroberung Hero Liebe (1911)
 * OPEN letter to the boy scouts (1911)
 * Sirius and Siderius Part 1 The Parents (1912)
 * HAPPY Humanity (1912)
 * Pauls awakening (1913)
 * In capsizing tide - Drama - (1913)
 * Sirius and Siderius Part 2 The Child (1914)
 * Sirius and Siderius part 3 Called or Copper Ears (1914)
 * At theFREE youth (1914)
 * The Witch of Haarlem (1914) in honor of theOPENING of the City Theatre Haarlem
 * By the light of the flame war (1915)
 * The Bokkenrijder or skeleton (1917)
 * Jesus' teachings and hidden life (1919)
 * Looze Lily of the Passion (1920)
 * The church in the City of Light (1921)
 * Church and Communism (1921)
 * The red light - two parts - musings - (1921)
 * My guardian angel and other poems (1922)
 * From Jesus' public life (1922)
 * ISMEA, or the dying butterfly, fairy (1923)
 * Along the way (1925)
 * Youth verses (1926)
 * Liber Amicorum (1930)
 * My diary (part 1-4, 1931)
 * Letters to Henri Borel (1933)
 * Eucharist - with frontispiece by Jan Toorop - (without year)
 * Published posthumously
 * My diary (part 5-8, 1933-1934, Volume 9, 1945)
 * The spiritual conquest of the world (1933)
 * About Dreams (1956)
 * Dreams Book (1979)
 * The short story The Uitvreter of his contemporary NesciobrugBEGINS with the become famous opening line: "Except the man who Sarphatistraat found the most beautiful place in Europe, I have never seen a more wonderful fellow than the parasite." With Nescio "the man who ..." refers to Frederik van Eeden.
 * The spiritualistic interested author Joseph RulofCLAIMED that he was while writing his trilogy Masks and Menschen (1948) medially hadCONTACT with Van Eeden deceased in 1932.
 * In many Dutch municipalities is one of Frederik Eedenstraat, -laan or square are less. In Antwerp, the pre-metro station Van Eeden named after him. This is the Frederik van Eedenplein in St. Anne's Left Bank.
 * Buyssens, Hugo (2001-2002). The rhetorical Basis of Understanding (Frederik van Eeden, 1897). Key for a non-phenomenological epistemology. 2 parts. Unpublished doctoral dissertation University of Brussels.
 * Eeden, Frederik van (2005). Logical Grundlage of Verständigung / rhetorical foundation of understanding. Herausgegeben, bowls thrives und interpretiert Wilhelm von Vieregge, H. Walter Schmitz und Jan Noordegraaf. Stuttgart: Steiner Verlag.
 * Fountain Jan (1990). Discord. The life of Frederik van Eeden in 1901 to Amsterdam. Querido.
 * Fountain Jan (1996). Pride shattered. The life of Frederik van Eeden in 1901 from Amsterdam. Querido.
 * Ligthart, Jan (1902, 7th edition 1924). Literary Studies. The little John. Groningen: JB Wolters. In greatly abridged and edited version included as Afterword in Little John (2009, 2012). Amsterdam: Publisher Abraxas.
 * Nap, HJW (1989). 'Der words are two orders. Some aspects of Van Eeden significa. Spectator 18, 211-228.
 * Noordegraaf, Jan (1991). 'Van Eeden, Bolland and Lady Welby. Significa in the light of reason. PROGRESS, yearbook for Dutch Studies 12, 281-298. (Reprinted in A Matter of Time Vakhistorische studies by Jan Noordegraaf Münster:.. Nodus Publikationen 2005, 116-133).
 * Noordegraaf, Jan (2006). 'Language as a default. Bréal, Van Eeden and misunderstanding. PROGRESS, yearbook for Dutch studies 24, 205-216. <sup class="reference" id="cite_ref-4" style="line-height:1;unicode-bidi:-webkit-isolate;">[4]
 * Noordegraaf, Jan (2007). "Imperfect characters. Michel Bréal and Frederik van Eeden on language and communication." Frederik van Eeden the Communications Fellowship 51, 58-67.
 * Rümke, HC (1964; 1977) About Frederik van Eeden's From the cold lakes of death: an essay.. Amsterdam: Scheltema and Holkema.
 * Schmitz, Walter H. (1990). The Dutch significa. ARECONSTRUCTION of history from 1892 to 1926 Axles & Maastricht. From Gorcum.
 * Vieregge, Wilhelm H. (2004). "Background and reasons for the GermanTRANSLATION of Van Eeden 'rhetorical foundation of understanding.' 'Frederik van Eeden's Communications Society-49, 7-19.
 * Vieregge, Wilhelm H. (2007) "Truth and sincerity in Frederik van Eeden 'rhetorical foundation of understanding. Communications from the Frederik van Eeden-Society 51, 48-57.
 * The palace of Circe, Wim J. Simons, Beechwood, 1960
 * Van Eeden! Van Eeden! There he is in place, Peter van Eeden & Wim J. Simons, Beechwood, 1960